Ein Mädchen entdeckt, dass ihr Vater das erstaunliche Talent hat, Figuren aus ihren Büchern zu holen. Sie muss einen Bösewicht davon abzuhalten, alles zu zerstören.Ein Mädchen entdeckt, dass ihr Vater das erstaunliche Talent hat, Figuren aus ihren Büchern zu holen. Sie muss einen Bösewicht davon abzuhalten, alles zu zerstören.Ein Mädchen entdeckt, dass ihr Vater das erstaunliche Talent hat, Figuren aus ihren Büchern zu holen. Sie muss einen Bösewicht davon abzuhalten, alles zu zerstören.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
- Meggie
- (as Eliza Hope Bennett)
Empfohlene Bewertungen
This exciting motion picture displays derring-do adventure, romance ,fairy tale ,and spectacular frames with phenomenal production design. The flick gets lots of bombastic special effects including supernatural apparitions, wizards ,legendary heroes and numerous images have you on the edge of your seat. As appears the heroes of tales as ¨1.001 nights¨, ¨the minotaur¨, ¨Rapunzel¨ and several others. Riveting set pieces illuminate the full-blown adventures blending witchcraft, fairies, necromancy and turns out to be extremely amusing. Stimulating adventures of ours protagonists are complemented by a breathtaking final attraction in the castle scenes with incredible appearance of an overwhelming ominous shadow. Casting is frankly extraordinary, Brendan Fraser as impetuous hero, Andy Serkis plays magnificently a shamelessly villain and Helen Mirren as likable grandmother, and brief appearance of Jennifer Connelly as Roxanne, among others. Ideal main cast is completed by phenomenal secondary actors as US as British players. The movie packs a sensational production design by John Beard , accompanied by a glamorous cinematography by Roger Pratt filmed on location, in Italian Riviera, Liguria and Shepperton Studios, Surrey, England, including a mesmerizing photography with wonderful , marvelous landscapes . Emotive soundtrack appropriately adequate to fantasy by Javier Navarrete. The picture is brilliantly directed by Ian Softley. He's a good writer, producer and director,who achieved big time with ¨The skeleton key¨, ¨K-Pax¨, ¨Backbeat¨ and Hackers¨. Rating: Better than average. Essential and indispensable watching for fantastic cinema lovers.
As it turned out, my casting concerns were unfounded, although there was an annoying line from Capricorn. (In the trailer, unfortunately.) The cuts are noticeable, but acceptable. Same goes for the majority of changes. I enjoyed the first two sections, but then came the ending. I won't say how it's changed, but it was WRONG. In fact it was so WRONG, that there will be difficulties sequel-wise.
The best way to enjoy Inkheart is to lose yourself in the book. I hope this film encourages viewers to do just that.
7/10
"Inkheart" is another one of those. It's frustratingly close. You want to go up to the screen and nudge it a bit so it crosses the line. It's a fantasy-- a genre where logic is only slightly required. If this story had made a wee bit more sense, it would've hit the fantasy-acceptable mark. If the dialogue had more crackle and the characters had more contrast, it would've worked. It looks beautiful. The effects are good. There are clever moments. It's well cast with actors known to be entertaining and who are spot-on for their parts. It could've been a lovely, enjoyable family film if it had been given any amount of extra thought.
The movie tells the story of a man who finds out too late that when he reads aloud, it brings parts of the books he reads into the real world while it randomly sends real people into the book being read. When he reads the little-known children's book "Inkheart" to his wife, menacing charters fall out and his wife disappears. To have any chance of getting her back, he must have a copy of the rare book, so he packs up his young daughter and they spend years going from old bookstore to old bookstore rummaging through stacks of neglected volumes but not finding the one book he needs.
Fraser's bookbinder Mo is a likable good guy, the sort of character that's become Fraser's mainstay. Mo is a loving dad who's frightened by his unwanted ability and whose only quest is to read his wife home. It's a sweet, solid performance as Fraser plays straight man to some class-A scene-stealers. They are:
Helen Mirren-- no explanation required. She doesn't work at upstaging anyone, it just happens. Here she's the wealthy aunt of Mo's missing wife. Despite her flamboyant style, she has hermitted herself away with the collection of books she treasures, preferring to read adventures, not live them.
Jim Broadbent-- no explanation required here, either. He has one of those faces. He has one of those voices. He plays "Inkheart's" author and it's entertaining to see how much glee he gets from meeting the characters he created, even the horrible ones.
Paul Bettany-- He can't not be noticed. He's an actor who has an edgy energy about him--sort of like a younger Peter O'Toole. Twice his supporting characters have diverted attention from Russell Crowe-- as the lively college roommate in "A Beautiful Mind" and as the ship's doctor and naturalist in "Master and Commander: The Far Side of the World." Except for looking at Heath Ledger, the only joy to be had in the mess that is "A Knight's Tale" is Bettany's Chaucer. He stole the movie, or at least as much of it as he wanted. In "Inkheart" his juggler Dustfinger is referred to as scary, but he's more scoundrel than villain as he attempts to right the wrong that's been done to him.
Rafi Gavron-- As a teen thief who is thankfully of no consequence to the plot of "Ali Baba and the Forty Thieves," he's adorable and adds a welcome lightness to his scenes. He's the future of scene stealing, earning some preliminary chops here among the pros.
Needless to say, when these actors are on screen together in any combination, you don't know where to look. It's mind-bending to try to understand how anyone could make a marginal movie with this cast.
In addition to the above, Eliza Bennett plays daughter Meggie. It's not a role that requires a lot, but she does a good job of not overplaying what could have been a whiny part. Poor Andy Serkis is stuck playing the same ego-maniacally evil villain we've seen over and over. There's no imagination to his character or to his cliché band of goons. They're not even a particularly scary lot, and the lack of anyone or anything truly frightening contributes largely to making the story tepid.
"Inkheart" has a fun, unofficial running game, a sort of "Name that Tune" where you try to recognize classic children's literature based on a character or a telltale prop. Watch it with your kids, and if they can't tell you what comes from where, move away from the TV and read them a book.
But one thing stood out above any other in this film; and that was: Paul Bettany's performance as Dustfinger.
He was just brilliant, and absolutely stole the film for me. I thought he was a good actor anyway, but the moment he came on I had to stop and think "wow!", and I continued to be impressed throughout the film, as his character development just got more and more interesting. I felt far more sympathy with his character than Brendan Frasers (even though I think he's fantastic!), and I felt that he was the true 'main character' of the film (in the same way as Sam is to Lord of the Rings).
If anyone is unsure about seeing Inkheart, I would suggest that it is a must-see if only for Paul Bettany's absolutely stunning performance; he is intense, emotional, funny, troubled, heroic and just plain brilliant.
Also high praise for Helen Mirren and Jim Broadbent, who were very refreshing. I did feel more could have been done with Andy Serkis and Brendan Fraser, they didn't wow me as much as I'd expected.
But overall a very enjoyable film!!
The movie itself is loosely based on Funke's book. That's right, "book." It is actually NOT based on all three books, but rather, just as the title implies, the initial Inkheart. The elements I could not identify were never in the book. So...If you're a book fan and are unable to separate the literary story from a film adaptation, you WILL be disappointed. But honestly, if you're looking for something that bears more than a slight resemblance to the book, you still may be disappointed by the omissions, rearrangements, and substitutions.
But do let me say that Brendan Frasier is a wonderful Mo. The casting choice of Eliza Hope Bennett as Meggie was a bit of a surprise, but she is lovely and does very well as Meggie. Paul Bettany is a beautifully tragic Dustfinger. Wow, what a performance Bettany gives! I was also surprised by Helen Mirren's casting as Aunt Elinor, but she was a capable and endearing Elinor. I was even impressed by Rafi Gavron's Farid. I can't wait to see where HIS career leads him. He has great promise. They, and the supporting cast, were wonderful. Not one stiff performance. Andy Serkis was also good as Capricorn. I can't say he was "awesome," as he was not nearly as scary as the literary version, and seemed somewhat of a victim of his own circumstances herein, but he was enjoyable, nonetheless.
If you have never read the books, however, you may find this as I did; an enchanting lovely fantasy with enigmatic characters and a slick execution style. I enjoyed this work far more than I should have, considering the plethora of WIDE variances from the literary source.
All in all, while Inkheart is a highly enjoyable film, it is NOT the book. My advice? Watch the movie. Love the movie. Then read the book and find a hundred new reasons to love it again.
It's still fun, it's still wonderful, and it's still enchanting.
It rates an 8.2/10 on the movie scale.
It rates a 3.5/10 on the adaptation scale.
It rates an 8.4/10 on the fantasy scale from...
the Fiend :.
Wusstest du schon
- WissenswertesBrendan Fraser was Author Cornelia Funke's personal choice for the role of Mo, as he was her inspiration for the character. She even dedicated the second novel of the trilogy to him and sent him a signed copy. The producers originally wanted a bigger Hollywood star, but on the insistence of Funke, they gave in and accepted him in the role.
- PatzerA sign at the entrance to Elinor's house reads "Don't even think about entering"; underneath there are translated versions. Despite the novel the movie bases on is of German origin, the German translation on Elinor's sign is wrong - "Denk sogar nicht daran..." instead of "Denk nicht einmal daran...". (In the German dubbed cinema version of this movie, there is a voice-over while the sign is on screen, telling the correctly translated version.)
- Zitate
Meggie Folchart: Having writer's block? Maybe I can help.
Fenoglio: Oh yes, that's right. You want to be a writer, don't you?
Meggie Folchart: You say that as if it's a bad thing.
Fenoglio: Oh no, it's just a lonely thing. Sometimes the world you create on the page seems more friendly and alive than the world you actually live in.
- VerbindungenFeatured in Troldspejlet: Folge #40.13 (2009)
- SoundtracksMunich Schmankerl
Traditional
Performed by The Bavarian Band And Chorus
Courtesy of Sheridan Square Entertainment, Inc.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- El libro mágico
- Drehorte
- Hever Castle, Hever, Edenbridge, Kent, England, Vereinigtes Königreich(Elinor Loredan's Italian lakeside home)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.303.424 $
- Eröffnungswochenende in den USA und in Kanada
- 7.601.379 $
- 25. Jan. 2009
- Weltweiter Bruttoertrag
- 62.803.180 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1