English, Fitz or Percy

Get a look at a point of view from the Warden, as much so, his character really stands out in this episode. Lincoln and Sucre are as good as usual we're as Michaels character is greatly improved in this episode by rumours of him being transferred.

This episode is a true exercise in tension and ingenuity, once again showing how Michael can turn every obstacle into a new opportunity, even when everything seems on the verge of collapsing. The plot unfolds in an electrifying way, with the escape plan becoming increasingly detailed and risky, while external forces tighten around Michael and Lincoln like a slowly constricting noose. The dilemma presented right off the bat-"English, Fitz, or Percy"-sets the tone for the episode, bringing that signature mix of mystery and meticulous precision that makes the show a treat for anyone who loves mind games and well-thought-out strategies. The fact that Michael knows he has to pick the perfect route, analyzing even the patterns of police movement, is just more proof of how well-planned his escape is, but it also highlights how thin the ice he's walking on really is.

The character dynamics get even more interesting, with Abruzzi showing his initial reluctance to accept Lincoln into the group-a reflection of the natural tension between different factions in prison. But the revelation that they're brothers puts an end to that resistance, adding a layer of loyalty to the plan that goes beyond just pragmatic convenience. As always, Michael serves as the balancing point between these egos and conflicting interests, and it's fascinating to see how he manages to keep everyone in check without losing sight of the bigger picture. The conversation between Michael and Lincoln in the chapel is one of the most emotional moments of the episode, with Lincoln expressing a frustration that feels almost tangible. His line about how Michael brought hope to a situation where there shouldn't be any is one of those scenes that perfectly capture the internal conflict of a death row inmate, torn between the desire to believe and the fear of losing it all again. The episode does a great job of exploring this more human side of the story, reminding us that behind all the genius and strategy, there's still an overwhelming emotional weight at play.

However, the biggest threat this time comes from outside the prison, with agents Hale and Kellerman tightening the noose in an increasingly personal and dirty way. The blackmail against the Warden, using the secret about his illegitimate son, is a cruel touch that shows how far the show's villains are willing to go to make sure Lincoln is executed. The Warden, who had so far shown himself to be a man of principles within reason, is put in a terrible position, forced to choose between his morals and protecting his wife from the truth. This moral dilemma adds depth to his character, making him more than just a cold authority figure. And it's interesting to see how Michael responds to this threat, keeping his cool and finding a legal loophole to delay his transfer. This kind of detail is what makes the show stand out-it's not just about brute force or a desperate escape, but about finding ways to manipulate the system from the inside out.

The highlight of the episode, without a doubt, is Michael's temporary escape to the rooftop-a moment of pure adrenaline and surgical precision. The way he discreetly leaves the Warden's office, navigates the rooftop routes, and studies police movements to determine the best escape route is a brilliant example of how the show knows how to build tension effectively. His calculated return to the office at the last second, fooling the Warden and the guards with a simple excuse, is exactly the kind of move that keeps me on the edge of my seat, even though I vaguely remember what happens, still rooting for him to outsmart Bellick's relentless surveillance. The way the entire prison goes into full alert mode when he disappears for just a brief moment only emphasizes how risky and meticulously planned each step of the escape is.

Veronica and Nick's storyline continues to unfold at a slower pace, but it's still crucial to the conspiracy's development. The loss of the video tapes and the growing suspicions about Nick add an extra layer of paranoia to the story, reinforcing the idea that there's no one who can be fully trusted. This parallel plot, while not as intense as the events inside the prison, serves as a reminder that the forces behind the conspiracy are powerful and omnipresent, creating a sense of urgency that extends beyond the walls of Fox River.

In the end, this episode is proof that Prison Break knows exactly how to balance action, suspense, and drama in just the right amounts. Michael may have managed to dodge the transfer for now, but the threat has never been closer, and with Bellick growing more suspicious and the government agents willing to do anything, time is definitely not on his side. The script keeps the fast-paced rhythm without losing sight of character development, making it clear that no matter how brilliant Michael's plan is, one small mistake could be fatal.

Paul Kellerman and Daniel Hale blackmail the Warden Henry Pope promising to reveal a dark secret from his past to his wife Judy to have Michael transferred to Statesville. However, Michael uses a motion to stall the process for at least a month and stay with his brother for the next three weeks. Further, he asks his associates what should be selected: English, Fitz or Percy? Meanwhile, Veronica and Nick discover that the surveillance tape used as evidence in Lincoln's trial was forged.

"English, Fitz or Percy" is the most intriguing episode of this series until now. The story is great and the conspiracy is extending to Veronica and Nick. It is also impressive the realistic performances in this show, and Wade Williams, Paul Adelstein and Robert Knepper amazing in the roles of despicable villains. My vote is nine.

Title (Brazil): "A Transferência" ("The Transference")