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Eine Boulevard-Redakteurin und ihr Fotograf versuchen, sich in der Welt des Prominentenjournalismus zurechtzufinden.Eine Boulevard-Redakteurin und ihr Fotograf versuchen, sich in der Welt des Prominentenjournalismus zurechtzufinden.Eine Boulevard-Redakteurin und ihr Fotograf versuchen, sich in der Welt des Prominentenjournalismus zurechtzufinden.
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10McBitter
'Dirt' is about a woman, Lucy Spiller (Cox), who works at the tabloid magazines, 'Drrt' and 'Now'. It focuses on the life of Lucy and those around her. The characters of the show are different, outrageous, and hilarious-all with their own personality. Lucy the bitchy, rude, and bitter boss of evil is set out on a goal-HER WORK. Cox's character is struggling with trying to develop an actual social life. The only "friend" Lucy basically has is Don, her schizophrenic paparazzi.
The camera shots are amazing on 'Dirt', along with the writing. The music used is perfect for the show and perfect to listen to when you are in the mood for something fun. The acting is all really good from everybody in this wonderful show.
So watch 'Dirt' and let the dark comedy cheer your day up!
The camera shots are amazing on 'Dirt', along with the writing. The music used is perfect for the show and perfect to listen to when you are in the mood for something fun. The acting is all really good from everybody in this wonderful show.
So watch 'Dirt' and let the dark comedy cheer your day up!
I loved Dirt, Basically because Courtney got to be the ruthless story hungry b*ch I'd come to love through the Scream Series. And the character of Lucy Spiller is like Gail divorced Dewy in order to run 2 magazines.
Lucy sets up pratfalls for the celebrity community around her. A community she navigates in and out of with an uncommon ease. She also is very aware of her place among them. She runs the PEOPLE magazine rip off called Now - in which she has the power to build a career for stars and starlets with heartwarming pieces on them. But she also runs Drrt the STAR ripoff - that has the ability to break them.
And she's more concerned with the breaking. Using the leverage she has she employs a young talent who made a few bombs and got dropped by the industry to tattle on his friends. And when he does consequences arise.
But what makes Lucy one of the coolest maneaters on television is that she does have a heart albeit, a very small one. Or at least a warm spot for her photographer who's got some heavy duty mental problems. Also she shows the cracks in her tightly glossed veneer after taking a new love interest home and then tasering him the next morning when she thinks he only slept with her to get a foot in the door. All in all, this might be a nice follow up to the Nip/Tuck dark sadonic tone.
Lucy sets up pratfalls for the celebrity community around her. A community she navigates in and out of with an uncommon ease. She also is very aware of her place among them. She runs the PEOPLE magazine rip off called Now - in which she has the power to build a career for stars and starlets with heartwarming pieces on them. But she also runs Drrt the STAR ripoff - that has the ability to break them.
And she's more concerned with the breaking. Using the leverage she has she employs a young talent who made a few bombs and got dropped by the industry to tattle on his friends. And when he does consequences arise.
But what makes Lucy one of the coolest maneaters on television is that she does have a heart albeit, a very small one. Or at least a warm spot for her photographer who's got some heavy duty mental problems. Also she shows the cracks in her tightly glossed veneer after taking a new love interest home and then tasering him the next morning when she thinks he only slept with her to get a foot in the door. All in all, this might be a nice follow up to the Nip/Tuck dark sadonic tone.
Watched this again recently and it still holds up very well, especially the first season, not so much the second. I was never a fan of Courteney Cox but she's perfect in this role as a ruthless magazine editor, very charismatic and beautiful too, as is Laura Allen as the conflicted and compromised star.
What saves it from being just a guilty pleasure is the stylish directing, often witty writing, and the production's overall willingness to take risks -- a schizophrenic photographer as a main character is one of many such risks that pays off.
What saves it from being just a guilty pleasure is the stylish directing, often witty writing, and the production's overall willingness to take risks -- a schizophrenic photographer as a main character is one of many such risks that pays off.
I wasn't planning on watching this show. Don't get me wrong, I like Courteney Cox, but it just didn't feel like my type of show, based on the previews. However, after coming down with the flu, I was left to a few sick days and I happened across the pilot. First the good, it drew me in. I was just flipping through and it caught me and made me want to watch. It was dark, it was edgy, it felt different from most other things on television. However, it also felt like either something was missing from the show or that I was the kid at the far end of the table left out of the joke. I liked the characters, quite a bit more than I probably should have, but something was not right with the story. I'm not sure whether it was the intentional choppiness to try and represent the story of the schizophrenic photographer, or the fact that it bounced back and forth too much between story lines.
I don't think I'm going to give up on this show. But, for it to stick, it needs a little bit of re-working and making the show something more than simply edgy.
I don't think I'm going to give up on this show. But, for it to stick, it needs a little bit of re-working and making the show something more than simply edgy.
that being said, Courteney Cox excels here. After the disappointment of cancellation of "Friends" (she was the talented one on the show) seems she has finally parlayed this into a career.
This is a good story: sleazy tabloids, celebrity back-stabbing; but it is presented with class, and without utter contempt for the audience (This is a MAJOR feat in television today). There are some parallels to true celebrity stories, but they are carefully disguised.
This series proves the difference between a true actor (Cox) and a celebrity, such as Paris Hilton, who could not act her way out of a paper bag. An actor worth their salt has likability and believability to a general audience. We rarely see this in film, and almost NEVER on television.
Courteney Cox, kudos to you for this show. I have not seen a series worth watching on TV since 1990. Highly recommended. 8/10.
This is a good story: sleazy tabloids, celebrity back-stabbing; but it is presented with class, and without utter contempt for the audience (This is a MAJOR feat in television today). There are some parallels to true celebrity stories, but they are carefully disguised.
This series proves the difference between a true actor (Cox) and a celebrity, such as Paris Hilton, who could not act her way out of a paper bag. An actor worth their salt has likability and believability to a general audience. We rarely see this in film, and almost NEVER on television.
Courteney Cox, kudos to you for this show. I have not seen a series worth watching on TV since 1990. Highly recommended. 8/10.
Wusstest du schon
- WissenswertesOne of two shows that FX greenlighted in 2007 with female lead characters, trying to shake its public reputation as a "male network". The other show was The Riches (2007).
- VerbindungenReferenced in Séries express: Folge #1.7 (2008)
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