Tweener
- Folge lief am 19. Juli 2007
- 16
- 1 Std.
IMDb-BEWERTUNG
8,4/10
6018
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWith Abruzzi becoming more desperate to regain authority within the prison, it seems that Fibonacci's number is up.With Abruzzi becoming more desperate to regain authority within the prison, it seems that Fibonacci's number is up.With Abruzzi becoming more desperate to regain authority within the prison, it seems that Fibonacci's number is up.
Peter J. Reineman
- Gus Fiorello
- (as Peter Reinemann)
Michael Weber
- Knowlton
- (as Michael T. Weber)
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Michael was thrown into one of those brutal moral dilemmas that form the backbone of "Prison Break": how far can a man go to keep his plan alive without losing his soul in the process? Seth's death hits like a gut punch-not just because of the shock of the suicide itself, but because of how brutally the script lays bare the weight of Michael's choices. The moment he admits to Lincoln that it was "easier to look the other way" is especially powerful, because up until now, he's always positioned himself as someone who, despite all the manipulation and calculated moves, still tries to hold onto some sense of morality. Here, that illusion starts to crack, and the episode explores this internal conflict in a subtle but impactful way. Lincoln's reaction, on the other hand, is much more pragmatic, reinforcing the contrast between the brothers: while Michael still tries to carry the weight of every life around him, Lincoln is fully focused on protecting LJ and making sure the plan moves forward, no matter the cost.
Speaking of LJ, the show keeps escalating his manhunt in a way that makes him feel like a walking target. His escape keeps the tension high and highlights just how ruthless Hale and Kellerman are-always one step behind, but getting more aggressive in their methods. The phone call between Lincoln and LJ is one of those short but emotionally charged moments that "Prison Break" does so well. It's a desperate attempt to maintain a connection and offer some kind of protection, but at the same time, there's the painful realization that Lincoln is completely powerless from behind bars. The fact that the agents are monitoring everything only makes the situation more nerve-wracking... LJ might have slipped away for now, but this hunt is far from over.
Inside the prison, the episode introduces Tweener, a character who arrives already marked as the next victim of Fox River's brutal ecosystem. T-Bag's approach to him is a direct reflection of what happened with Seth, creating an interesting parallel: while Seth was submissive and ultimately crumbled under the abuse, Tweener comes in swinging, fighting back. But the show makes it clear that his resistance might not be enough to keep T-Bag at bay. Michael sees in him a shot at redemption-a chance to not make the same mistake twice-but the episode builds up this tension in a compelling way: can he intervene without jeopardizing the escape plan or putting an even bigger target on his back? As always, there are no easy answers.
And if all of that wasn't enough to make Michael's life even more complicated, the prison's mob politics decide to throw another wrench into the mix. Falzone cutting Abruzzi out of the game completely shifts the power dynamics in Fox River, and the show does a great job of depicting how control of the prison's underworld is just as volatile as any other part of the escape plan. Gus taking over as the new boss doesn't just put Abruzzi in danger-it threatens the entire operation in the most frustratingly bureaucratic way possible. By reclaiming control of the break room, he could stumble upon the hole in the floor without even suspecting a breakout is happening. It's a smart writing choice because it reinforces that not every obstacle in the show comes from active pursuit or detailed investigations-sometimes, the sheer chaos of prison life is enough to throw everything off track.
Overall, this episode is yet another example of how "Prison Break" manages to keep multiple storylines running without losing emotional impact or tension. It doesn't just push the plot forward-it deepens Michael's moral struggle, intensifies the hunt for LJ, and throws in new variables that make the escape even more impossible. The show keeps proving that in this game, no one is safe-and more importantly, no one gets out unscathed.
Speaking of LJ, the show keeps escalating his manhunt in a way that makes him feel like a walking target. His escape keeps the tension high and highlights just how ruthless Hale and Kellerman are-always one step behind, but getting more aggressive in their methods. The phone call between Lincoln and LJ is one of those short but emotionally charged moments that "Prison Break" does so well. It's a desperate attempt to maintain a connection and offer some kind of protection, but at the same time, there's the painful realization that Lincoln is completely powerless from behind bars. The fact that the agents are monitoring everything only makes the situation more nerve-wracking... LJ might have slipped away for now, but this hunt is far from over.
Inside the prison, the episode introduces Tweener, a character who arrives already marked as the next victim of Fox River's brutal ecosystem. T-Bag's approach to him is a direct reflection of what happened with Seth, creating an interesting parallel: while Seth was submissive and ultimately crumbled under the abuse, Tweener comes in swinging, fighting back. But the show makes it clear that his resistance might not be enough to keep T-Bag at bay. Michael sees in him a shot at redemption-a chance to not make the same mistake twice-but the episode builds up this tension in a compelling way: can he intervene without jeopardizing the escape plan or putting an even bigger target on his back? As always, there are no easy answers.
And if all of that wasn't enough to make Michael's life even more complicated, the prison's mob politics decide to throw another wrench into the mix. Falzone cutting Abruzzi out of the game completely shifts the power dynamics in Fox River, and the show does a great job of depicting how control of the prison's underworld is just as volatile as any other part of the escape plan. Gus taking over as the new boss doesn't just put Abruzzi in danger-it threatens the entire operation in the most frustratingly bureaucratic way possible. By reclaiming control of the break room, he could stumble upon the hole in the floor without even suspecting a breakout is happening. It's a smart writing choice because it reinforces that not every obstacle in the show comes from active pursuit or detailed investigations-sometimes, the sheer chaos of prison life is enough to throw everything off track.
Overall, this episode is yet another example of how "Prison Break" manages to keep multiple storylines running without losing emotional impact or tension. It doesn't just push the plot forward-it deepens Michael's moral struggle, intensifies the hunt for LJ, and throws in new variables that make the escape even more impossible. The show keeps proving that in this game, no one is safe-and more importantly, no one gets out unscathed.
The corrupt Captain Bellick complains with John Abruzzi that his "perquisite" has not been deposit in his bank account. Abruzzi discovers that Philly Falzone, upset for not receiving news about Fibonacci, has stolen all the money that belongs also to him from his bank account using a letter of attorney and he loses his privileges in prison. Lincoln is mad with the situation of LJ, trying to contact him. Seth unsuccessfully asks for help to Michael and without any hope, he commits suicide. Dr. Sara Tancredi discovers that Michael was under psychological treatment and his shrink tells her that he is a creative genius with no sense of self-worth and also a rescuer. LJ succeeds in contacting Veronica and Nick, but his cell phone is bugged. Veronica lures the secret service agents asking Michael to travel to Lake Mercer, near Iowa, while he actually goes to New Glarus.
In this great episode, the personality of Michael is disclosed a little further with the investigation of Sara, and he feels uncomfortable with the suicide of Seth. The teenager LJ finally gets the necessary help and Veronica and Nick find that many people wanted Steadman dead. In prison, the escape plan moves backwards with Abruzzi losing his P.I. privileges and his partners stopping the services in the storage room. My vote is nine.
Title (Brazil): "O Novo Chefe" ("The New Boss")
In this great episode, the personality of Michael is disclosed a little further with the investigation of Sara, and he feels uncomfortable with the suicide of Seth. The teenager LJ finally gets the necessary help and Veronica and Nick find that many people wanted Steadman dead. In prison, the escape plan moves backwards with Abruzzi losing his P.I. privileges and his partners stopping the services in the storage room. My vote is nine.
Title (Brazil): "O Novo Chefe" ("The New Boss")
Wusstest du schon
- PatzerWhen Seth hangs himself and jumps down from the rail, you can clearly see that the other end of the "rope" is not closed anywhere.
- Zitate
[a guard dismisses Abruzzi's P.I crew from the dilapidated room they are redecorating, and also digging through the floor as part of the escape plan, so he can have sex with the Warden's secretary inside. After he is done he leaves, watched by Scofield and the rest of them]
Fernando Sucre: Do you think he found the hole?
- VerbindungenFeatured in Prison Break: Odd Man Out (2005)
- SoundtracksMain Titles
Composed by Ramin Djawadi
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