Das perfekte Verbrechen

"Fracture" (2007) is directed by Gregory Hoblit who has also made "Frequency" (2000), "Fallen" (1998) both of which I like and "Primal Fear" (1996) - his feature debut that I love.

Crime /Thriller/Mystery /Court Drama are among my favorite genres and as long as the combination of these genres is clever, gripping, atmospheric, well acted, keeps me guessing and entertains me, I am happy. I know that many viewers were very insightful and figured out the twists and the ending within first half of hour or so but I did not and I was impressed by the way the disappearance of the crucial evidence had been handled - very clever. Besides being an entertaining crime movie, the most interesting element of "Fracture" is a struggle of wills and intellects between two main characters, self-made inventor - millionaire Ted Crawford (Anthony Hopkins) who shot his unfaithful wife in the face and put her in a coma and young, successful and smart assistant D.A. Willy Beachum (Ryan Gosling), who has a 97% conviction rate and is assigned to prosecute Crawford just when he is ready to accept a lucrative offer from the prestigious LA law firm. The game of cat and mouse that highly intelligent and malevolent Crawford plays with Beachum makes the film interesting and the scenes between Hopkins (in his "playful Dr. Lector" mode) and Gosling (whose character does change as he realizes what he is dealing with from the unsympathetic self-centered hot shot to the man who becomes obsessed by the case, vows to put the murderer behind the bars and makes it his priority) - riveting and joy to watch. I also would like to mention David Strathairn as Willy's boss, DA Joe Lobuto in yet another understated effective performance. Strathairn's Lobuto is so interesting that he could be a main character in another move. "Fracture" is not perfect. For example, Willy's affair with Nikki Gardner (Rosamund Pike), a beautiful lawyer and his perspective boss was lifeless - they did not have any chemistry together. I think that Nikki's purpose in the movie was to introduce Willy to her father, a judge, whose help he would desperately need in one of the later scenes. I'd rather prefer more scenes between Willy and Crawford but even the way it was, the movie kept my attention all the way through and despite the rather weak ending, I found "Fracture" quite good.

The tagline of this film sounds interesting, but also shows the movie's thin plot. 'I shot my wife. Prove it.' Ultimately, the film is smart and witty and keeps you intrigued the entire time as you try find a way to do what the tagline asks you to. However, that's it. Naturally, Anthony Hopkins can do now wrong and 'newbie' Ryan Gosling does really well. Together in a scene, these two are awesome.

What I like about this film is that it totally focuses on the Hopkins/Gosling story-line. In many other films like these there's always that the policemen/attorneys (in this case Gosling) fall in love and then mess it up/ruin their marriage because the case is tearing them apart, you know the drill. There's always some sub story-line involving romance. Gosling finds romance in this movie with Rosamund Pike's character, but it doesn't evolve into another story-line. It doesn't take Willy Beachum's (Ryan Gosling) eyes off the price and even when it falls apart, he doesn't appear to care much (it's all about getting Crawford behind bars) or to feel a need to make it right. I like that. I mean, I love romance in films, but this movie shouldn't be about that and it's not.

Also, the fact that Ted Crawford (Hopkins) is in complete control over everything and everyone in this film astonishes me. This man plays roles like these so well! He just keeps you glued to the screen. The way he is in charge of Willy for (almost!) the entire film is just enjoyable to watch, making the end of the film even more enjoyable when the story comes out and the roles change.

Another reason to praise Gosling for the way he portrayed Willy Beachum. Anthony Hopkins is a legend. He is what draws people to theatres and he is one of the most brilliant actors of all times. Plus, he portrays such a strong character here that I can't help but praise Gosling for holding his own in a very strong manner. Scenes with Gosling are entertaining to watch. You feel drawn to him in almost the same way you feel drawn to Hopkins, even though Willy is in a dark place for most of the film and is hardly in control. Gosling's got great timing.

The story-line might be a little thin and fragile, the outcome is worth it. The movie surprises in more than one way, not in the last place because of the pretty much brilliant performances of both actors. Gosling is going to be big.

8/10

Moody, quirky, witty, the film tries to duplicate the atmosphere of a b&w film noir in color with striking sets, lighting and camera angles. The witty, intelligent script gives Anthony Hopkins and Ryan Gosling much to work with and they work well with it. But the directions is a bit heavy-handed and at times so studied that the film seems to plod along. The music, while striking, is overbearing. This is a filmmakers and a film lovers film -- it is not trying to imitate reality but to exploit all elements of film as an art form. It works for me and left me with some strong impressions. Plus, it is the first time I actually enjoyed watching Ryan Gosling.

I was quite surprised at how much I enjoyed watching this film as I heard many positive critical reviews before going into it so I had high expectations to begin with. However I was not let down one bit since "Fracture" more than held its own. It contained a very simple plot structure but also offered a very original take on a different type of court case. While it might not be possible in real life, it worked magic on the big screen and transformed into an excellent film almost within the first few minutes.

Even though Sir Anthony Hopkins played a role almost exactly identical to that of his previous Hannibal Lecter, it was still great to see him back in this form because that's what I always thought he was best at: the maniacal genius. Although I will admit he does have an incredible range. He didn't add anything new to his character that we haven't seen him do before, yet I still loved watching him whenever he was on the screen. The big shock for me was Ryan Gosling. I knew he was a good actor and that he has been in some great movies but this was his best performance by far. He just calmly waltzed into each scene and was able to hold his own against the veteran Hopkins. Gosling's natural ability is simply breathtaking with how much of it he was blessed with. Any doubts of him I had before are now officially thrown out the window. The rest of the ensemble was at least adequate and the only one who I was a little disappointed in was Billy Burke since he didn't seem completely convincing.

There is somewhat of a twist waiting for the viewer at the final showdown and what I loved about it was it wasn't thrown in there for no reason. It actually went with the story, which is what's supposed to happen but hasn't lately in numerous other cases. It won't throw you for a complete loop but rather ties up some loose ends that had me scratching my head up until then. While there's elements of the legal proceedings that are completely Hollywoodized and could in no way happen in real life, I didn't seem to mind at all and was actually glad they did that. This was most likely because it flowed with the story and offered a fresh perspective.

"Fracture" will be one of those small cinematic feats that goes overlooked and prematurely fades into oblivion but for those that do get to see it you won't be disappointed. You may not agree with some parts and might even spot some dead on plot flaws, but if you can overlook that and instead focus on the film as a whole you are in for a treat. The courtroom drama is suspenseful and is presented just as it should be. The quips taken from both sides are clever and offer some well-timed comic relief. The love story while not necessarily essential didn't take anything away from the other parts either. Job well done to mostly everyone on this production, this was a tightly wrought law thriller that was no chip off the old block by any means!

Sir Anthony Hopkins, Ryan Gosling, David Strathairn, and Rosamund Pike star in "Fracture," a 2007 film directed by Gregory Hobbitt.

I only have one complaint about this film, which is that I had eye strain because it was so dark throughout. I'm not talking about the atmosphere, which yes, was dark, but most of this film was done in darkness.

Nevertheless, it is a very effective modern noir. Hopkins plays a man who knows his wife is cheating on him and kills her. Then he confesses.

A young, ambitious assistant DA, Willy Beachum (Gosling) is talked into taking the case, an apparent slam dunk, even though he's about to take a job with a huge corporate law firm.

Unfortunately, it's not the slam dunk he thinks, and before he knows it, he's been disgraced in court and his new job is on the line. Desperate, Willy begs his boss (Strathairn) to see it through.

Great story, very clever, with Hopkins and Gosling playing an effective cat and mouse game throughout. I'd hate to have to act opposite Anthony Hopkins unless my name was Emma Thompson, but Hopkins underplays this beautifully, and he and Gosling make a very effective team.

With both men, it's almost as if one can read his thoughts as Hopkins gives a half smile and Gosling stares and sets his jaw.

Though this story is about the conflict between two massive egos who always win, the underlying mystery is excellent as well.

If you like this kind of film, and I do, don't miss this one.