IMDb-BEWERTUNG
4,6/10
12.153
IHRE BEWERTUNG
2 stümperhafte, kleinkriminelle BFFs versuchen, eine Kirche auszurauben, aber jemand vom Personal ist ihnen zuvorgekommen. Sie verbringen die Nacht mit den Mitarbeitern der Kirche, um an das... Alles lesen2 stümperhafte, kleinkriminelle BFFs versuchen, eine Kirche auszurauben, aber jemand vom Personal ist ihnen zuvorgekommen. Sie verbringen die Nacht mit den Mitarbeitern der Kirche, um an das Geld zu kommen.2 stümperhafte, kleinkriminelle BFFs versuchen, eine Kirche auszurauben, aber jemand vom Personal ist ihnen zuvorgekommen. Sie verbringen die Nacht mit den Mitarbeitern der Kirche, um an das Geld zu kommen.
Sterling Ardrey
- Timmy
- (as Sterling D. Ardrey)
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Let me see: It's January, and a film is released with a recognizable star and an obvious audience. Should be a winner? Nah! Not for nothing is this called the "dead season" or the "dumping ground" because almost all the films released at this time are potential losers, films deemed by their owners weak for a variety of reasons, but most certainly heading for panning by the critics.
First Sunday, a heist film set in a church, fulfills all the requirements for this notorious time of year: The plot is thin and almost silly: a couple of slackers decide to rob a local church in order to pay debts or salvage a family, mixing guilt with almost innocence; Ice Cube stars against his type as a robber with at heart and he produces, an act that guarantees this weak film distribution.
Yet, I liked First Sunday well enough to keep it from my slag heap of grade F. I liked the sub-textual seriousness of kids without dads, dads dealing with unemployment and disrespect, and mundane church matters. In addition, Cube (Durell) has a solid persona, not varying much each film, of an intelligent, serious but secretly warmhearted guy, a working stiff who just hasn't had the right breaks.
His sidekick LeeJohn (Tracy Morgan) provides the feckless, goofy, but lovable klutz, whose heart is bigger than Durell's. Beyond reasonable humor is Katt Williams' Rickey, a choirmaster with loopy observations and mannerisms. The women in the congregation serve as enablers for the errant crooks, and in one case, as major eye candy. Most of the characters in the film are shameless stereotypes.
The responsibility for this sub par comedy rests with writer director David E. Talbert, whose more that a dozen successful plays with heavy social themes remind of the success Tyler Perry has had with a similar profile. But Talbert lacks Perry's refinement of style and substance that deftly mixes broad comedy with social concerns. Talbert may never reach the success of Perry, but he should keep trying because social comedy is a powerful part of our popular culture.
First Sunday, a heist film set in a church, fulfills all the requirements for this notorious time of year: The plot is thin and almost silly: a couple of slackers decide to rob a local church in order to pay debts or salvage a family, mixing guilt with almost innocence; Ice Cube stars against his type as a robber with at heart and he produces, an act that guarantees this weak film distribution.
Yet, I liked First Sunday well enough to keep it from my slag heap of grade F. I liked the sub-textual seriousness of kids without dads, dads dealing with unemployment and disrespect, and mundane church matters. In addition, Cube (Durell) has a solid persona, not varying much each film, of an intelligent, serious but secretly warmhearted guy, a working stiff who just hasn't had the right breaks.
His sidekick LeeJohn (Tracy Morgan) provides the feckless, goofy, but lovable klutz, whose heart is bigger than Durell's. Beyond reasonable humor is Katt Williams' Rickey, a choirmaster with loopy observations and mannerisms. The women in the congregation serve as enablers for the errant crooks, and in one case, as major eye candy. Most of the characters in the film are shameless stereotypes.
The responsibility for this sub par comedy rests with writer director David E. Talbert, whose more that a dozen successful plays with heavy social themes remind of the success Tyler Perry has had with a similar profile. But Talbert lacks Perry's refinement of style and substance that deftly mixes broad comedy with social concerns. Talbert may never reach the success of Perry, but he should keep trying because social comedy is a powerful part of our popular culture.
The movie can really touch with its emotional aspect, which consist of the old motive that money can't always buy anything. There are some good in the hood laughs, but not worth to remember. I personally think that Ice Cube can do better, and he can achieve something more great the "Friday" series.His acting is getting better and better, but he should try to change the plot of his movies or maybe a drastic change in his character.At all, this movie production is not something amazing,but this is not its main mission. It's just a good comedy, that can waste your time, without wasting its limit. By the way its worth nothing the fact that there are some really funny characters that are really moving the thing in this production. Like the chore director for example, or the priest.Actually this is the main element that makes me rate the movie at a more high score. It seems that almost everything was half-baked- the plot is good, but could have been better, and the actors a re funny,but could be funnier.
I went into this movie looking for laughs and that's exactly what I got. The premise of the film is rather daffy; two decent men are in desperate need for money; one (Ice Cube) to prevent his beloved son moving to Atlanta with
his mother who has no other choice since she has debts that she cannot afford; the other (Tracy Morgan) secured a deal with a Jamaican thug to sell wheelchairs but messed it up, lost the wheelchairs and now owes the guy a
lot of money. So what do they do? They stumble upon this church, they sit, they enjoy the music and the singing; and notice that the church's deacon handles a lot of money for the church's upcoming repairs. The next day, Tracy
Morgan's character LeeJohn suggests they rob the church to Ice Cube's Durell's outrage. He immediately refuses but after an impass concerning his son's departure, he becomes determined to do it. But not everything goes
according to plan, quickly the two are compelled by circumstances to turn the robbery into a hostage situation.
The main characters are not thugs, they are men who are driven by despair and see no other way out to get money on such short notice. They are driven by their enclosing circumstances; at many points during the movie they struggle with their morality. Durell is a serious man, but has a soft spot for his son. LeeJohn is a goofy man-child who doesn't even have an idea of when his birthday is. The most interesting aspect of the plot is that when the two men realize that the money they are after is not actually there, meaning somebody stole it first; which can only be one of the people having a meeting on the church that same night.
It has many ingredients to make it appealing; the interactions between hostage takers and hostages, Katt Williams' funny input, the final message of the movie delivered by Momma T (Olivia Cole) and the funny exchanges between Durell and LeeJohn.
Ice Cube plays his usual self, acting all tough but warm inside; Tracy Morgan also plays his usual character, very similar to his character Tracy Jordan on 30 Rock. That's what functions, that's the verified formula for comedic success. The other supporting actors give fine performances: Chi McBride as the Pastor, Loretta Devine as Sister Dory, Malinda Williams as the Pastor's daughter Tianna, the aforementioned Katt Williams as the church's choir director and Michael Beach as the deacon, who is great!
I had a nice time watching this flick and would definitely watch it again when in the mood for comedy. It can be a bit stereotypical at certain moments, but is definitely very watchable.
The main characters are not thugs, they are men who are driven by despair and see no other way out to get money on such short notice. They are driven by their enclosing circumstances; at many points during the movie they struggle with their morality. Durell is a serious man, but has a soft spot for his son. LeeJohn is a goofy man-child who doesn't even have an idea of when his birthday is. The most interesting aspect of the plot is that when the two men realize that the money they are after is not actually there, meaning somebody stole it first; which can only be one of the people having a meeting on the church that same night.
It has many ingredients to make it appealing; the interactions between hostage takers and hostages, Katt Williams' funny input, the final message of the movie delivered by Momma T (Olivia Cole) and the funny exchanges between Durell and LeeJohn.
Ice Cube plays his usual self, acting all tough but warm inside; Tracy Morgan also plays his usual character, very similar to his character Tracy Jordan on 30 Rock. That's what functions, that's the verified formula for comedic success. The other supporting actors give fine performances: Chi McBride as the Pastor, Loretta Devine as Sister Dory, Malinda Williams as the Pastor's daughter Tianna, the aforementioned Katt Williams as the church's choir director and Michael Beach as the deacon, who is great!
I had a nice time watching this flick and would definitely watch it again when in the mood for comedy. It can be a bit stereotypical at certain moments, but is definitely very watchable.
I got this movie because my wife likes movies that come out of the Black culture---I'd read all the reviews, which were uniformly negative. But we watched it together.
I'm glad I did. I'm one of those rare White pastors who has had the honor of serving as pastor of an African-American congregation. The comments about how this movie is "stereotypical" reflect a very Anglo view of life that has never been part of a Black church. The movie lifted up the humor of how Black churches work, and the sort of folks often found in them.
The Writer/Director grew up in a family of preachers. He was trying to show both the humor of what people are like in African-American churches, and how some positive male role models are needed in the Black community; men who care about their sons, may make mistakes, but will always try to do the right thing. To expect Ice Cube to be a "comedian" in this movie is to misunderstand his role: he was trying to do the right thing in the midst of craziness. He played the straight man, and left the comedy to others.
Those who look at this movie in the light of the way most Hollywood stories are reviewed didn't get it. Those who have never been part of a church community didn't get it. THIS WAS A CHURCH MOVIE! Taken on its own terms, it was a joy.
I'm glad I did. I'm one of those rare White pastors who has had the honor of serving as pastor of an African-American congregation. The comments about how this movie is "stereotypical" reflect a very Anglo view of life that has never been part of a Black church. The movie lifted up the humor of how Black churches work, and the sort of folks often found in them.
The Writer/Director grew up in a family of preachers. He was trying to show both the humor of what people are like in African-American churches, and how some positive male role models are needed in the Black community; men who care about their sons, may make mistakes, but will always try to do the right thing. To expect Ice Cube to be a "comedian" in this movie is to misunderstand his role: he was trying to do the right thing in the midst of craziness. He played the straight man, and left the comedy to others.
Those who look at this movie in the light of the way most Hollywood stories are reviewed didn't get it. Those who have never been part of a church community didn't get it. THIS WAS A CHURCH MOVIE! Taken on its own terms, it was a joy.
It's a return-to-feel-good-ol' reliable that never fails to bring back laughs and surprises with forgotten scenes. Although maybe best known as a comedy, there are several quite touching scenes that say a lot about relationships between couples, parents and children, and community. Quite the cast! There's Olivia Cole and Loretta Devine! Keith David, Chi McBride, Rickey Smiley, and Katt Williams! A number of actors who never really got their due, especially Malinda Williams and Regina Hall. It's held up well. I'll continue to come back to this film for many reasons. It's inexplicable why the overall rating isn't higher.
Wusstest du schon
- WissenswertesTracy Morgan shot the whole movie with an ankle bracelet on his ankle, where if he didn't leave the set to go straight home, he was going to jail.
- PatzerWhen the Baltimore Police are chasing Durell and LeeJohn's van, we can see a large billboard for DJ BIG BOY, a DJ for Los Angeles radio station Power 106, in the background.
- VerbindungenReferenced in Late Night with Conan O'Brien: Hulk Hogan/Regina Hall/Nicole Atkins (2008)
- SoundtracksHit the Block
Written by Sean 'Diddy' Combs, The Notorious B.I.G., Krayzie Bone (as Anthony Henderson),
Layzie Bone (as Steven Howse), Bizzy Bone (as Bryon McCane), Steven Jordan, Joey Brooks, Pimp C (as Chad L. Butler), Bun B (as Bernard James Freeman), Tip 'T.I.' Harris (as Clifford Harris), Swizz Beatz (as Kasseem Dean)
Performed by UGK (as UGK (Underground Kings)) featuring Tip 'T.I.' Harris
Courtesy of Jive Records
By Arrangement with Sony BMG Music Entertainment
T.I. apepars courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- No robarás en domingo
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 37.931.869 $
- Eröffnungswochenende in den USA und in Kanada
- 17.714.821 $
- 13. Jan. 2008
- Weltweiter Bruttoertrag
- 38.810.311 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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