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11th Hour - 5 vor 12

Originaltitel: The 11th Hour
  • 2007
  • PG
  • 1 Std. 35 Min.
IMDb-BEWERTUNG
7,2/10
6015
IHRE BEWERTUNG
11th Hour - 5 vor 12 (2007)
Theatrical Trailer from Warner Bros. Pictures
trailer wiedergeben2:16
3 Videos
43 Fotos
Science & Technology DocumentaryDocumentary

Füge eine Handlung in deiner Sprache hinzuA look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems.A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems.A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems.

  • Regie
    • Leila Conners
    • Nadia Conners
  • Drehbuch
    • Leila Conners
    • Nadia Conners
    • Leonardo DiCaprio
  • Hauptbesetzung
    • Leonardo DiCaprio
    • Kenny Ausubel
    • Thom Hartmann
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    6015
    IHRE BEWERTUNG
    • Regie
      • Leila Conners
      • Nadia Conners
    • Drehbuch
      • Leila Conners
      • Nadia Conners
      • Leonardo DiCaprio
    • Hauptbesetzung
      • Leonardo DiCaprio
      • Kenny Ausubel
      • Thom Hartmann
    • 51Benutzerrezensionen
    • 31Kritische Rezensionen
    • 63Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Nominierungen insgesamt

    Videos3

    The 11th Hour
    Trailer 2:16
    The 11th Hour
    The 11th Hour
    Clip 1:14
    The 11th Hour
    The 11th Hour
    Clip 1:14
    The 11th Hour
    The 11Th Hour: We Are The Generation
    Clip 1:15
    The 11Th Hour: We Are The Generation

    Fotos43

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 38
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    Topbesetzung61

    Ändern
    Leonardo DiCaprio
    Leonardo DiCaprio
    • Self - Narrator
    Kenny Ausubel
    • Self - Founder, Bioneers
    Thom Hartmann
    Thom Hartmann
    • Self - Author, The Last Hours of Ancient Sunlight
    Wangari Maathai
    Wangari Maathai
    • Self - Founder, Greenbelt Movement, 2004 Nobel Peace Prize Laureate
    Sandra Postel
    • Self - Director, Global Water Policy Project
    Paul Stamets
    Paul Stamets
    • Self - Mycologist, Author, Mycelium Running
    David Orr
    • Self - Chair, Environmental Studies Program, Oberlin College
    Stephen Hawking
    Stephen Hawking
    • Self - Lucasian Professor of Mathematics, Cambridge University
    Oren Lyons
    Oren Lyons
    • Self - Faithkeeper, Turtle Clan, Onondaga Nation, Haudenosaunee, Six Nations, Iroquois Confederacy
    Andrew Revkin
    • Self - Author & Science Reporter, New York Times
    • (as Andy Revkin)
    Sylvia Earle
    Sylvia Earle
    • Self - Oceanographer, Explorer-in-Residence, National Geographic Society
    Paul Hawken
    Paul Hawken
    • Self - Author, Environmentalist, Entrepreneur
    Janine Benyus
    • Self - Author, Biomimicry
    Stuart Pimm
    Stuart Pimm
    • Self - Professor of Conservation Ecology, Duke University
    Paolo Soleri
    • Self - Architect, Founder of Arcosanti
    David Suzuki
    David Suzuki
    • Self - Scientist, Environmentalist, Broadcaster
    James Hillman
    • Self - Psychologist
    James Parks Morton
    • Self - Dean Emeritus, The Cathedral of St. John the Divine
    • Regie
      • Leila Conners
      • Nadia Conners
    • Drehbuch
      • Leila Conners
      • Nadia Conners
      • Leonardo DiCaprio
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen51

    7,26K
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    dobbin-1

    The Earth will get by on its own

    This very insightful documentary is not about the death of the world. Those whom extol such are, in my opinion, foolish dramatists. Rather, it is about the death of our species.

    DeCaprio excels in bringing forth the intelligentsia who bring not only educated opinion but factual data. Facts show the Earth is suffering from the abuses of people. And the greatest abuses come from the largest and most technological countries. Yet, some of the worst abuses come from small, undeveloped countries too poor to encourage environmental regulation.

    With all the pollution of land, sea, and air, we as people will ultimately succumb, unless we take great action to replace what we remove, or accept our need to find alternatives.

    Global warming may be real or not. I haven't been around for a hundred thousand years or so, so I can't really say. In my oh so short time on this planet, I feel I can say one thing and that is we sure are doing a lot more to hurt ourselves, and this planet, than help.

    Five stars for The 11th Hour.
    9Chris Knipp

    "Its all-hands-on-deck time"

    Narrated, produced and spearheaded by Leonardo DiCaprio, this documentary about how humans have damaged the earth and what chance we still may have of reversing the destruction is hard to summarize, since it's a breathless amalgam of fact and opinion from dozens of experts and pundits. But here's a try: The planet is nearing meltdown. It's not just global warming. It began with the industrial revolution, when we started mistakenly looking on nature as external to us and endlessly exploitable. Forests have undergone major destruction. The ocean is turning stagnant. The soil itself is largely damaged everywhere. Worst of all, 50,000 species a year are becoming extinct, and no ecosystem can be identified as improving. Not to mention the fact that humans suffer from increasing numbers of diseases our pollution causes. At fault is the overproduction of non-sustainable manufactures, the immense waste and destruction, and the sustaining (unsustainably) of vastly more people than the planet can support. Behind all this the primary cause is the fuels we use, petroleum being the primary one.

    So far, the process can still be slowed, perhaps reversed--but not for long. We have the technology, though nature itself rather than any man-made "thing" is the greatest resource, and the solution is in harmonizing ourselves with it, not further dominating it. In a few years, we will have reached the point of no return. This is not just the 11th hour, but the last few seconds of the sixtieth minute of that hour. Within this new century, if nothing effective is achieved, planetary damage will be dramatic and total in every area. It's impossible to predict, but extreme disaster could come very rapidly, once the balance is decisively tipped in the wrong direction, and it will happen everywhere. Nowhere is safe from it.

    As one reviewer has said, if we don't slit our throats after hearing the first half of this story, some "intriguing options" are suggested in the last third Various speakers believe that while humanity may not survive, without a reversal of the trend, life on earth probably will. (Welcome to Insectopia.) But surprisingly enough, though everything we do has to be changed radically and totally, things won't necessarily look wholly different. The difference will be inside. An 85% efficient train car looks just like a little old train car, only its interior works will have changed. A wholly self-sustainable skyscraper still looks on the outside just like a skyscraper: the new Bank America building in New York resembles the Transamerica Pyramid in San Francisco, only with more glass.

    Not only are the technologies all available, but there are many plans about how to use them, and doing so can be immensely profitable even for existing businesses, if they alter their products and raw materials. The obstacle is resistant mindsets, and above all a lack of leadership. There's another obstacle--well, many; and they're mostly in the United States. The large corporations in whose interest it is to go on gobbling fossil fuel (or as writer Thom Hartman calls it, "ancient sunlight"), rule our world, and our American leaders are their marionettes. The average working guy doesn't think beyond the morning traffic report. We all need to learn to care. Dippy as it sounds, all we need is love. And we can act fast when we want to--look at the American performance in WWII.

    Al Gore has greeted The 11th Hour as a sequel to An Inconvenient Truth. In a sense it is that. In David Guggenheim's Oscar-winning film Gore demonstrates why and how global warming is a reality and a cause of grave concern. The 11th Hour sets this event in a larger context, warns further of the urgency of acting now, and, unlike Inconvenient Truth, goes into detail about practical solutions. The 11th Hour, unfortunately, isn't as polished and effective as An Inconvenient Truth. The latter is unified by Gore's personality. DiCaprio provides an appealing sort of youthful everyman voice (even a Hollywood superstar becomes an everyman in this context), but he doesn't hold The 11th Hour together. Though the range of expertise is impressive and valuable, structurally there is a dauntingly rapid succession of different faces. Even during the 11th hour of 11th Hour new speakers keep appearing and it's difficult to take in all the names and credentials first time through. Luckily there are a few strong and unmistakable voices, like the broadcaster David Suzuki; Stephen Hawking; Mikhail Gorbachov. The soft southern accent of Interface founder Ray Anderson, a "good" corporate CEO, is familiar from the Gore film.

    Sometimes information and animated diagrams go by with ridiculous speed. It's as if the filmmakers were a little terrified of omitting something. This will work fine on a DVD where you can freeze-frame to check things out; it doesn't work so well in a theater. Speeded-up urban sequences look like some sloppy version of Koyaanisqatsi. These flaws make one nostalgic for Gore's measured tones. His detractors called Inconvenient Truth "a glorified Power Point lecture." But that's much better than sounding, as DiCaprio occasionally does, like the narrator of some high school educational flick.

    Consequently it's not too surprising that 11th Hour has fared less well critically than Truth, despite some significant champions--the critics of some of the major US papers, and smart writers like Andres O'Hehir of Salon.com, David Edelstein of New York Magazine, Jonathan Rosenbaum of The Chicago Reader--and one could go on. Ultimately, the film's weaknesses don't matter, because its content is too important and smart to dismiss.

    Attacking The 11th Hour feels unwise--like killing the messenger. Conners and Peterson and DiCaprio and all those bright people are saying things we need to hear. Is the quality of this movie really such an issue? The far more significant issue raised is this: sure, we can "vote" by buying low-watt bulbs and recycling and reducing our individual "carbon footprints." But to act collectively, we'll need that so-far-missing leadership. Where is it going to come from?
    7jemps918

    Inevitable comparisons will be made...

    Inevitable comparisons will be made with Al Gore's An Inconvenient Truth, and so we might as well go ahead with it.

    The 11th Hour starts off with terrifying the audience, in contrast to Gore's more introspective calm before the storm. Gore also interjects humor and his own personality into a documentary about his own crusade, while DiCaprio's is more straightforward, inundating the audience with mind-numbing facts and portents of doom. He also doesn't focus attention to his own personality but stays merely a narrator.

    The 11th Hour is more comprehensive, drawing from various sources, but lacks breathing room to digest each infoload periodically dumped on screen. It decides to interject these pockets of space for reflection far too late, already in the middle of the reel.

    DiCaprio's narration is also a disappointment. He is great eye candy that serves to pull the crowd to the theater, a terrific actor and is capable of memorizing tomes of text in his movies, but in his own documentary, his eyes too obviously dart left to right at a teleprompter, which loses the impact and earnestness he needs to communicate and connect to the audience. Meanwhile, the less-physically appealing Gore successfully portrays himself in Rocky-like fashion, valiantly trudging on in his uphill battle, which makes the audience identify with and root for him.

    To The 11th Hour's credit, it offers more solutions on an individual level than Gore's. Despite the fragmented expositions of its well-meaning interview subjects, it offers hope and a heroic sense of optimism that we can still do something about the issue.
    8lastliberal

    Heed the warning

    The best thing about this film was the fact that it did not focus on the Earth's destruction, but on man's eventual demise as a species. The earth with survive our rape and plunder. It has been here for 4.5 billion years, while we have been here but 150,000. We will eventually join the 99.999% of the species that have lived on this planet and who are now extinct. How quickly we join them is up to us, but we will eventually go the way of the dinosaur.

    Through our heavy consumption and trash creation, we are rapidly stripping all of the resources from the Earth and polluting what we don't consume. Soon, we will be faced with the inevitable - it's all gone. If you haven't seen "A Crude Awakening: The Oil Crash," then it should be on your list as a "must see." Along with "An Inconvenient Truth," this film tells us what will happen if we stay the course.

    The only fault I found in the film was the rapidity with which it presented information. This stuff needs to be digested slowly, and we got it rapid fire. Still, it is an important addition to the story of humankind and how we are planning our own destruction.
    8mischa49

    Film superbly does its job as a social responsibility educator.

    With the world economy expanding as it is bringing pollution along with it, combined with the lack of socially responsible leadership specifically in the forms of education and regulation, The 11th Hour superbly outlines the current status of our Earth's health, the movement to revive it, and a basis for the education that is needed to make necessary changes for a healthier planet. Much file footage is shown throughout the film that is sometimes not specifically discussed but does provide good visuals for the narration and speakers, which is the basis of the entire film. Although the production is a bit ADD (ie a screen cut every 1/2 to 1 second at times), the distress call for the environment and future of our world is clear. A 10/10 is deserved for this film for social responsibility and standing up against non-leadership while providing feasible options to reduce global climate change from the ground up.

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    Handlung

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    • Patzer
      In the subtitles of an interview with Mikhail Gorbachev, the former USSR premier is translated as saying that because we have strained nature to the breaking point, "we must, the generations living now, must take a principal decision that we will act differently because the ecological crisis is global." Taking "a principal decision" is an odd turn of phrase, at best, in this context. Almost certainly, Gorbachev said "we must take a principled decision."
    • Zitate

      Stephen Hawking: One can see from space how the human race has changed the Earth. Nearly all of the available land has been cleared of forest and is now used for agriculture or urban development. The polar icecaps are shrinking and the desert areas are increasing. At night, the Earth is no longer dark, but large areas are lit up. All of this is evidence that human exploitation of the planet is reaching a critical limit. But human demands and expectations are ever-increasing. We cannot continue to pollute the atmosphere, poison the ocean and exhaust the land. There isn't any more available.

    • Verbindungen
      Featured in Zomergasten: Folge #20.3 (2007)
    • Soundtracks
      Svefn-g-englar
      Performed by Sigur Rós

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    Details

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    • Erscheinungsdatum
      • 15. November 2007 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Sospecha mortal
    • Produktionsfirmen
      • Appian Way
      • Greenhour
      • Tree Media Group
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    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 707.343 $
    • Eröffnungswochenende in den USA und in Kanada
      • 60.853 $
      • 19. Aug. 2007
    • Weltweiter Bruttoertrag
      • 985.207 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 35 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • SDDS
      • Dolby Digital
      • DTS
    • Seitenverhältnis
      • 1.85 : 1

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