Nina

Everything you wouldn't want to see in a film about Nina Simone. While Zoe Saldana might get a C+ for effort, one wonders if there were any mirrors anywhere on set or if she figured CGI would fix her appearance; although, the problems with this abysmal film are greater than Zoe's horrific makeup. The story is disjointed and focuses on absolutely arbitrary parts of Nina's life. There is no depth or realness to Cynthia Mort's vision of Nina and - considering the subject matter - that's an injustice. It could be considered an accomplishment that Mort was able to create a film about Nina Simone that leaves the viewer feeling nothing at all. Perhaps the worst part of the film is how ugly they made Nina. While she might not have been what's considered conventionally pretty, Nina possessed an elegant beauty that was a powerful part of her performance. Nina Simone was a beautiful woman and to turn her into a creature from the blackface lagoon in a biopic is unforgivable.

Wow, that was a tough watch. Saldana is an appealing and decent actress within her range, but she's way, way out of it here, and given a script and a character that she simply can't do justice to.

It's rare that actors are asked to play older than their age, and for good reason: everyone can remember what it was like being younger, but can only imagine being older. There's no gravitas or presence to Saldana's performance here, and she can't anchor this muddled, tentative film. Since it's entirely about her, well, you see the problem.

And we have to talk about the blackface. Saying "yeah, but it was required for the role" doesn't make it all right. That's how you get Occidentals playing Charlie Chan or Fu Manchu, or girls with less Native American ancestry than Elizabeth Warren playing Comanches.

One rule for all, no exceptions, please.

After the big hoo-ha about how bad this film is, in particular because of Zoe Saldana's casting, I decided to give this movie a shot.

I know virtually nothing about Nina Simone's life, but this film does not want to portray what her life was during her prime. Instead it relies on itty bitty pieces of dialogue during interviews and conversations with Nina's old friend Richard Pryor. It is set during the last decade of her life, when she is mentally ill, unstably alcoholic and very difficult to tolerate. Clifton (David Oyelowo), the nurse at the mental hospital where she is interred, takes her in, looks after her and eventually becomes her manager.

The real problem with this movie is, glaringly, the time period of Nina's life. It's not a good one, and very little happens in the movie. We start her off as a little girl defying racial segregation so that her parents can sit in the front row. Nothing else is shown of her rise to fame and struggles, which makes the film feel very empty.

One thing I really didn't like is the erasure of Clifton's homosexuality. Although he and Nina are not seen intimate with each other (at one point she calls him the F word when he refuses to have sex with her) there is a small implication. Why couldn't they show everyone he was gay?

The last thing is of course Zoe Saldana as Nina. I personally feel the criticism (and it was extremely scornful) was very unfair. She did the best with what she was given, and she should be praised for it. The problem is not the color of her skin, its the age. She is supposed to be in her sixties, and yet Saldana is actually younger than David Oyelowo! They really couldn't find an older actress?

At times the movie was painfully boring, badly paced and perhaps unintentionally funny. 5 out 10.

Probably only 25 minutes that I'm watching this biopic about one of my idols:Nina Simone -> "What a bad television film"."A disaster" ... Zoe Saldana, clearly not up to the character! The allusions to Nina; a revolutionary musician are too few"... I don't care about Mrs Simone torments at the end of her life ! Mostly her relationship with her domestic/manager. (If at least it was "done properly). Plus, all the reproductions of her interviews and concerts : "We do not talk about it "... The film budget is what? $ 200 or something ... Roughly speaking, this full-length feature is a flop ... Let's watch a good documentary :)

I came in with expectations about this film. They weren't particularly high but what I did expect was to a lesser degree the music and vocal styling. Zoe Saldana as Nina Simone missed that mark completely. Unlike Jamie Fox in Ray where he magnificently captured Ray Charles's vocal patterns and musical style, you get none of this with Saldana's Nina. In fact, it doesn't transport you away at all. It's an unpleasant look into Nina's last years of her life, one that you do not wish to fully examine. And then there is the makeup that was applied to Zoe Saldana. It was not a visual look that was welcomed. I don't know if they were trying to capture Nina's appearance but this too was flawed and I go back to Jamie Fox role as Ray. Maybe Zoe Saldana was the wrong choice although I do see her being credited as one of the producers along with David Oyelowo who also has a role in this so maybe this was more of a vanity thing because they did it and figured it was easier for her to play the role. the other thing that bothered me was that they kept jumping from one era to another without any consistency. It was a visual headache to the story that just didn't fit. This was tough to watch.