Ein Geheimnis

Claude Miller is a director I have been much interested in in the past, and the sufferings of those targeted by Nazis during the war can't fail to affect me, but this film dealing with a Jewish family before, during and after the war somehow does not grip me as it should. I can't fault the actors, they are all good, and Cécile de France is inspired, but the endless flashbacks and flash-forwards tried my patience greatly. When I have to ask myself who this character is who is hurling angry words at another character, I lose patience with the story. Some pruning of plot and characters would have benefited the film.

Miller also made L'Accompagnatrice, again a war story, which suffered from many of the same faults. I think he is best at contemporary stories like Betty Fisher et autres histoires and Garde à vue, when he can work with the actors without having to recreate an historical context.

"Un Secret" (2007) is a challenging family drama - mystery which takes place in at least five different time periods, but mostly in the past and around the German occupation of France in the WWII years. It dexterously handles multiple time jumps, and keeps your attention, but loses momentum somewhere along the way. It does have a first-rate cast: Cécile de France certainly looks the part of an athlete (a swimmer / diver, to be specific) -> you can see why Patrick Bruel would, with a guilty conscience, consider her to be an upgrade compared to a deliberately dowdy Ludivine Sagnier. **1/2 out of 4.

Beautifully filmed - stunning screenplay A simple story beautifully acted by the entire cast.

Stunningly beautiful female leads as well.

This film gets my vote as one of the best foreign language films I've seen. It can be a little slow moving in parts so it's a film that you want to watch when you are not in any hurry, just sit back and enjoy.

The story revolves around Francois growing up in 50's Paris who find out a family secret. It jumps from the 30's - 80's in telling the story and I thought it a nice touch filming the 80's section in black and white. Don't miss if you like good well acted drama.

Having read the comments on this site, after having heard a friend (whose opinions aren't always reliable) say I must see it, I expected a marginally good picture when I rented the DVD. OK, I thought, another personal story about French and German anti-Semitism in WW II. This time my friend was right! A Secret was a knockout. It hit home and revived childhood memories. And it's as much or more about pre-WW II & post-WW II as it is about during. I won't repeat what others have rightly said about the uniformly excellent acting or the directing or the photography, etc. Among the things that hit home to me were the child's (or children's) point of view--SO on target--and the very different types of Jews portrayed in this film. Even though I "knew" (intuited) what would happen to some characters, what actually did happen was better than my imaginings. Its reference to the big illusion (La grande illusion) was apt (as well as the one character who actually saw it). More than one illusion is shattered by this pic, which like my friend I highly recommend.

I was able to see to see this film as part of a recent festival of French films shown at Cannes. It was one of the better French movies that I've seen but somehow it lacks the emotional impact to make it a truly outstanding film.

Un Secret is about Francois, who gradually learns about his family's secret history, dating back to World War II, that continues to haunt his parents and himself even up to the present. The director expresses this idea visually by shooting the present day scenes in black and white and the flashback scenes in color.

The plot of Un Secret is well-laid out and comes together satisfyingly enough. I have to admit that one problem I had with the film was that I had some problems following the complicated family relationships among the characters, but once you get past that, the way the story unfolds is ultimately rewarding.

The problem I had with the film, which may just be my problem, is that the film lacks emotional impact. The film'e emotions are understated and, while this is not necessarily a bad thing, prevents it from becoming truly memorable.

Still, its one of the better recent French films and you should see it if you get the chance.