Elizabeth I - The Virgin Queen

I'm afraid invidious comparisons are inevitable when two of the four major television channels choose to bring out 'mini-series' on the life of the same monarch within the same year. This is the BBC's offering, better-funded, better-researched (or so it was claimed) and filmed in the UK instead of Eastern European locations. Sadly -- and I speak as a devotee of Aunty Beeb -- it simply isn't a match for Channel 4's earlier production "Elizabeth I". Not only is it not *as* good, by the end of the series it wasn't even *good*. (Too much attention paid to the technicalities of the ageing make-up on the principals and too little to the characterisation, perhaps?)

I think it simply tries to bite off more than it can chew. Channel 4 succeeded because they cast a middle-aged actress of great experience to portray Elizabeth in her later years. Anne-Marie Duff is a convincing wispy Princess, but her character doesn't seem to acquire the necessary gravitas as she supposedly ages. And the final two episodes felt badly rushed, in particular the decision to gloss over the entirety of Elizabeth's reign post-Essex in the course of a single voice-over, and her death-scene in a few sentences. There is too much prurient focus on Elizabeth's virginity and very little on the Virgin Queen's real-life record as mistress of statesmanship and manipulator extraordinaire -- she knew how to project herself as larger than life, but the BBC doesn't seem to know how to do the same, leaving the great speeches to fall limply. Channel 4's rendition of the great Tilbury speech ("I may have the body of a weak and feeble woman, but I have the heart and stomach of a king -- and a King of England too") brought the hairs up to thrill at the back of my neck. This one was something of an anti-climax.

Historical accuracy, for all that much-vaunted research, seemed dubious, from Essex's haircut to Queen Mary's death. This is light-weight stuff, without the insight into character that would justify such liberties in the name of dramatic licence. I'll believe in Channel 4's adult version of the relationship between the greying Elizabeth and Leicester before I'll believe the aged-up immaturity shown here, between a couple who never seem to progress beyond teenage crushes and jealousies. We see little of the Queen, and a lot of the virgin -- more soap-opera than history.

Ambitious, but ultimately thin and unsatisfactory. All surface and no depth.

Don't get me wrong; the series itself I felt was well done and the script was decent. Some of the actors I felt weren't as strong as I would have preferred.

I think some people have already mentioned this but I will put my two cents in; Enough of Queen Bess! I have seen at least 4 different versions of Elizabeth I in the last 10 years. What is going on? There are other lesser known monarchs that need to have their stories told. Eleanor of Aquitaine? Edward II (openy gay English King who got a hot poker up his butt at the end of his life)? Richard III? War of the Roses? Come on Hollywood! If they want to stick to Tudor, how about they find something on Mary I or Edward VI (Bess' half siblings). I don't want to see another Henry VIII movie either. He did more than just have 6 wives, darn it!

The series itself was fine. Some of the historical things got screwed up but I try to ignore that. I'm a huge Tudor buff, so yes some of the sketchy things bugged me, but not enough to make me rant about it.

Summary: Put the Tudors to rest Please!

This is a very interesting programme, produced in Britain and originally shown on the PBS series, Masterpiece Theatre.

This miniseries was directed by Coky Giedroyc, a veteran of television productions in Britain, including another royal-themed miniseries, 'William and Mary', in 2003. Giedroyc brings an interesting modern twist to the series - rather than filming things in majestic, sweeping camera pans with classical music as a background, and rather than having the dialogue (and acting) be in a stilted, falsely formal style, Giedroyc incorporates modern music with medieval and Celtic flavouring to it (both of which have experienced a renaissance of sorts in the past decade), and the situations are decidedly modern without being out of place in their own times.

This presents the life of Elizabeth from her young adulthood under Queen Mary, as a supposed participant in intrigues against the Catholic Queen, through to her death after serving decades on the throne of England as the Virgin Queen, the queen who never married. In fact, the miniseries plays a tantalising game with Elizabeth's virginity, showing her desires (as well as those around her) without ever giving up the game of 'was she or wasn't she?' Anne-Marie Duff plays the part of Elizabeth, and does a remarkably able job for such a complex figure. Duff won the Irish Television award and was nominated for the BAFTA award for best actress in a television drama in another series, 'Shameless', last year.

Duff is joined by Tom Hardy, who plays the role of Robert Dudley, the favourite of Queen Elizabeth. Dudley is also an extraordinarily complex role, as he played several sides in the political struggles during Elizabeth's early reign, and was part of a family well experienced in regal intrigue - Robert Dudley's family had tried to manage the reign of Elizabeth's brother Edward, engineer the accession of Lady Jane Grey (placing Guildford Dudley on the throne with her), and is sometimes referred to as 'the uncrowned kings of England'. In fact, perhaps the most stunning single scene in this miniseries is after Elizabeth has elevated Robert Dudley to the earldom of Leicester, and during her illness, he sits upon the throne as the protector of the realm. Hardy is well suited to this role, and plays it with skill.

The sets are appropriate to their time period, neither too ornate nor too medieval; the costumes also have a touch of modernity to them, but are still primarily of the period. The situations presented give good insight into the overall pattern of Elizabeth's reign and some of the principal concerns during that time period, although to compress such a long reign into such a short time frame as a four-hour miniseries by necessity means that the history has had to be selectively chosen. Elizabeth faced problems from without and within, many of which were far more complex and pressing than her marriage issue. In the end, Elizabeth made the right decision for the time, if not for the future.

This is a great production for television, and holds up well against other major productions featuring the Virgin Queen Elizabeth of a few years ago.

This is well plowed ground. For years the role of England's Elizabeth I was owned by Glenda Jackson. Australian Cate Blanchett, Helen Mirren and now Anne-Marie Duff have essayed in the last ten years to portray Gloriana on the screen.

This version is more watchable, more accessible, more **alive** than any before.

Glenda Jackson was too sour and too butch--attended by a fawning and effeminate Dudley. Jeremy Irons looked like he had risen from the grave playing Robert Dudley to Helen Mirren's Elizabeth in that BBC production focusing on her middle years. Horrid is the only word to describe Ms. Mirren's appearance. The Cate Blanchett movie version tries to portray Elizabeth as a kind of early feminist--a concept that would not exist for many centuries. Dudley is squeezed into a tiny corner and hardly is a presence at all.

This production adopts as its center the long relationship between Elizabeth and Dudley. As "Robbie" Dudley, handsome, boyish Tom Hardy has swagger and sex appeal. He is not the least bit intimidated by his childhood playmate "Bess" now being the Queen. In one of this production's many telling moments, he is seen stroking the royal neck discreetly but not furtively even as Elizabeth receives the ambassador of the King of Spain. Agreed, Dudley seems to age little compared to Elizabeth, who gets older in appearance if not in demeanor. The relationship is accordingly more credible in the early parts of the series when both are in their twenties.

A few nitpicking pedants have pointed up some historical inaccuracies of a very minor nature. They in no way detract from the impact of this splendid version of history with its colorful sets, fine costumes, excellent acting and unforgettable musical score.

Retelling a story in history in the framework of film can be tricky business and Masterpiece Theatre's The Virgin Queen doesn't attempt to adhere to accuracy in the slightest. But, if you're like me, you would love to experience the story of Queen Elizabeth a thousands times over in a thousand ways, and this film richly succeeds in it's own right.

I have never seen such accurate costuming, beautiful sets or clever a soundtrack in any Elizabethan film (Oh my God, the soundtrack). Royal stoicism is put aside in lieu of emotive imagery. More than many films of this historical powerhouse, I appreciate the attention paid to the human side of Queen Eliazabeth--her vanity, weakness for the opposite sex (considering her royal responsibilities), and infamous indecisiveness.

I could have done without the laughably overblown Casa Nova characterization of Lord Robert Dudley (Tom Hardy, ). He came off as a retired Backstreet Boy, looked far too young for the part, and portrayed none of the cultivated finesse that those familiar with the real man know, in-turn, leaving the audience wondering what about this man is worth the scandal.

If you have any interest in a new take of Elizabeth's life since the 1998 film Elizabeth, I truly recommend this mini-series. For a more historically accurate glance of the time period in England, check out BBC's Elizabeth (1971) starring Glenda Jackson.