IMDb-BEWERTUNG
6,2/10
23.981
IHRE BEWERTUNG
Ein Künstler verliebt sich in eine junge verheiratete Frau, als er während des Tulpenfiebers im Amsterdam des 17. Jahrhunderts den Auftrag erhält, ein Porträt von ihr zu malen.Ein Künstler verliebt sich in eine junge verheiratete Frau, als er während des Tulpenfiebers im Amsterdam des 17. Jahrhunderts den Auftrag erhält, ein Porträt von ihr zu malen.Ein Künstler verliebt sich in eine junge verheiratete Frau, als er während des Tulpenfiebers im Amsterdam des 17. Jahrhunderts den Auftrag erhält, ein Porträt von ihr zu malen.
- Auszeichnungen
- 1 Nominierung insgesamt
Richard Alan Reid
- Bidder 1
- (as Richard Reid)
Empfohlene Bewertungen
I loved it. After reading the reviews of other users, I had no expectations from the movie. But, I was very surprised after I finished watching the film that I actually thoroughly enjoyed it. The plot itself is very intriguing and forces the viewer to enter a game of guesses and speculations on what will the characters dare to do next. It's a wonderfully playful and thrilling love story that I would recommend everyone to go and watch.
Countless reviewers will address this movie saying it was dismal and thin. They say the plots and subplots were disconnected and on loosely held together by a weak premise.
I thought the opposite. I chose to watch it anyway because of the cast. I'll admit none of them had a remarkable performance, award winning or otherwise. I think they were all fairly balanced without overselling any particular role. While the story centered around Sophia primarily, you could sense the desire, intrigue and frustration of the other characters. I went into it with no knowledge of the plot, tulipmania, or even the actual setting. About halfway through I began to get the feeling, "I see what going on here. This plots been done and redone." I thought I knew what to expect. At times I was right, but at others, grossly wrong. I thoroughly enjoyed this movie and would enjoy watching it again. The plot moves so quick at times I know I'll see more next time.
I've told you what I thought. Don't let anyone tell you what to think. Watch it and make up your own mind. I've seen far worse movies get higher praise.
I thought the opposite. I chose to watch it anyway because of the cast. I'll admit none of them had a remarkable performance, award winning or otherwise. I think they were all fairly balanced without overselling any particular role. While the story centered around Sophia primarily, you could sense the desire, intrigue and frustration of the other characters. I went into it with no knowledge of the plot, tulipmania, or even the actual setting. About halfway through I began to get the feeling, "I see what going on here. This plots been done and redone." I thought I knew what to expect. At times I was right, but at others, grossly wrong. I thoroughly enjoyed this movie and would enjoy watching it again. The plot moves so quick at times I know I'll see more next time.
I've told you what I thought. Don't let anyone tell you what to think. Watch it and make up your own mind. I've seen far worse movies get higher praise.
I loved it...I really did. It is slow paced, what I absolutely like.
The costumes where beautiful and detailed.
Also the scenery was well done and gave an atmosphere of how it used to be.
Worth watching...not the best...but really enjoyed it!
Worth watching...not the best...but really enjoyed it!
Here is only one review of the 2014-version. Based on that review, it is fair to say that some of the plot holes have obviously been stuffed, while others are still wide open (or have been opened). I don't know if the holes have been faithfully adapted from the book or if they were specifically designed for the film.
In the 16th century there was a big economic bubble based on tulip onions. This is the background for a romance between a painter and a married woman. They make out a plan to get rich fast, so that they can run away to the East Indies. So far, so good. The point is now that the two strings never really are woven properly together. The development of the plot is, at best, sketchy. Character development, if any, is rather rhapsodical. The lovers (Vikander and DeHaan) are not really likable. The script gives them zero personality and they compensate by overacting. The only person carrying a bit of sympathy is the cheated husband (Waltz). On the other hand the makers strive to give us impressions of street life then, raw, loud and rather vulgar it is in their view. The final twist of the plot is surprising, but not convincing.
There are further things that were rather annoying in this film: The use of a narrator. It seemed that the makers didn't trust the force of their pictures and thought they had to spell it out for more distracted viewers. Shaky camera and fast clipping. I think it is a misconception to edit a costume drama to fit the taste of the MTV generation. (Make it more like The Girl with a Pearl Earring!)
One reason for historical fiction is to make us understand the burst of the recent economic bubble on the basis of a historical example. The makers of this film didn't really succeed in doing that. The persons in this film are far away and two-dimensional like drawings on a wall. Unless you write a review about them, you have already forgotten them tomorrow.
In the 16th century there was a big economic bubble based on tulip onions. This is the background for a romance between a painter and a married woman. They make out a plan to get rich fast, so that they can run away to the East Indies. So far, so good. The point is now that the two strings never really are woven properly together. The development of the plot is, at best, sketchy. Character development, if any, is rather rhapsodical. The lovers (Vikander and DeHaan) are not really likable. The script gives them zero personality and they compensate by overacting. The only person carrying a bit of sympathy is the cheated husband (Waltz). On the other hand the makers strive to give us impressions of street life then, raw, loud and rather vulgar it is in their view. The final twist of the plot is surprising, but not convincing.
There are further things that were rather annoying in this film: The use of a narrator. It seemed that the makers didn't trust the force of their pictures and thought they had to spell it out for more distracted viewers. Shaky camera and fast clipping. I think it is a misconception to edit a costume drama to fit the taste of the MTV generation. (Make it more like The Girl with a Pearl Earring!)
One reason for historical fiction is to make us understand the burst of the recent economic bubble on the basis of a historical example. The makers of this film didn't really succeed in doing that. The persons in this film are far away and two-dimensional like drawings on a wall. Unless you write a review about them, you have already forgotten them tomorrow.
A pretty good period piece set in an interesting location during an even more interesting time, could have been great, but overall it's still good enough.. Christoph Waltz walks on water as always!
Wusstest du schon
- WissenswertesThis movie was shot in 2014 but the release was postponed for three years. The first test screening happened in November 2014 and didn't get positive reactions. This movie was originally scheduled to be released in June 2016, but the release date was pushed to July 2016, then to February 2017, August 25, 2017, and it was finally released in theaters in September 1, 2017.
- PatzerWhen Jan is telling the bailiffs "if I was liquid now I'd be a bigger fool than I look," his mouth stops moving well before the dubbed line finishes.
- Zitate
Cornelis Sandvoort: First to flower, first to fall.
- VerbindungenReferenced in Midnight Screenings: Valley of Bones (2017)
Top-Auswahl
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- How long is Tulip Fever?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Tulip Fever
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.455.635 $
- Eröffnungswochenende in den USA und in Kanada
- 1.158.017 $
- 3. Sept. 2017
- Weltweiter Bruttoertrag
- 9.204.549 $
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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