Everyone Stares: The Police Inside Out

I have quite a few problems with this documentary, being a huge fan of The Police. (Own "Message in a Box", saw them live in 2007, I'm totally influenced by them in my own music...) This was a major letdown. Here's the problem.

Copeland is a terrible narrator, half the film he's mumbling on and has such little charisma for narrating a documentary. The quality of his super8 camera is brutal, and that in itself wouldn't be so bad, but the WHOLE documentary is basically told with this super8 grainy, look.

It doesn't capture the actual soul of what the Police were. It basically follows 79-84, as if it were just, "Oh then we got a track on the charts, then we went to a concert, then we did some traveling, oh then we did some more shows, now we're big, then we released a couple albums, then a few more shows, now it's over." The only sense of conflict in the band you will get in the WHOLE documentary is the following quips.

Stewart: I'm starting to hate this band.

Sting: Stewart... I blame you for all my problems.

--- That's it. This is the so called band that had it's drummer break the lead singers ribs, get into fistfights, and downright hate each other, but at the same time record some of the greatest rock music ever. It basically is something slapped together, with some old footage, called a Police DOCUMENTARY and it just, has no thread. Nothing, I can only say, SOME (but little), of the documentary was okay, and had a couple cool things going for it, some interesting little parts to it, but way to little to even make this a repeat viewing.

If you're a die hard police fan, it's only an hour, and you might get a chuckle, and a "Oh cool.", but believe me, for the 5 minutes of total time where you're interested, there's another 60 of boring crap. Why can't Martin Scorsese do a Police documentary?

In 1979 Message in a Bottle hit No. 1 in the UK. The Police were rich. Andy and Sting went out and bought Mood Taurus foot pedals, Stew daddy bought a 8mm video camera.

The pictures from that camera are the basis for this glorious tribute to the band that inspired me over 40 years ago to learn to play guitar, bass, keyboards, hell play and understand music.

The liner notes in my DVD say Stewart put this together only for the the extended band originally, Andy, Stingo, Danny, Jeff, Tam et al.

Stewart's derangements of the songs is a total delight and foreshadows many of his later projects.

And anyone who loves live music must love all The Police.

If there is 1 minor downside, for us fanatics, the chronology is a little suspect.

But the biggest band from the best seat in the house.

Cannot go wrong.

RIP Ian Copeland and Kim Turner.

This is a pretty interesting documentary, in the early 80s if you ever saw Stewart Copeland with a camera and wondered what he was doing, this is it. It's basically home movies Copeland took when he was with The Police. It's interesting hearing what he has to say and to actually see some behind the scenes. Musically it's very nice but at times the audio is weak, that's due to the fact that a good audio system wasn't available but you get to hear some great live versions of some hits.There are some really funny moments an since it is a documentary, a few times I was reminded of This is Spinal Tap, which isn't a bad thing. We get to kind of know the band members and by the end I felt this film was a pleasing experience, showing us what it's like being a member of a rock group.

Just got back from seeing this at Sundance, and I have to say (as an unabashed Police fan) that this is as great a perspective as you will get of a band's eye view of their world. From the initial chaos of life on the road, to the passion of those fans for whom your world is theirs, to the eventual strange, quiet normalcy of touring, the film is a unique postcard to a time when The Police were truly the world's biggest band.

What the film lacks in narrative conflict, it more than makes up for in its candid perspectives on the dynamics between the Police -- Andy Summers in particular is a hoot, and it's only a shame that Sting's tortured genius couldn't find more of a release in front of Stewart's camera.

No "warts and all" view of the band this, rather (as appropriately titled) it is as much a documentary of the fans who made the band what they were, as it is of the band itself, and is all the better for being so.

In 'Everyone Stares: The Police Inside Out', Stewart Copeland presents a behind-the-scenes, and very unique, look at The Police, from their inception to the very end.

The premise is Stewart buys an 8mm camera and begins filming his band from the very, very beginning. In many ways, this film brings you into the perspective of being in a band going from nearly nothing to being the biggest band on the planet, all in under 5 years. The film is shot on 8mm, so it has a grainy, sort of distorted style at times. However, this film is really beautiful. Copeland definitely has an eye for a shot, and mixed amongst the band messing around, playing live, or signing autographs for fans, are beautiful interspersed shots of various locations The Police sauntered through during their days.

This movie may not be for everyone. At around 1:20 in length, it is a short, very entertaining look at one of the greatest rock bands of the 1980s. If you are a fan of The Police, you will absolutely love this film. If not, I believe you'll appreciate how this film is very different than other music documentaries. This really is a very good to outstanding film about music. The fact that it was filmed by a member of the band, and he has a great eye for film, is wholly unique. I highly recommend this film.