Election 2

Election 2, like its predecessor and the acclaimed "Infernal Affairs", seems to usher a new wave Hong Kong crime cinema. Highly stylized and almost completely devoid of the typical "action" sequences that HK gangster pictures have become associated with, Election 2 is also one of the coldest films in recent memory.

The plot is somewhat unremarkable and predictable, but in this case its how the film is told that makes it stand apart. The underworld depicted by director Johnny To is populated by sullen, disaffected thugs in expensive suits, with no loyalties held sacred but to their insatiable greed. The isolation of these men, (and Louis Koo as Jimmy in particular), as they trade away the remaining scraps of their humanity is a chilling thing to behold. The lighting, music, and sparse sets all echo the overwhelming emptiness and dread radiated by these characters, excellently performed by an ensemble of talented actors. Characters carried over from the first film seem to have developed in the two year interim to Election 2, and have become much more realized than the rather thin caricatures of the original.

Johnny To also seems to have a better grasp of the subject; wisely opting for a more serious approach, he injects a political theme that elevates the material out of the typical power fantasy of gangster films. Although the film certainly has its share of violent scenes, they are a good deal less gory than the majority of "shock cinema" today, and somehow even more harrowing. One particularly chilling scene is almost completely silent, save the blood-freezing soundtrack's eerie drone. Presented in such icy fashion that it becomes savagely artistic, Election 2's violence will stay with you long after the credits run. Despite the fetishistic renditions of violence and Triad traditions, these power obsessed sociopaths are hardly glamorous; their quiet panic becoming palpable as the realization sets in that greed has condemned them all. It is a testament to the director's talent that even without a single likable character for the audience to root for; the film remains compelling right to the bitter end.

Election 2 is an uncompromising film; violent, serious, politically controversial, and spectacularly unsympathetic. It also depends in large part on the viewer having seen its prequel, a similar if inferior examination of the same subject and themes. It is also one of the most interesting crime dramas in some time. Special note must be given once again to the score, which raises the tension significantly, and gives it a unique flavor more akin to a horror movie than a gangster film. Johnny To has shaped a bleak monster out of the typical conventions of crime noir; it leaves the viewer with much food for thought on subjects many would find distasteful, but anyone with an interest in the shallow, ruthless underbelly of organized crime is recommended to give it a look.

It's always nice to fallow the evolution of some characters through the years from films to films. You have the impression to see old friends again after a long separation. But in the triad world of "Election 2", this friends are rather bad and dangerous, and the two years that separate this second opus from the first haven't really improve, nor their friendship, nor the situation. If the first "Election" already was a death fight in order to elect the boss of a important HK triad, this one, setting two years after, is more a complete blood bath, where the most barbarian acts are tolerated. The old triad traditions, that manage to contain the savagery of the characters in the first movie, don't belong to the modern world anymore, for the opening of the Chinese market to the Triads in 1997 completely changes its face.

The characters who manage to survive to the first movie are now about to face a new election, which opposes this time Lok, who wants to be reelected and the young Jimmy, who's quite reluctant to become the new boos, but has to win the election, in order to become a traditional business man in two years. In this second movie, the characters have much more elaborated than in the first one, for they're acting in a tragedy play, with much more powerful actors than them.

Lok isn't the calm and self-control man he once was, he's now obsessed with power and greed. And Jimmy is the classical tragic Corleone character of a gangster movie, who wants to go straight, but only goes deeper and deeper in the evil world of the Triad.

As well as the characters, the political aspect of the movie is also well develops. If the first film mostly deals with ancestral Trial rituals, the second one brings a contemporary point of view on this, and lights the links between HK Triads and Chinese government, which really control them since 1997.

This movie is also more violent than the first, guns appear (whereas they were inexistent in "Election 1"), and a magisterially gore torture scene (with dog and human food...) greatly increase the emotional impact of the movie and underlines the abominations man is able to do in order to archive his need of power.

All this elements makes "Election 2" a entertaining and interesting movie, and elects Jhonny To as one of the most interesting filmmaker of Hong-Kong. But his very classical direction (the movie always looks like a classical 90's HK polar), and storyline (the story of Jimmy is very similar to the Michael Corleone one, with some Melvillle elements, and a soundtrack very similar to the one you can find in Corean Thrillers) makes him a lot less original, than directors like Wong Kar-Wai or Hark Tsui, who is always the godfather of HK cinema.

"Triad Election" takes viewers deep into a ritualized world of the Triad Society crime organization which is full of betrayal, backstabbing, and power-grabbing moves for power. The movie contains complex characters, scheming political machinations, and explosive action sequences that creates balance against Jonnie To's unique directorial style and subversive plot twists. "Triad" is the sequel to the wildly successful "Election" (2005), which earned a number of awards and nominations including Best Film, Best Director, and Best Screenplay at the Hong Kong Film Awards in 2006. The "Triad" storyline expounds from its predecessor with a political subtext: the candidates here, elegantly played by Koo and Yam, are not only trapped by their own lust of power or wealth, but also by the mainland Chinese government's omniscient influence. To merges an intelligent screenplay with the hardball tactics of the Hong Kong underworld which contains political undertones and transcends an otherwise conventional crime drama storyline.

The slow burn caper maintains a business-like atmosphere, while its general sense of tranquility is interrupted with sudden bursts of intense violence. Noticeably absent is the trademark two-fisted gun play, sunglasses, and highly stylized action sequences so prevalent in Woo's films. To underplays the spectacle of violence -- he's more interested in the how the escalation reveals the character of the candidates. The majority of "Triad Election" is about the political maneuvering of organized crime, but when the conversations end, make no mistake, the blood flows mightily. "Triad Election" strongly resembles "The Godfather Part II" (1974), but it's resolutely a Chinese story, reaching back to the origins of Hong Kong crime syndicates, and showing how they struggle to keep a foothold in a modernized world. There are great modern crime movies out there -- Michael Mann's "Heat" (1995), Martin Scorsese's "Goodfellas" (1990), and Andrew Lau and Alan Mak's "Infernal Affairs" trilogy. "Triad Election" unquestionably belongs with such illustrious company.

The first "Election" film seems to be Johnnie To's most highly praised movie, which is strange, because I think this less-seen sequel is superior in every way. It has a plot you can actually understand, and a persistent style and tone.

"Election" had key moments apparently happening off camera so you could only deduce what was going on in the plot with super-human concentration. Not so in the sequel. You get the gist pretty easily, and pretty early on: Lok, the elected chairman from the first movie, is approaching the end of his tenure, but is considering breaking Triad tradition and extending his term. Meanwhile Jimmy is trying to set himself up as a legitimate businessman in China and move away from the Triad. He finds that government officials will only work with him if he takes the chair in his Triad.

So the stage is set for crosses, double-crosses and dealings with Triad "uncles" and cold-blooded subordinates.

"Triad Election", also known as "Election 2", is never less than engrossing and captivating. It's one of the best Triad films I've seen.

Spooky? Funny? Yeah!

In 2006 HK Cinema, few movies warrant a second viewing, but clearly Election 2 is one that improves in its 2nd running. Johnny To is a versatile director and needless to say, whatever tension that is lacking in its sequel, Johnny makes up for it with twice the brutality and further destruction of those in power. While the first film emphasis on one struggle for power and its ability to corrupt even the most ingenious of humanity, the second one further this notion, that the only way to secure power is through eliminating all its challengers. Perhaps Bush is right - "you are either with us or against us" as this notion is never proved so strongly correct. Needless to say, Election 2 is already fast becoming of the finest work from the little territory this year.

One of the most memorable yet shocking scenes is without doubt the chopping sequence of arms, legs and body parts of a living person and then churning it out into dog food. Fear is a factor that allows those in power to control the masses. It is at that moment that Louis Koo becomes a greater evil than Simon Yam. His goal is money, not triad power and glory. The saying goes: "money is the root of all evil" and at that moment, Koo have metamorphoses into a wild animal – crazy and no longer human. It is crazy to imagine what one can do for money as Koo's silent assassin screams out: "Add money" repetitively even the moment before he die, is both humorous yet bitterly ironic. In dicing a human into dog food, Johnny alludes to 90s' human pork chop movies and most notably – The Untold Story starring Anthony Wong. Luckily, Election 2 does not exactly show the vivid scene in full detail, or else it will probably break even the most carefree of censorship boards.

Like in the first film, the only way to survive in the dark underworld is to remain in power, as the Chinese saying goes: "one mountain can not shelter two tigers." Unlike the 1st film, Simon Yam takes a back seat, despite showing some quite credible acting chops. His expression upon kicking the old man down the stairs is calculatingly evil and so is the memorable expression as he holds on to the leader baton, with the type of grin hiding behind an ambitious smile. He is ultimately ambitious, yet an extremely flawed character. Louis Koo takes on the leading role, this time around in full force and perhaps one of his finest performances in years since Bullet Over Summer. His aim for business and money is noteworthy and the ambition hidden within the scene where he chops up arms and legs is equally startling to watch. A much underrated actor deserves to appear in more material like this. Other appears here and there and Lam Suet is once again funny in a cameo role. As usual Nick Cheung is fast becoming one of the coolest actors in HK cinema.

Following Neo's statements above of this being 2006's finest work isn't really an understatement, despite the poor quality of productions in most HK films. To have been able to embark a sequel that matches the original is alone a heck of an achievement. It is a beautiful piece of work and along with the ironic trademark finale, Johnny is back on the circuit. With many more productions ahead, one can only expect heaps better stuff to be made. Yes, to be perfectly honest, it is disgusting, but at the same time, it is really good to endure. (Neo 2006)

I rate it 9/10.

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