Postal

I don't understand the bad reviews of this film. People complaining about how its not true to the games have obviously never played Postal 2. This movie is probably closest video game adaptation that I have seen. It is completely true to the theme of the game.

I watched this film at the premier and actually had a chat with Uwe Boll before the film started. He came out right before the film and made a 10-15 speech that consisted mostly of him tirading about how Bush is an idiot and even more about how he hate all the reviewers that give him bad reviews. I think he must have self esteem issues to come off like that against the reviewers.

Anyways, this movie is very funny, if you're into this sort of movie. Obviously if you hate Uwe Boll or are totally politically correct or are easily offended, then don't watch this movie. For people like me that like dead baby jokes and are pretty much desensitized to everything, this is a gold mine of comedy.

Uwe Boll has done the impossible: create a game adaptation that stays at least somewhat true to the game; he has turned a game full of antisocial and offensive content into a movie full of antisocial and offensive content. So, as an adaptation, it's a success.

Unfortunately, it's still Uwe Boll we are dealing with here, so don't expect the movie to be actually any good. while it does have it's moment, "Postal" wears out his welcome very fast and becomes a pain to sit through.

At its core, Postal is a satire on the United States, as done by a twelve year old kid. Boll seems to think that offensiveness is linearly proportional to comedic value: the more offensive, the funnier, and the more exaggerated the funnier. This results in a movie that sets new levels of tastelessness while being extremely hit and miss. Yes, some gags do work but it seems to be pure luck. High points include the director satirizing himself, and people getting hit very violently by trucks and other vehicles. Low points include..well pretty much everything else.

After the initial surprise wears off, Postal simply becomes a bore to watch. Yes there is a good joke every and good point ten minutes, but everything else consists of hordes of annoying characters shooting and chasing each other all over the place for what seems to be an eternity.

This probably would have worked as a short movie, but it's just not enough content for something that lasts over 90 minutes (although it feels twice as long). There are nice ideas and nice tries, but they get hopelessly lost in endless and pointless action scenes and content that is offensive just for the sake of it 4/10

Now we all know Uwe Boll's track record when it comes to movies, but even more so when it's applied to video games. However, in the case of Postal I have to say I was rather surprised because the movie possessed this subtle flair of the game. While watching it I felt it was trying its hardest to be as true to the game as it could. It has sick and pointlessly funny humor both political and sexual, and it has a ridiculous plot that feels like something right out of the game. Perhaps the one thing Boll does well in Postal is the bumbling collection of Muslim terrorists who are apathetic about the whole "Jihad" thing and they are quite funny to watch as they goof around. I guess what makes Postal the movie special is the collection of little silly Easter egg-esquire instances that will just make you chuckle. Like the Postal game, the movie deserves its due because it is a novelty among movies. Regardless, it's Boll's "best" work.

After being laid off from his factory job, getting snubbed at the welfare office, and witnessing his bedridden wife cheating on him with his next door neighbour, the once mild-mannered Postal Dude (Zack Ward) visits his Uncle Dave (Dave Foley) to take part in a plan which entails stealing and re-selling loads of items from the hot new toy craze of Krotchy dolls. Little do they know, that a small group of Taliban members is also planning the same heist at the same time.

Could it be? Uwe Boll finally pulls through with a great video game adaption? Well. . . no. But, he did finally manage to make a good and entertaining one! Say what you will about Boll and his complete lack of artistic talent (and I'll agree with it), but he does know how to stir up some controversy. Whether it's threatening Michael Bay, boxing critics, or making an extremely offensive and perverse new comedy, Uwe can cause problems. Now, obviously, as it's an Uwe Boll film, you're going to have to expect many of the negative elements that go with it: poor acting/writing/etc. However, as the film is so obviously meant to simply offend at any cost, it's not hard to overlook a lot of the flaws and just sit back and laugh at the stupidly ridiculous spectacle that is Postal. I mean, Uwe Boll actually stands onstage in his own film, playing himself, and says all of his movies are funded using Nazi gold and that children in the crowd arouse him. At least he's finally be honest, ya know? Anyway, if Tom Cruise, 9/11, cults, crap, trailers, racism, swearing, Dave Foley, police brutality, fat people, hicks, the handicapped, and over-the-top violence (often against children) sound like things worthy of a laugh, then you'll probably love this. If you're easily offended or reserve your giggles for a more sophisticated type of humour, then just keep on walking because this film is not for you.

Final verdict: 6/10.

-AP3-

Uwe Boll's best Movie. Better than "You Don't Mess with the Zohan". Neither of those statements are saying particularly much, but to say the least, this movie is actually worth watching. Postal is essentially an absurdist farce comprised of characters designed to be caricatures of the worst parts of humanity. Assuming this was not some cosmic coincidence whereby Uwe Boll managed to write and direct a movie that actually entertains it's alleged target audience, I feel confident in saying that this movie actually hits it's mark. Knowing the spirit and tone of the source material, this is actually a pretty decent video game adaptation. The movie is essentially a Bollian journey into Tromaville territory: from the crass socio-political commentary, through the excessive violence, coarse language, gratuitous full frontal Dave Foley nudity, right down to the self deprecating director cameo. It's intentionally offensive to everyone. Despite itself, on some level this movie works. It's weird that I seem to only have good things to say about this movie, seeing as it is not a good movie... but, dare I say, it's not bad either. 5/10