Eine Besatzung afroamerikanischer Piloten des Tuskegee-Trainingsprogramms, die während des Zweiten Weltkriegs mit der Rassentrennung konfrontiert war, wird unter der Leitung von Colonel A.J.... Alles lesenEine Besatzung afroamerikanischer Piloten des Tuskegee-Trainingsprogramms, die während des Zweiten Weltkriegs mit der Rassentrennung konfrontiert war, wird unter der Leitung von Colonel A.J. Bullard zum Dienst gerufen.Eine Besatzung afroamerikanischer Piloten des Tuskegee-Trainingsprogramms, die während des Zweiten Weltkriegs mit der Rassentrennung konfrontiert war, wird unter der Leitung von Colonel A.J. Bullard zum Dienst gerufen.
- Auszeichnungen
- 2 Gewinne & 9 Nominierungen insgesamt
- Ray 'Junior' Gannon
- (as Tristan Wilds)
- Sticks
- (as Cliff Smith)
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This stars a large cast of black actors most notably Terrence Howard and Cuba Gooding Jr. The story of these men is a whole lot of cheesy stale clichés. The filmmaker seemed to have concentrated on CG fighter action more than giving these men good story lines. This multi-story line is embarrassingly old school. If they could just do one character, that would be an improvement. And imagine if that character is real.
In 1944 Italy, a group of four army pilots has been summoned to protect bombers over Germany. Along the way, they have encounters with friendship, romance, danger and overcoming death.
The film's director, Anthony Hemingway should have stuck to directing TV shows before filming this lackluster effort. John Ridley and Aaron McGruber's script feels third rate and mostly shifts into territories of melodrama and clichés. They should have taken out the bad subplot involving a romance between an Italian girl and one of the pilots and remained focused to expand on the story of the Airmen. The art direction looks like it's been borrowed from too many movies and the action sequences fails to generate any thrills. The visual effects from Industrial Light and Magic add no excitement to the action.
The young actors playing the pilots {David Oyelowo, Nate Parker, Tristan Wilds and Elijah Kelly} and the acting veterans {Cuba Gooding Jr. and Terrence Howard} feel like they're taking their roles forcefully instead of seriously. Both Gooding Jr. and Howard proved one thing in their respective roles: They were both in the film just for the money.
All in all, this fails both in entertainment and as a history lesson. For the past four decades, Lucas wowed audiences by showing them how movies can take people to brand new worlds with "Star Wars" and "Indy". Now, this time, he has failed. Both Lucas and the Tuskegee Airmen deserved better.
In the end, the best thing to come out of this is the thing before the film itself. The "thing" that I'm talking about is the trailer for the upcoming and hopefully very funny "Three Stooges" movie.
Rating: 1 star
I don't feel any connection to the characters in this film. Live or die, who knows or cares.
Contrasting that with the Tuskegee Airman, when people died in that film, you felt it. You cared about each single character and were emotionally invested with them.
So my saying, wait for DVD, and if you want a much better film, buy the Tuskegee Airman. You wont be disappointed.
Wusstest du schon
- WissenswertesCuba Gooding Jr. is not new to the subject of the film. He has previously been in Die Ehre zu fliegen - Tuskegee Airmen (1995).
- PatzerIn the opening scene, the German flight leader is not wearing his oxygen mask throughout the entire battle. B-17 missions were routinely at altitudes of 25,000 feet (all the American characters are wearing masks). Without the oxygen mask, the German commander would have passed out in a matter of minutes.
- Zitate
Andrew 'Smokey' Salem: When you get upset, when you get mad, you turn red, right? When you get envious, or sick, you turn green. When you become cowardly, you turn yellow; and ya'll got the nerve to call us colored?
- VerbindungenFeatured in Maltin on Movies: Haywire (2012)
- SoundtracksIt's Been a Long, Long Time
Written by Sammy Cahn and Jule Styne
Performed by Harry James and His Orchestra (as Harry James & His Orchestra)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Top-Auswahl
Details
Box Office
- Budget
- 58.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 49.876.377 $
- Eröffnungswochenende in den USA und in Kanada
- 18.782.154 $
- 22. Jan. 2012
- Weltweiter Bruttoertrag
- 50.365.498 $
- Laufzeit
- 2 Std. 5 Min.(125 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1