A Very Serious Person

I'm not gay and the gay people I know are not obvious about it at all, so I can't speak about how fair or unfair the characterizations and stereotypes may or may not be. Lots of movies make unfair stereotypes - in fact, when you compress the life story of people into two hours - stereotypes are often very useful, hopefully they are not cruel. What I do find about this movie is some incredibly real dialogue and situations. Yes, the acting is so bad sometimes its comical - but at its core, this is a smart movie and the main two actors, really come through as real people reminding me to keep trying to be myself and keep doing the best I can. Life is awkward and plans rarely work out, but it is the ones we love and the moments we share with each other that make it all tolerable. Gill and Yon are awesome characters and I could watch them all day.

A VERY SERIOUS PERSON is a tight little film with a fine story, solid cast and enough thoughts about connecting isolated individuals to make the movie both entertaining and touching. Spanning the ages from young teenagers to middle age to elderly, each focusing on basically needy souls trying to find solid ground, writer (with Carl Andress)/director/actor Charles Busch has developed an ensemble effect in casting just the right actors to relate his ideas.

As a summer for consolation for the elderly ill Mrs. Aronson (Polly Bergen, reminding us what a fine performer she is!) has requested that her 13-year-old grandson Gil (P.J. Verhoest), whose parents are deceased, come live with her on the Jersey shore. Mrs. A is known for being a difficult patient, going through live-in nurses like wildfire, and living with her trusty housekeeper Betty (veteran actress Dana Ivey), but she is in for a surprise when young Gil moves in - a slightly feminine lad with a penchant for old Hollywood movies, writing grand stories about great heroines, dressing like Marie Antoinette, and refusing to learn swimming or any outdoor activities in favor of watching 'Gone with the Wind' whenever possible.

Into this household enters the latest 'nurse', a gay Danish ex-dancer Jan (Charles Busch) who by admission is 'a very serious person' - obsessive compulsive in his care for Mrs. A, coping with the flustered Betty, and rarely smiling at the antics of the overpowering Gil. Each of these three rather glitzy people is lonely, and each in his/her own way wants acceptance and love. The story is how the three learn from each other, give and take, and find the niche that proves the summer was not wasted.

Busch draws marvelous performances from Bergen, Verhoest, and Ivey as well as creating lovable side characters: the outrageous gay hairdresser (Carl Andress) and his associate (Alexa Eisenstein), Jan's love interest (Simon Fortin) among others. The growing relationship between Jan and Gil provides a platform for some serious issues about accepting sexuality and the interaction of all the characters on the failing Mrs. A is warmly managed. This is a comedy with an edge and above all it is a solidly entertaining movie. Grady Harp

I have to say, its not very good. Polly Bergen is fine in this film.The rest are so so. I'm gay and honestly , there are so many cliché's for this time in history that its just sad. We started watching it then turned it off, then decided it would be fun to make fun of the rest of the film. But all said, the basic idea of the film is good. If it was re-written with less contrived lines and better acting it could have actually been prety good. Over all i would not recommend it. IN additon the this is coo coo thinking line is so lame. On top of that the fight in the hair salon is funny because its so bad. The lesbian sister in the room with them while they are trying to get it on is so weird its sad.

Good intentions but bad execution and script. Especially P. J. Verhoest and Charles Busch are rather annoyingly unwatchable.

This movie is more impressive and interesting than it is entertaining. Its entertainment value resides ONLY in Polly Bergen's excellent, unfailingly believable and moving performance as a dying old woman. She's been around all my life (I'm 65), but I never liked her until now.

The movie is interesting because of Charles Busch's surprising decision to play strongly against type, in an unattractive male role, wearing practically no makeup, instead of the exceedingly glamorous female roles he has played forever. I can't say he's very good as the Danish nurse Jan, but he's not at all bad, and I don't particularly like his near-hysterical, mostly unfunny female performances either. This movie's weakest moments come when he drifts closest to his previous work, in manic scenes with the two hairdressers.

The movie is impressive because, over and over again, characters did things that surprised me, in a good way. The dying grandmother, the precocious, apparently-coming-out boy, the gay male nurse - all could have been tediously predictable stereotypes but weren't. That's good writing. The ending is particularly surprising and gratifying.

This movie is also impressive because for the most part Busch succeeds in charting new territory for himself well along in his career, playing restrained, male roles if he wants to. I think he'd get better at it the more he did it. It's always nice when people break the molds they've been cast in.