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6,6/10
2489
IHRE BEWERTUNG
Hyperdrive ist eine Sci-Fi-Komödie aus Großbritannien, die die Abenteuer der Besatzung der HMS Camden Lock verfolgt, die mit der Aufgabe betraut ist, die Interessen Großbritanniens in einer ... Alles lesenHyperdrive ist eine Sci-Fi-Komödie aus Großbritannien, die die Abenteuer der Besatzung der HMS Camden Lock verfolgt, die mit der Aufgabe betraut ist, die Interessen Großbritanniens in einer sich ständig verändernden Galaxie zu schützen.Hyperdrive ist eine Sci-Fi-Komödie aus Großbritannien, die die Abenteuer der Besatzung der HMS Camden Lock verfolgt, die mit der Aufgabe betraut ist, die Interessen Großbritanniens in einer sich ständig verändernden Galaxie zu schützen.
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On first pass, this sci-fi comedy immediately invites comparisons with Red Dwarf, Star Trek, and even The Office. However, Hyperdrive is really just the everyday working class gone forth, not so much boldly, but just... there.
The commander of the Camden Lock, Henderson, played warmly by Nick Frost, dreams of doing something great for Britain as he commands his ineffectual crew, ineffectually. His intentions overreach his ability, but he's no smarmy David Brent. This is a bloke who shoulders his responsibility, but could easily end up down the pub with the rest of the crew on a Friday afternoon.
This is a good role for Frost, who has previously played second-fiddle to Simon Pegg in such fan-boy classics as Spaced and Shaun of the Dead. Frost proves he is capable of gentle comedic moments, inhabiting his role with subtlety. This may be lost on some of the more rabid sci-fi crowd, who may be irked to find that this is a very different beast than say, the abrasiveness of the Rimmer/Lister relationship from Red Dwarf. It may be a stretch to say that the crew-mates of the Camden Lock enjoy each other's company but they don't actively hate each other.
The rest of the crew is rounded out nicely by Teal, the Alien Liaison officer, who has a crush on Henderson. First Officer York is gleefully homicidal, and Jeffers is note-perfect as the ship's Tech Officer, who displays just the right amount of contempt and long-suffering for his fellow humans. Sandstrom, the ship's "enhanced human" and Pilot (an obvious stab at such pilot roles found in shows like Andromeda or Farscape) provides a little mystery, and curiously, a strange eroticism. Her vacant smile is stunning.
Overall, Hyperdrive is a rewarding comedy, if you're willing to let go of hyper-critical thinking and allow yourself to enter into a far-flung universe that seems more close to home than you may think. Despite some rather average (and rare) script moments, there's enough of a foundation here to build a show that could yet become as revered and loved as a certain crimson miniature.
The commander of the Camden Lock, Henderson, played warmly by Nick Frost, dreams of doing something great for Britain as he commands his ineffectual crew, ineffectually. His intentions overreach his ability, but he's no smarmy David Brent. This is a bloke who shoulders his responsibility, but could easily end up down the pub with the rest of the crew on a Friday afternoon.
This is a good role for Frost, who has previously played second-fiddle to Simon Pegg in such fan-boy classics as Spaced and Shaun of the Dead. Frost proves he is capable of gentle comedic moments, inhabiting his role with subtlety. This may be lost on some of the more rabid sci-fi crowd, who may be irked to find that this is a very different beast than say, the abrasiveness of the Rimmer/Lister relationship from Red Dwarf. It may be a stretch to say that the crew-mates of the Camden Lock enjoy each other's company but they don't actively hate each other.
The rest of the crew is rounded out nicely by Teal, the Alien Liaison officer, who has a crush on Henderson. First Officer York is gleefully homicidal, and Jeffers is note-perfect as the ship's Tech Officer, who displays just the right amount of contempt and long-suffering for his fellow humans. Sandstrom, the ship's "enhanced human" and Pilot (an obvious stab at such pilot roles found in shows like Andromeda or Farscape) provides a little mystery, and curiously, a strange eroticism. Her vacant smile is stunning.
Overall, Hyperdrive is a rewarding comedy, if you're willing to let go of hyper-critical thinking and allow yourself to enter into a far-flung universe that seems more close to home than you may think. Despite some rather average (and rare) script moments, there's enough of a foundation here to build a show that could yet become as revered and loved as a certain crimson miniature.
I really really wanted to like Hyperdrive, no I truly did and this is why I gave it every chance but unfortunately the conclusion that this BBC space-com is a bit of a dog is unavoidable.
Like many things which sound like a good idea and have most of the right ingredients which Hyperdrive does have, it should have worked. But then, the Titanic was a great idea whilst still in dock at Southampton. Sad fact is that the writing simply isn't up to the job. Too dependent on the futuristic setting and the (fairly obvious) gags arising from that. True, nobody does obsessional like Eldon (though for some reason I keep expecting him to go into his role as the cleaner in Black Books - just me that one I suppose...) and Frost is always watchable but the whole enterprise (no tenuous pun intended...) comes across as something a sixth form drama class might write after watching the original Beeb Hitchikers series.
A generous 4/10 from me.
Like many things which sound like a good idea and have most of the right ingredients which Hyperdrive does have, it should have worked. But then, the Titanic was a great idea whilst still in dock at Southampton. Sad fact is that the writing simply isn't up to the job. Too dependent on the futuristic setting and the (fairly obvious) gags arising from that. True, nobody does obsessional like Eldon (though for some reason I keep expecting him to go into his role as the cleaner in Black Books - just me that one I suppose...) and Frost is always watchable but the whole enterprise (no tenuous pun intended...) comes across as something a sixth form drama class might write after watching the original Beeb Hitchikers series.
A generous 4/10 from me.
For starters, I don't get what the big deal is comparing this show to Red Dwarf. Aside from both being British sci-fi series set in space, Hyperdrive is hardly a ripoff. If you ask me, it's more like Star Trek than anything else, albeit a twisted, bureaucratic, hilarious Star Trek set in a less-than-perfect-future. Exploring strange new worlds, seeking out new lifeforms and new civilizations, to boldly sell stuff where no man has sold stuff before! :) And even if the concept may not be the most original in the history of scifi, the characters more than make up for that. York is just deliciously evil, Jeffers is perfect as the wannabe-badass, Teal is just plain cheerful and fun, and Sandstrom... well, I just like her because she reminds me of Radical Edward. :D
This brand new comedy is a breath of fresh air. It has a great feeling to it and is like a miniature Hollywood production with great sets and costumes. Kevin Eldon and Nick Frost are both well established in sitcoms and the rest of the talented cast are fantastic in what promises to be a great show if given the chance.
Why, the really negative comments from the spotty nerds who compare everything to their love of Red Dwarf, some of these guys have to be well in their 50s by now. I don't know why these people take delight in knocking something that is vastly superior to their beloved Red Dwarf. Maybe it is their age as they were probably almost able to pull a girlfriend in Red Dwarf times and Hyperdrive holds none of the nostalgia.
It is easy, if you don't understand the humour, put your Red Dwarf DVDs on and relax in yesteryear.
Why, the really negative comments from the spotty nerds who compare everything to their love of Red Dwarf, some of these guys have to be well in their 50s by now. I don't know why these people take delight in knocking something that is vastly superior to their beloved Red Dwarf. Maybe it is their age as they were probably almost able to pull a girlfriend in Red Dwarf times and Hyperdrive holds none of the nostalgia.
It is easy, if you don't understand the humour, put your Red Dwarf DVDs on and relax in yesteryear.
Boris has just launched his Galactic Britain initiative which is, apparently, about "putting the UK firmly in the front rank of the global space industry: Global Britain becoming Galactic Britain".
I feel this is the perfect documentary of what it'll be like! The casting is superb and conveys the "good intent but suboptimal outcome" that Nick Frost manages to embody so well. Everyone seems to be up in arms about this not being another Red Dwarf, but thankfully we have Red Dwarf to be Red Dwarf, leaving Hyperdrive to be its own thing.
The only bad thing I have to say about it is the criminally short run of twelve episodes - we need more of this. Talky Door!
I feel this is the perfect documentary of what it'll be like! The casting is superb and conveys the "good intent but suboptimal outcome" that Nick Frost manages to embody so well. Everyone seems to be up in arms about this not being another Red Dwarf, but thankfully we have Red Dwarf to be Red Dwarf, leaving Hyperdrive to be its own thing.
The only bad thing I have to say about it is the criminally short run of twelve episodes - we need more of this. Talky Door!
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