The Old Head
- Folge lief am 12. Juli 2007
- 16
- 1 Std.
Füge eine Handlung in deiner Sprache hinzuVeronica, Nick and LJ must go into hiding, while Bellick unwittingly provides Westmoreland's motivation to aid the escape.Veronica, Nick and LJ must go into hiding, while Bellick unwittingly provides Westmoreland's motivation to aid the escape.Veronica, Nick and LJ must go into hiding, while Bellick unwittingly provides Westmoreland's motivation to aid the escape.
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"The Old Head" is a tense but flawed episode. First, how could Veronica and Nick be presumed dead after the explosion of her apartment without their human remains? Second, why Lincoln did not mention the menace of his visitor to the warren after the notification of the death of LJ mother and stepparent? In a security prison, she certainly registered to have access to the visiting room. Last but not the least, the prisoner accused had all the elements necessary to incriminate T-Bag (inclusive the informer is the "mate" of T-Bag). Nevertheless the surprising twist in the end disclosing the identity of the conspirator gives a magnificent conclusion to this engaging episode. My vote is nine.
Title (Brazil): "Perseguição" (Persecution")
One of the episode's highlights is how it develops the dynamic among the members of the escape team. Michael, Sucre, and Abruzzi continue executing the plan with surgical precision, but it's T-Bag's unsettling presence that steals the show. He's like a walking time bomb, and his explicit threat to expose the plan if he's left out forces everyone into a messy moral dilemma. The show continues to lean into that morally gray area where survival depends on unlikely alliances and ethical compromises that slowly eat away at the characters.
The decision to bring Westmoreland into the escape plot is a clever move. Up until now, he's been a quieter, seemingly harmless character, but he gains significant emotional depth when he's pushed to act after Bellick's disgusting cruelty in killing his cat. That moment isn't just a turning point for Westmoreland-it's a reminder of how Bellick's brutality serves as a catalyst for so many events. The way the episode juxtaposes Bellick's coldness with Westmoreland's genuine sorrow highlights the moral complexity of the prison's environment. And let's not overlook Bellick's failed irony: he sees himself as morally superior to the inmates, yet his character and actions put him on the same level-or even lower-than those he claims to judge.
Outside the prison, the plot thickens with Hale and Kellerman escalating their conspiracy to nearly unthinkable levels. The explosion at Veronica's apartment is a brutal scene, and while her and Nick's survival is somewhat predictable, it still packs the emotional punch it needs. The episode brilliantly drives home the point that the threats to the Burrows brothers aren't limited to the prison walls-they come from powerful forces operating at the highest levels, culminating in the shocking reveal that the Vice President herself is directly involved in the plot. This revelation adds a political layer to the story, widening its scope and making it clear that the protagonists are fighting against a much bigger system than anyone imagined.
Another standout is LJ's storyline, which becomes a key element by contrasting the adults' fight for survival with the vulnerability of a teenager trying to navigate a world that's turned against him. The brutal murder of LJ's mom and stepdad is a devastating blow, underscoring just how ruthless the antagonists are. The looming threat that "one Burrows will die" now weighs not only on Lincoln but also on his family, raising the stakes even higher.
Overall, the episode does a fantastic job balancing its parallel storylines and deepening the characters' conflicts. The constant tension, fast pacing, and tough choices keep you glued to the screen. The show continues to excel at portraying the real antagonist-not just as a single person but as a corrupted and powerful system that keeps the protagonists on the back foot at every turn. If there's anything to nitpick, it might be that the plot occasionally feels a bit dense with so many subplots happening at once. But honestly, that's a minor issue in an episode as well-executed as this one.
Wusstest du schon
- PatzerWhen Bellick goes to see Westmoreland to find out who killed C.O Bob, he lit a cigarette then placed the packet back in his pocket as he enters Westmoreland's cell, but when he sits down in the cell you see him put the packet in his pocket again.
- Zitate
Charles Westmoreland: 'Cause you still think I'm D.B. Cooper.
Michael Scofield: I don't think. I know. The way I see it, you're in here doing 60-to-life for a vehicular manslaughter. It would have been 20, but the car you were in was stolen. Felony murder rule cubes up your sentence, and here you are. Hitting that woman was an accident, but the car? No one accidently steals a car. So the question is, why would Charles Westmoreland be in Arizona boosting a car, ten states away from where he lived, and only ten miles away from the Mexican border? And why, two days before that, would someone make a phone call to his wife from a motel in Portland, a stone's throw away from the airport out of which, shortly after, flight 305 was hijacked by one, D.B. Cooper? Seven hours after the hijacking, records show Charles Westmoreland was treated for a busted knee at a free clinic in Brigham City. Only way to get from Portland, Oregon to Brigham City, Utah in seven hours, is in a car breaking every land-speed record known to man, or flying. It's public record D.B. Cooper jumped out of that 727 about an hour after takeoff. Taking a dive at ten thousand feet with 1.5 million in cash and a hastily packed parachute, might make for a pretty rough landing. Rough enough to shatter some bones, maybe even a left knee. D.B. Cooper would've had a car waiting for him when he landed. According to D.M.V. records, in 1971, Charles Westmoreland was the proud owner of a '65 Chevy Nova. As it happened, a '65 Chevy Nova with the registration number scraped off was found abandoned with a blown gasket along the Arizona border, a mile or two away from where you accidently hit that woman, with your stolen car.
Charles Westmoreland: Interesting story.
Michael Scofield: Interesting man.
- VerbindungenFeatured in Prison Break: J-Cat (2006)
- SoundtracksMain Titles
Composed by Ramin Djawadi