La educación de las hadas

Beautiful tale, excellent cast, wonderful locations from Girona, Catalunya (but it seams Galicia) with all the deep, magic forest. I think it's Montseny. You will believe in Fairies! Bebe, Ricardo Darín and Irene Jacob do a great job and the child is brilliant. As Sezar says: "Since I've met your child, I haven't had the will of having a child". It's all about love between man and woman and adult and child, but real love, not the kind of love they sell us from Hollywood, but real, natural love. If you like stories about relationship between people, you will enjoy this film. I know they have had problems finding the boy, since it should be the history's keystone. It's amazing how well and natural the boy acts. An interesting promise!

"La Educacion De las Hadas" is the new movie from Spanish director Jose Luis Cuerda, his follow-up to "La Lengua De las Mariposas", a local hit back in 1999. Cuerda is known for his subtle sentimentalism and his funny approach to all themes (Including the end of the world, see "Total"). The movie is based in a novel from french writer Didier van Cawuelaert. It tells the story of Nicolas,(Ricardo Darin) who falls in love with two people, Ingrid (Irene Jacob) and her seven years old son Raul. All of them have hidden secrets and wounds that will appear in the process of knowing each other. This could have been a melodramatic movie if not were for the light touches which are the trademark of the director, and for the magical underlines that surrounds the narration. The cast is fine, with Darin as good as ever, and Irene Jacob with her best role since "Rouge", but the real surprise is the newcomer Bebe, in his film debut after selling thousands of discs in Spain. She gives charm and interest to the Algerian immigrant Sezar, who appears like a faerie for the rest of the characters.

This drama is an enjoyable tale with an interesting characterizing about a few characters dealing with brooding and engaging issues . Nicolas (Ricardo Darin) believes to have met the family he has always wished when during a flight between from Alicante to Barcelona he meets a beautiful woman (Irena Jacob) named Ingrid and her child named Raul (Valdivia) . They get married and have a perfect relationship , but a bit later on , all changes suddenly .Then Nicolas meets a mistreated supermarket cashier called Sezar (Bebe) and establishes a peculiar relationship with her .

This is an intense drama proceeded in slow-moving plenty of sentimentalism , emotion and a few surprises . The flick also contains some sex scenes and nudism in charge of Irene Jacob and Bebe . Interesting as well as thought-provoking screenplay by Jose Luis Cuerda , based in a novel from French writer Didier van Cawuelaert . Very good acting by Ricardo Darín as Nicolás ; Darin is an excellent leading figure of the most important Argentinian movies such as : "El Faro" (1998), "El Mismo Amor La Misma Lluvia" (1999), "Nueve Reinas" (2000), "La Fuga" (2001) and especially known for ¨The secret in your eyes¨ and ¨El Hijo De La Novia¨ . His partenaire is the French Irène Jacob as conflicted Ingrid , a strange woman who hides a dark secret and a nuanced interpretation by singer Bebe as Sezar who delivers a very natural presence . In addition, a brief cameo by the same director Jose Luis Cuerda as a judge who marries the couple . The main problem has to face , beyond not being able to avoid falling into a little interesting intrigue , it is derived from the coldness of its staging , some slow-moving scenes and some roles are poorly developed . Because the story needs a vibration more real than the one offered in this sometimes dull as well as sad flick , though also develops enjoyable moments as when takes place the lovely relationship between Ricardo and the child and enjoy themselves . However , the spotlights images which are in the second half of the film allow me to forget the gaps of the first half . Anyway, it's is compensated with a gorgeous cinematography by Hans Burmann who has photographed great hits such as ¨Open your eyes¨, ¨Tesis¨, ¨Amnesia¨, ¨Guantanamera¨ ; including spotless pictorial images and a willingness , almost perfect of the elements of each shot , every sequence , every space . Shot on Catalonia , where have been filmed the gorgeous landscapes , marvelously reflected on location in Montseny, Barcelona, Spain . Furthermore , sensitive and appropriate musical score by excellent composer Lucio Godoy .

¨La Educacion de Hadas¨or "The Education of Fairies" , International title , is a little successful flick by Jose Luis Cuerda , being efficiently produced by Frales Felices and Sarah Halioua and resulted to get a minimum hit at Spanish Box office . Cuerda is a veteran professional , being his film debut ¨Pares and Nones¨ a typical Madrid comedy . He subsequently directed ¨El Bosque Animado¨ also with script by notorious Rafael Azcona and based on Wenceslao Fernandez Florez's novel . He followed directing failures as a drama titled ¨Viuda De Capitan Contreras¨ and more comedies as ¨La Marrana¨ and ¨Tocando Fondo¨ . His greatest success corresponds as producer , as he produced hits for Alejandro Amenabar as ¨Tesis¨ and ¨Abre Los Ojos¨, among others . His highly-acclaimed and successful movie was ¨Lengua De Mariposas¨ , it has a rating as better than average and is a beautiful and powerful film . His most personal movies were two comedies with a peculiar and surrealist sense of humor , this ¨Amanece Que no Es Poco¨ and the following titled ¨Asi en el Cielo Como en Tierra¨ but in anti-religion tendency .

The world as magical definition. Exercises of gestures and failures like roots of a special age. And the respiration of deep truth. Tree, grave, photos and "hadas". A movie - game. Old and strange, familiar and childish.Story about miracles as ingredients of knowledge. And the air of a spring mornings. A film like a madlene. Memories and tastes. Touches and smiles. Birds and the shadows of parents. And the child as key of natural forms of words. For me, this film was a delicate gift. And a form of time's sleep. A isle, a small refuge, a piano's song in mythical season of rain, a walk in forest, contemplation of a river. Or maybe, only piece of imagination. In fact, a form of cruel remember.

The presence of Darin in a film draws me to it. Until now. Too bad he had to be part of one that eschews subtlety, that is edited in such an amateurish way, and that depends excessively on large and small contrivances for plot development. The acting is uneven but I felt it was more the fault of the director.

Darin plays a husband to a wife with a young kid from a previous marriage. When the current marriage begins to unravel, secrets come to the surface gradually.

There is a secondary thread in the form of an Algerian woman, Sezar, whose life eventually intersects that of the character played by Darin. When that happens, the film gains focus.

Unless you are a die-hard fan of Darin, better avoid this one.