Serial Experiments: Lain

Generally speaking,Japanese anime products,as its by-product known as "otaku" culture, are full of contradictions. First of all, anime's "artistic" level has never been adequately estimated in its homeland(namely by audience, critics and mass medias) and usually "discovered" by foreigners(most sad example is "Inoccence--Ghost in the shell", Mamoru Oshii's best and probably last artistic film). Secondally, anime's highest level in dramaturgy had been achieved before it was "discovered" by world film festivals and foreign audiences(French people is said to have believed "Candy Candy"'s not a Japanese serial, because it was so sophisticated).

"Serial experiment Lain" is a accidental postmodern masterpiece,made after anime's classical achievements("accidental", because no one had intended to make a work of art). "Lain" uses plenty of postmodern devices: citation from purely historical materials,stylish eclecticism,"open" ending or circular structure and showing its own media's limitation(many scenes are openly "two dimensional" and look like rather abstract "picture").

Having been made in the time of imitation and citation of past anime "classical "serials of 80s and later 70s, "Lain" is superb in its originality and the sense of the contemporary.After seeing this serial, "Evangelion" seems to be boring and too long(experimental works must be not so long as ordinary "genre" works,it is the rule from the time of silent era).

I recommend to compare this serial with "Kairo" by Kiyoshi Kurosawa,the latter will seem to be some kind of a little out-dated remake of this serial.

Lain is by far one of my favorite animes of all time. The story is deep, well thought out, and very entertaining throughout. The characters develop perfectly, the atmosphere is incredible, and the story is flawless. Some of the story is left slightly open ended, leaving the viewer to fill in his or her own conclusions.

Tech heads will relate to this story effortlessly. The Wired is easily a souped up version of our own Internet, and the history isn't outrageously far from our own and well explained. The parallels between our world and this fictional world really make things interesting. This series really hits a sweet spot for sci-fi technological dramas.

Every anime fan should see this series, but be prepared for a brain twister. I've watched it a good five times and I can honestly say I still find new tidbits of the story every time. You just can't sit back and put your brain on cruise control; You must make an effort to follow the story or it will leave you mercilessly lost and confused.

And remember folks, this is fiction. You have to be willing to suspend belief a few times and accept the universe of the work at hand. Those unwilling or unable to do this, need not apply. Think of it as a deep mystery novel. Even when following the concrete parts of the story with great attention, there's enough misdirection to leave you wondering what if... and that's half the fun.

If you simply can't accept that the story isn't handed to you neatly gift wrapped, and that you may have to fill in the details from your own imagination, then go watch a simpler anime. This isn't for you. If you like the confusing story of animes like Neon Genesis Evangelion, or Boogiepop Phantom then you'll love this. If you live and breath technology, you'll only love it that much more. All in all, this is a masterpiece of animation.

• Rirath_com

Anime existentialism, generally speaking, is largely inaccessible to western audiences... and it's almost totally inaccessible to myself. I'm not ashamed to admit that I had to watch Akira three or four times before I fully understood it, and Ghost in the Shell had to live in my VCR for a couple weekends until I was satisfied I'd eked whatever shred of understanding out of it that I could. I grew very tired of essays on where mankind came from and where it was going. I decided, at that point, that I would never understand anime to a degree where I could be pleased with it, and abstained from watching it for a while (with the exception of the occasional Ranma1/2 episode, at the behest of my then-girlfriend).

Then, along came Lain.

I was very, very skeptical about watching Lain. Not only did it look like your typical "what is it all about" anime, but it was a thirteen-episode series, clocking in at well over five hours. I figured I'd watch the first four episodes and scrap the rest.

Lain sucked me in.

I can't stress how shocked I was when I swapped DVD #3 for DVD #4 and looked at my watch to realize I'd been sitting in one place for over four and a half hours. Serial Experiment Lain is simply incredible. There's enough mystery and enough seeds planted to keep the viewer watching from one episode to the next. The artwork is friggin' incredible... minimalist yet so rich that each shot breathes with its own life. Even the opening title sequence draws you in, with its careful attention to camera, style, and its mournful score.

Mournful, indeed. I don't make it a point to cry when I'm watching cartoons, but Lain beat the living hell out of my emotions. In very broad strokes, Serial Experiment Lain is about family, alienation, friendship and humanity. It analyzes the differences between obligation and true love, and comes down to the question of what is right and what will make you happy... and most importantly, what happens when we're forced to choose between the two?

Lain takes a lot of chances with style and presentation, and is a truly refreshing breath of fresh air from a medium that has grown far too comfortable with itself. The combination of cel animation with computer graphics and live action footage creates a world not unique to anime, but totally unique unto itself. Serial Experiment Lain rekindled my faith in anime, which is saying a lot. It is a great experience (I wouldn't be here telling you about it if it wasn't) and a great piece of film. If you've got a few hours to kill, step into Lain's world for a while, you won't be disappointed.

"SE: Lain" is a great anime series. It's not godly perfect or anything, but it gets up there...way up there. From the killer opening title sequence (with a great opening song, by the way) to the strange "previews" (they only consist of a girl talking and her body parts - I'm not kidding) for the next show, "Lain" certainly has a fairly unique style. But it goes beyond style and gets into substance.

The story is simple at first and seems half-predictable in these post-"Matrix" times. After a classmate seemingly commits suicide, Lain gets e-mail from the dead girl. Apparently, her consciousness is still on the net...or is it? From then on, things get weird, complicated, and interesting.

Splicing in elements of Matrix-style cyberpunk, X-Files conspiracy, and the David Lynch-esque surreal, "Lain" is, like the Wired world it portrays, a synthesis of disparate ideas and personas, all thrown into a blender for the viewer to interpret. The interpretation's the thing, and those looking for action or comedy may come away slightly disappointed. After 13 episodes, there will probably be more questions than answers, but isn't real life like that, anyway?

Something that could have only came when the internet was still mysterious in its working. But that doesn't change how philosophical and experimental it is, and beyond all focuses on emotions through an archetype that gets sidelined and turns into a unique experience. Even though it ends as a bit of a failed attempt to be Neon Genesis Evangelion this is still an amazing feat in visual media for executing something like this and not just dying in the minds of the brilliant people who made it.