Der Hades-Faktor

Lovers of action movies, fans of TV series like '24', readers of Robert Ludlum novels and similar have good chances to like this movie. It starts very well, with three mysterious virus-related deaths and a failed transaction of bio-weapons in Berlin that leaves as well its dose or corpses and evolutes quickly in a national crisis type of story, sort of a combination between 'Outbreak' and '24'.

The film is well done, well acted, the pace of the action does not trail almost at all and the story has the kind of logic you would expect from such stories. The principal problem may be the format - the two and half hours are too long for a feature film (although we have seen many similar length films lately on big screens) and two short for a TV series.

The professionalism of filming and acting lends more on the feature film side. Stephen Dorff in the principal role is credible and likable, and the principal critic one can bring to his act is that he looks so much as Jack Bauer. Mira Sorvino, Sophia Myles, Blair Underwood, Colm Meaney are all at their place and give credible acts. The only mis-casting seemed to me to be Anjelica Houston, which did not seem to be very comfortable as a Madam President.

It's not great cinema, just fair entertainment. Action movie fans should not miss this film, the other can skip it without problems.

If you enjoyed the Dustin Hoffman movie Outbreak, the TV series 24 and X-Files and the HBO/BBC series TheCell, and wondered what would happen if you mixed them altogether, then this is the result.

It trundles along at the usual pace of all the above, with Stephen Dorff doing his best Jack Bauer impersonation, in both looks and personality. Naturally the love of his live is offed fairly early on and that sets up the lone-agent working to recover the truth. Very 24'esque.

The X-Files element is all the government conspiracies that are woven into the plot and that makes for more distraction than anything else. The story is a good one on its own merit, no need to keep mixing in nonsense that really only serves to bog down the movie.

But on the whole it is a good watch.

Great literature its not, but Robert Ludlum is hard to beat as a writer of suspense thrillers and COVERT ONE: THE HADES FACTOR is no exception. Writing the screenplay with Ludlum is Elwood Reid and together they have created a very fast moving tale of the threats of bio-terrorism, found in Mick Jackson a perfect match for a director, and gathered an exciting cast to make this 160 minute made-for-television movie fly by at tremendous speed.

The premise of the film involves the worst of all 'weapons of mass destruction' - biological warfare - and here the topic is dealt with in a fascinating manner that pulls the US Government into the fold as implicated in the feasibility of such warfare. Not possible? Well, watch the film and make up your own mind.

Stephen Dorff plays Jon Smith, a one time covert agent for the White House, who becomes ensnarled in a plot to release the Hades Virus (a hemorrhagic lethal variant of the Ebola virus) to destroy the US. Smith's girlfriend Dr. Amsden (Sofia Myles) works for the government in the department that watches for measures just such as this. When the plot to sell the virus (is it possibly a virus known to the US government as the Scimitar project?) falls into the hands of an agent Rachel Russell (Mira Sorvino), the confusion of who is working for whom unfolds and all manner of agents and FBI, CIA, etc agents tumble around the President (Anjelica Huston) trying to identify the true culprits and the race to stop the dissemination of the deadly virus. In the many roles of varying consequence are actors Blair Underwood, Danny Huston, Colm Meaney, Josh Hopkins, etc.

The film is not without its gruesome elements: what depiction of bio-terrorism could avoid that? But the pace and the action sequences and the many locations of the film make the story propel along at a fascinating pace and the actors hold their own despite some predictable moments. Though this obviously is a fiction novel and a good one at that, there is a degree of truth in all fiction and any time writers and artists can help us understand possibilities, we are the better informed for it. Recommended viewing.

Horrible movie. The production values and acting are decent which don't help much to hide the stupid clichéd dialog, the illogical plot, and the ridiculous focusing on faces and looks that are irrelevant and gratuitous. So many red herrings. Danny Huston is all wrong for this role. No credibility here. It's the writing that does him in. Why suspect John Smith. No reason at all. Why would he allow his girl friend to die. More stupidity, and all taken so damn seriously. This movie makes me so mad. It just makes no sense. And that customs guy gets a red flag and lets the lingerie salesman go. No questions, and wouldn't there be a full alert during this time where the slightest suspicion would at least require further investigation? So many unrealistic plot lines. It's like a caricature of a spy movie. A spy running around in spike heels? Come on. Oh look at the bruises on Sophie's body...Oh no that's nothing. Are these people supposed to be pros? And that Russian style spy/gangster with the punk haircut that no one notices? Oh yeah he looks so cool and just blends in. What idiocy. Yeah lets hire an agent that looks like that. That will be real successful. And then he's on the train platform, leans over without checking under the edge. I guess he's not very well trained or just has a death wish. And more and more crap.

The first part of the series was good as a movie in general. But I, being a fan of the book, was disappointed that the story was loosely based on the Gayle/Ludlum work. I have wanted them to make a movie out of this series of books for some time now. And I guess in my anticipation and already thinking about how the movie would be, I was a little angry. I can understand the director fast forwarding to recent events, but changing some of the backgrounds of the characters and COLONAL John Smith being out of USAMRID. But again, as a movie, without reading the book, this was a good story. Sorry, I just had to find a faucet to vent my thoughts.