Liz Lemon, Chefredakteurin der Sketch-Comedy-Show "TGS with Tracy Jordan", muss sich mit einem arroganten neuen Chef und einem verrückten neuen Star auseinandersetzen, während sie versucht, ... Alles lesenLiz Lemon, Chefredakteurin der Sketch-Comedy-Show "TGS with Tracy Jordan", muss sich mit einem arroganten neuen Chef und einem verrückten neuen Star auseinandersetzen, während sie versucht, eine erfolgreiche TV-Show zu drehen, ohne dabei verrückt zu werden.Liz Lemon, Chefredakteurin der Sketch-Comedy-Show "TGS with Tracy Jordan", muss sich mit einem arroganten neuen Chef und einem verrückten neuen Star auseinandersetzen, während sie versucht, eine erfolgreiche TV-Show zu drehen, ohne dabei verrückt zu werden.
- 16 Primetime Emmys gewonnen
- 101 Gewinne & 368 Nominierungen insgesamt
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Empfohlene Bewertungen
This is one of the best show ever!!! It is very funny and gets funnier on every rewatch. Every time I rewatch I find some new joke that I missed before. This show has the highest jokes per minute rate. You may not get all the jokes at one watch.
All the characters are hilarious and they are very unique and interesting. My favourite is Kenneth.
The show may not be interesting if you watch it in the background like any other comedy show, this is a well thought out series, with jokes and punch line in every scene. You need to concentrate to appreciate and enjoy it. The show and characters will start to grow on you.
All the characters are hilarious and they are very unique and interesting. My favourite is Kenneth.
The show may not be interesting if you watch it in the background like any other comedy show, this is a well thought out series, with jokes and punch line in every scene. You need to concentrate to appreciate and enjoy it. The show and characters will start to grow on you.
Tina Fey is one of the best comedy writers of all time. Her Emmys and Golden Globes don't lie. She works amazing with everyone and the chemistry behind the scenes between her and Lorne Michaels is transferred onto the screen via the quality and self awareness of the show. Of course we can't forget the amazing Alex Baldwin and the young talented writer Donald Glover.
Overall one of the best, clever and funniest shows on TV.
Overall one of the best, clever and funniest shows on TV.
This is one of the best comedy shows of the past 30 years. Extremely well written, the shows creator draws on her time at Saturday Night Live to showcase the insanity behind productions at 30 Rockefeller Plaza.
Most episodes center around scrambling over some hurdle to try and deliver a live show by the end of the week, but how they intermingle and deal with the problems is where the hilarity lies.
The casting is perfect and peppered with hilarious cameos throughout the series. Every role is well acted but let us not forget how smart the writing is. I'm a sucker for comedy laced with endearing moments and 30 Rock is full of that. You have the ability to look at the characters and agree that they aren't necessarily "good" but you still care about them and see that at times they're just doing their best.
Most episodes center around scrambling over some hurdle to try and deliver a live show by the end of the week, but how they intermingle and deal with the problems is where the hilarity lies.
The casting is perfect and peppered with hilarious cameos throughout the series. Every role is well acted but let us not forget how smart the writing is. I'm a sucker for comedy laced with endearing moments and 30 Rock is full of that. You have the ability to look at the characters and agree that they aren't necessarily "good" but you still care about them and see that at times they're just doing their best.
10berelson
This show has the best writing on TV to date. I know Fey was the original creator of this show. She has reinvented comedy and especially women's place in it. Kudos Tina! You deserve all your success! I've been looking in vein on line to get the full list of staff writers for 30 rock but have yet to find the full list. They all deserve praise. The wit and repartee apparent in the writing is supreme... and the direction isn't too shabby either.
They also include a lot of parody of the genre as well as self deprecating humor. And the way they weave cross product plugs either in extreme obvious ways or so subtly the viewers don't know what hit them. This is true genius. An Emmy is not enough. OK... maybe not a Nobel Prize... but close?
They also include a lot of parody of the genre as well as self deprecating humor. And the way they weave cross product plugs either in extreme obvious ways or so subtly the viewers don't know what hit them. This is true genius. An Emmy is not enough. OK... maybe not a Nobel Prize... but close?
10Elain-ee
I'm rewatching the series in 2020 after having discovered it in a library almost a decade ago and WOW! Has it aged well! Or maybe it's just that the world has aged badly in intervening years.
Step into 30 Rock and inhabit a world where female wit is a force to be reckoned with; where every actor gets their 2.5 minutes of fame per episode, and every character brilliantly subverts their own stereotypes in a way that's deep but not at all serious. From the mid life crisis man in Adsit, to the self sabotaging female boss in Fey, to the rags to riches star in Morgan, the aging fame addicted starlet in Krakowski... you never get tired of seeing the layers fall away from these people. It's light, but still riveting. And it is all tied together by plot arcs that are as insane as the best SNL skits (and funnier, in many cases).
By far, though, the best thing about watching this after several years is that it is so packed with one liners and sharp, snide social commentary that you can watch it again and again and still see new angles and perspectives. There's almost too much to take in in one single viewing in any of these episodes - and that's a great thing if you're a fan of the series, which I am.
I have a feeling you will be, too.
Step into 30 Rock and inhabit a world where female wit is a force to be reckoned with; where every actor gets their 2.5 minutes of fame per episode, and every character brilliantly subverts their own stereotypes in a way that's deep but not at all serious. From the mid life crisis man in Adsit, to the self sabotaging female boss in Fey, to the rags to riches star in Morgan, the aging fame addicted starlet in Krakowski... you never get tired of seeing the layers fall away from these people. It's light, but still riveting. And it is all tied together by plot arcs that are as insane as the best SNL skits (and funnier, in many cases).
By far, though, the best thing about watching this after several years is that it is so packed with one liners and sharp, snide social commentary that you can watch it again and again and still see new angles and perspectives. There's almost too much to take in in one single viewing in any of these episodes - and that's a great thing if you're a fan of the series, which I am.
I have a feeling you will be, too.
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- WissenswertesThe show's twenty-two Emmy nominations in 2009 set a record for the most nominations a comedy show ever received in a single year. It was later beaten in 2024 when The Bear (2022) received twenty-three nominations.
- VerbindungenFeatured in The 64th Annual Golden Globe Awards (2007)
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