Letters from Iwo Jima

Not having seen Flags of Our Fathers, I'll be unable to make any comparison to its companion-movie. Even on its own Letter to Iwo Jima could be seen as representing the new tendency to "humanise" what were until recently the traditional WW2 villains from an Anglosaxon point of view. History tends to be written by those on the winning side - hence, we have had decades of inhuman German war machines, cowardly Italians and unspeakably cruel Japanese. Now, over 60 years since WW2, it has become acceptable - nay, the done thing if you have a conscience, to humanise the losers and show even the winners as fallible and even individually despicable (***SPOILER:*** see the American soldier who shoots the two Japanese prisoners who've deliberately given themselves over. ***END OF SPOILER***). Letters to Iwo Jima clearly has its heart in the right place: it wants to be objective, above and beyond anything else. And it is. Japanese soldiers have mothers, adorable young pregnant wives in pretty kimonos and sons they write loving letters to. We empathise with them no less than we have with all those American soldiers in an endless string of war movies. Technically, Letters is a well-made movie. It's also genuinely moving in parts - you do end up caring for most of the main players. For my personal taste, though, it spells things out too much and too often. Still, for something produced by Mr Manipulative Spielberg and co-written by Paul "Crash" Haggis, I was impressed.

Did it really last two and a half hours? It felt felt a lot shorter than that.

No, this is not an action war film with nonstop blood baths. It is a film that pulls the humanity out of the monster that is war.

This is one of, if not the best, movie ever directed by Clint Eastwood. I usually have a hard time following plots with many characters because they make me lose focus on the general story, but this one is done well. Not only am I engaged, I also become attached to every character and feel and understand their conflicts.

It does not matter who fights on the right or wrong side of WWII. This film goes beyond that. It is about what is right or wrong for the individual human being. It excels as a story about the human heart.

I was not one of those who was really taken with "Flags Of Our Fathers." I thought the story was rather lacklustre and lacking to be honest, and so had little interest in "Letters From Iwo Jima." This is the sort of sequel to "Flags" - or it might be better called a companion to "Flags." Both were directed by Clint Eastwood and "Letters" shows the story of the Battle of Iwo Jima from the Japanese perspective - and much to my surprise I liked this movie very much. It was, I thought, by far superior to "Flags."

Most American movies dealing with World War II in the Pacific do so from a specifically American perspective that portrays the Japanese in an unflattering light. That's understandable. In the context of World War II, after all, Japan was the enemy. But "Letters" takes a very personal and human look at the Japanese soldiers assigned to Iwo Jima's defence. To me, the point that was being made was how much alike the Japanese and the Americans were. Both were fighting for their countries; both had little knowledge of the other, and therefore had distorted views of the other; both were doing their duties as they understood it. And, of course, the movie is based on letters supposedly written by Japanese soldiers on Iwo Jima - addressed to wives and mothers and other family. This is a surprisingly sympathetic look at the Japanese, something I really wasn't expecting from Clint Eastwood.

The story focuses on Japanese General Tadamichi Kuribayashi, who commanded the Japanese defence of Iwo Jima. Kuribayashi was a man well acquainted with the United States, having lived there for two years on a military exchange, and he had no illusions about Japan's ability to win the war, largely seeing Iwo Jima as a suicide mission from which he wouldn't return. He's portrayed very well here by veteran Japanese actor Ken Watanabe. The movie is almost entirely in Japanese (except for some brief scenes that feature American soldiers) with subtitles, but - although I'm usually not big on subtitles - this didn't really distract me. They were appropriate to this movie and provided a sense of authenticity.

This isn't a "war movie" in the normal sense of the war. Although there are battle scenes (and some of it is mildly graphic) it is for the most part the personal stories of the Japanese soldiers that dominate. It's extremely well done, and deserves a lot of credit for showing a side of the Japanese soldier in World War II that's rarely shown. (8/10)

Don't listen to the people who call this movie inaccurate or revisionist history.

The movie is accurate. There were people on both sides of the war who at times showed kindness.

Labeling all the Japanese soldiers as people who tortured POWS would be like saying all American soldiers in Vietnam killed and rape innocent Vietnamese. Or all American soldiers in Cuba tortured POWS from the wars in the Middle East. You can't group people together like that.

This movie shows better than any other film that there's really no good guys or bad guys when it comes to war. War is just pointless.

The movie is not supposed to be a documentary so the people who bash it for little details should go rent a documentary if thats what they want to see.

Also, Clint Eastwood deserves major credit for telling both sides of the war. Too many war movies always show the enemy as "heartless monsters" when it reality its never like that.

This is without a doubt the best movie of the year. Make sure you go see it.

I had previously watched the violent battle of Iwo Jima in two good movies: 1949 "Sands of Iwo Jima" and more recently in "Flags of Our Fathers". In both features, we see very well-choreographed battle scenes disclosed from the North American point of view, with the "heroism" of the American troops and the personal drama of a couple of soldiers and families, in the usual unilateral formula to reach great box offices in USA. Further, in these two movies, the enemy is nothing but evil and threatening one dimension shadows, using weapons to kill the brave marines.

However, "Letters from Iwo Jima" gives a totally different approach of war, unusual in Hollywood: it shows the human side of the enemies. In this film, the Japanese are also human beings, with different culture where they are prepared to die with honor, but people that love and are loved by someone, have families, wives and children, and fear and suffer with the insanities of war. In this aspect, I liked very much the pacifist perspective given by Clint Eastwood for the same battle, opening the eyes and hearts of viewers that probably were not able to understand this side of the Japanese (and other people) in a war. My vote is eight.

Title (Brazil): "Cartas de Iwo Jima" ("Letters From Iwo Jima")