Die Ehre einer Familie steht auf dem Prüfstand, als Ray Tierney einen Korruptionsskandal bei der Polizei aufdeckt, an dem sein eigener Schwager beteiligt ist. Aber die Ehre des gesamten NYPD... Alles lesenDie Ehre einer Familie steht auf dem Prüfstand, als Ray Tierney einen Korruptionsskandal bei der Polizei aufdeckt, an dem sein eigener Schwager beteiligt ist. Aber die Ehre des gesamten NYPD steht in Frage.Die Ehre einer Familie steht auf dem Prüfstand, als Ray Tierney einen Korruptionsskandal bei der Polizei aufdeckt, an dem sein eigener Schwager beteiligt ist. Aber die Ehre des gesamten NYPD steht in Frage.
- Auszeichnungen
- 2 Nominierungen insgesamt
- Angel Tezo
- (as Ramon Rodriguez)
- Carlos Bragon
- (as Maximiliano Hernandez)
- Francis Tierney
- (as Carmen Lo Porto)
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Edward Norton was absolutely STUNNING, blew me away. He's always been a favorite of mine but every role he's in continues to amaze me. There a scene where he's talking to a Spanish woman and his expression throughout the scene is the main thing that stuck out to me in the whole movie. There's just something in his eyes that draws you and sucks you in.
Colin Farrell did an amazing job as well, as did Jon Voight. They managed to bring their characters more personality than I expected there to be. Especially Colin. Even though he played a such a bad character, there was something there in the way he was with his family and everything that still made me feel BAD for him.
And though the f-bombs were sometimes distracting and the ending could've had more punch, overall I really liked this movie.
Despite the inspired performances of the main characters, however, Pride and Glory falls short due to awkward pacing, pointlessly convoluted side-stories revealed in equally pointless scenes, and a general lack of focus. Pride and Glory tries to tell two or three stories at once, but fails to really punctuate any one of them, leading to a fairly emotionless climax and no discernible, unifying theme. The result is a forgettable movie and a hint of buyer's remorse; if you're a big enough fan of Ed Norton or Colin Farrell and want to see either of them put on a great performance, catch the matinée, or even still, wait a few months and rent it.
When four police officers are brutally gunned down in a run down, drug infested tower block, it sets a deadly chain of events in motion that threaten to tear apart the brotherly structure of the New York Police Department. Honest cop Ray Tierney (Edward Norton) starts with the proper approach, getting a statement from an eye witness to what may have gone on in the shape of an innocent, unlying child who admits to having seen notorious drug dealer Angel Tezo (Ramon Rodriguez) fleeing from the scene in fear. With what happened starting to look fairly obvious, the hunt begins for Tezo. Unfortunately, that includes less honest cops Jimmy Egan (Colin Farrell), related to Ray through marriage, and his men whose corrupt activities have lead to the murders. It all builds up to a devastating battle between family and friends, loyalty and justice, truth and honour.
As any one who's glanced at the trivia section (or Empire Magazine!) will already know, work on Pride and Glory was scheduled to begin as far back as 2001, but owing to America's characteristically patriotic respect for NY cops who risked their lives to save lives that fateful day, any suggestion of corruption amongst them was deemed, well, unpatriotic and it's been left till seven years later for the film to come out. It would appear the most high profile film to come from writer/director Gavin O' Connor, whose other credits appear a smattering of unheard of films that have skipped the sort of exposure this one's got.
Though a few have claimed the film has been done before (which it surely has), it is still far more than a standard, straight-forward cop thriller, with an intelligent, twisty turny screenplay that keeps you hooked with it's developments and raw honesty. Despite this, the narrative flow fails to keep going as well as you'd like, and a fair few scenes gracelessly flow on from the last one rather than keeping you hooked for them. Also on the plus side are strong, solid performances from leading men Norton and Farrell, not to mention Jon Voight and Noah Emmerich as the other honest, well meaning father/son cop team caught up in the middle of the corrupt shenanigans as everyone else. But Norton and Farrell not only have good presence, they have good chemistry together and it's a shame they're scenes together are too few. Another down point is their climactic fisticuffs session, which feels corny and out of place amongst what has been a raw, unflinching, brutally and unsearingly honest cop film up till now, belonging more at the end of a Jet Li or Chuck Norris movie to be honest.
Still, this is a solid, well made cop thriller that was still quite worth the wait. ***
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- WissenswertesThe funeral scene footage was actual footage from the funeral of NYPD police officer Eric Hernandez, who was killed in the line of duty.
- PatzerIn the bar scene, the camera is on a man playing pool who is about to make a shoot but he is hitting a striped orange ball instead of the cue ball.
- Zitate
Ray Tierney: Have a few nips this evening, pop?
Francis Tierney Sr: I had a glass of scotch, officer.
Ray Tierney: Just one, huh?
Francis Tierney Sr: I used that same glass, yeah.
- SoundtracksRaza Hoodia
(Tweety Gonzalez Remix)
Written by Josh Norek, Jason Poras, Abe Velez (as Abraham Velez) and Tweety Gonzalez
Performed by Hip Hop Hoodíos
Courtesy of JN Media Group, LLC
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Código de familia
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.740.721 $
- Eröffnungswochenende in den USA und in Kanada
- 6.262.396 $
- 26. Okt. 2008
- Weltweiter Bruttoertrag
- 31.200.557 $
- Laufzeit
- 2 Std. 10 Min.(130 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1