Von Frau zu Frau

Daphne Wilder (Diane Keaton) happily marries off her two older daughters, Maggie (Lauren Graham) and Mae (Piper Perabo). Sadly her romantically-challenged youngest daughter Milly (Mandy Moore) is giving up. Daphne takes matters into her own hands and interviews men from the internet. She decides on entrepreneur Jason (Tom Everett Scott) and schemes to get them together. Musician Johnny (Gabriel Macht) witnesses the interviews and sets off to meet her himself. Milly ends up dating both men.

This is rather disappointing. I love every one of these actresses. The movie piles on a bunch of rom-com stuff. Bits of it seems fine but most of this is bad. It is bad writing. Keaton is doing some silly slapstick stuff. Moore is rather bland. Perabo doesn't get much screen time. Graham has some limited fun with Tony Hale. The two guys are pretty and possibly in the wrong roles. Macht can play the hard driven businessman better and Scott is the more artistic type. It's a lot of useless fluff that don't come together substantively.

Diane Keaton wants her daughters to do things "Because I Said So" in this 2007 movie.

Keaton is a neurotic mother who is constantly poking her nose into her daughters' lives. She is desperate for her youngest (Mandy Moore) to find a man to spend the rest of her life with, so she puts an ad on a dating site and interviews potential men. Yeah, that certainly is a way to find a life partner for your daughter - advertise and then screen them for her.

One of the problems for me in this movie was Diane Keaton's performance. Here is an excellent, wonderful actress, capable of so much, playing the most annoying woman in history. If she were my mother, she'd have been dead long before her "big birthday" - 60. I don't know what the director was thinking having her go so over the top like that.

Not to mention, this film had Lifetime written all over it. How the producers got movie people to participate in this is to their credit, though it's done all the time - a TV script put on the big screen because someone with clout gets a movie star to agree to it. We saw it in "Before and After," "Six Days and Seven Nights," "What Lies Beneath," that movie with Hugh Jackman and Ashley Judd that I saw in the theater and blocked out of my mind - all TV fare turned into bad movies and starring big people.

I guess you can tell I didn't like it. I very rarely hate anything. If you've read some of my other reviews and find you agree with me on a lot of films, when you see this one is coming on TV, run; if you are tempted to put it on your Netflix list, don't do it.

I love Diane Keaton, but this was mostly painful. I can only point a finger at the writing because as predictable as this movie is, there are some absolute gems of BRILLIANT acting from both Keaton and Moore. I'm not sure why anyone is in this movie other than Mandy Moore and Diane Keaton because no use is made of them. I sat for the first half hour wondering what any of these actors saw in the script, but I will admit to laughing out loud several times at the painful "family" moments I think people will recognize from their own lives. Diane Keaton deserves a better script for her talents. And when TV actors are trying to transition to film, they should raise the level of their work.

It's easy to understand why this movie is badly reviewed by critics and so well received by audiences. Diane Keaton starts in her most Keaton of all as the single mother of three daughters. Two of which are taken and one of which is single. She's of course constantly meddling in their lives and trying to set up her single daughter whose a chef played by a ridiculously charming Mandy Moore. She posts a single ad for her unknowing daughter which draws two suitors for different reasons and complicates things. Piper Perabo, Lauren Graham, a hunky Gabriel Macht and sexy Tom Everett Scott also star. The movie is chaotic and definitely resembles it's manic, overbearing lead character. But the relationship feels genuine and the movie is heartfelt and engaging. There's no doubt that it's a bit unfocused but it's also undeniably charming and relatable to most of us.

In "Because I Said So" Diane Keaton plays an overprotective mother, Daphne, to Millie (Mandy Moore). The other daughters, Lauren Graham and Piper Perabo, are married so their lives are OK, but Millie doesn't have a man, so her life is empty, or so says Keaton. The main problem with this movie is that Keaton plays the overprotective mother very over the top, and it's just not that funny.

The sisters all have their own charm, although Perabo is underused. And the parade of men that come in and out of their lives are all very handsome. I particularly enjoyed the contrasts between the man Daphne chose for Millie (Jason, Tom Everett Scott) and the man that Millie chose for herself (Johnny, Gabriel Macht).

If they had chosen to follow more of a romantic drama route and explored all the different relationships, this film would have been significantly better. But as a comedy, "Because I Said So" is overblown and not funny.