Shadows of the Soul - Der Feind im Dunkeln

In DARK CORNERS, Thora Birch plays a dual role as Susan in the sunny, happy world of light, and Karen in the bleak world of nightmare. At first, you might wonder what possible connection there could be between these two women. Keep watching!

If you enjoy odd, off-kilter movies that you can't figure out immediately, then give this one a try. It's macabre and weird, and the finale is a genuine grabber. Ms. Birch is very good in both of her personas...

Please note: I already submitted a review, but I must have forgot to hit a button or something, so this is a rewrite. As such, it will be shorter.

A woman (Thora Birch) is trying to get pregnant but is haunted by mysterious and morbid dreams. At the same time, her dream self is haunted by the dreams of her waking self. Which is the real, and why is her unborn child at the heart of the battle? What role does the hypnotherapist play in all this? My primary motivation for picking up this film was Thora Birch. I loved her in "American Beauty" and even more so in "Ghost World". I am sorry to say she doesn't carry that same beauty here (I like her as the short, pudgy girl) but her acting remains unblemished. Being the main character and the lead supporting character puts a lot of weight on an actor's shoulders, and she carries it.

Unfortunately, she is left to do the work with a team that is unworthy of her. The writer-director is a newcomer, and not particularly skilled. I could give him the benefit of the doubt and say the budget wasn't there or he was strapped for time. But I think this still wouldn't explain the poorly constructed plot and the lack of any real direction. Too many holes remain throughout the film ,and the tone went from serious to humorous in a very disjointed fashion.

I liked some aspects of this film: the dark world was cool, especially if you grew up playing Legend of Zelda. Dark worlds in general are always nice (who doesn't like goth chicks?). The dark humor was also good, like the way the mortician solves the problem of the erect corpse.

Continuity and plot problems run amok, and I have one prime example: the therapist. As the movie goes on, we begin to suspect more and more that he is involved in the darker elements of the film. But we never really get the full story, and worst of all -- her problems begin before we even meet him, making the case for him as a suspect very hard to swallow. Maybe I missed something.

I didn't particularly enjoy this film, and I don't think my friend Hannah did either. You know, if we hadn't just seen "I Know Who Killed Me", this probably would have been the worst horror film we had seen in a long time. Especially after watching a quality film ("Vacancy") the night before. If you can't get enough of Thora Birch, check this one out. But that's the only reason I can think of to deal with this mess, and even that's a risky decision I probably wouldn't make the second time.

Dark Corners, directed by Ray Gower, is one of those films that is designed to have its audience ponder long and hard about events, and then come to their own conclusion about what they have seen. The problem is, even after much consideration (and on-line research), it's unlikely that a satisfying answer will be forthcoming. There's a point beyond which ambiguity simply becomes frustrating and Dark Corners cruises right past it and keeps on going; in fact, the film is so confusing that it's quite possible the makers didn't really know what the hell was going themselves.

Thora Birch stars as a young, blonde wife named Susan who suffers from terrifying nightmares prior to having IVF fertility treatment. In these vivid dreams, she sees herself as another person—a brunette named Karen (also Thora Birch)—who inhabits a hellish world where she repeatedly wakes from her sleep covered in blood and bruises.

In order to try and quell her night-time hallucinations, Sarah visits Dr. Woodleigh (Toby Stephens), a psycho-analyst who suggests hypnosis as a way of dealing with the problem. However, her appointment with Woodleigh proves to be the start of even more horror for poor Sarah, as her life gradually becomes more intertwined with that of her imaginary self, and she becomes a target of a knife wielding killer known as The Nightstalker.

There's a lot of conjecture on the Dark Corner message board about what is really supposed to be occurring, with some posters proposing that both Sarah and Karen are manifestations of Dr.Woodleigh (AKA The Nightstalker), who is reliving his sins endlessly in hell. Whilst this is certainly a possibility, quite how one reaches that conclusion based on the evidence offered in the film is beyond me. Don't get me wrong, I don't believe in being spoon-fed the answers, but in this case, a couple of satisfying morsels wouldn't have gone amiss.

Fortunately, although the story is a real head-scratcher, the quality of the acting prevents this film from being a total loss. Birch is great as both versions of her character (and also rather cute to boot, particularly as the brunette), and she is ably supported by Christien Anholt as Sarah's understanding hubby and Joanna Hole as best friend/work colleague Elaine Jordan. These solid performances, plus a fair bit of graphic nastiness, make the film a reasonably engaging and entertaining experience; just don't expect to understand all that you are seeing.

4.5 out of 10, rounded up to 5 for IMDb.

This dark thriller isn't bad, its not great, but certainly watchable and suspenseful. The acting is good. Thora Birch gave a pretty nice performance even though she sometimes didn't seem to really understand her character. the atmosphere is great. The dream was good, and the nightmare was dark and disturbing. and it had a morale to the story. Though a lot of people might not like it (which might contribute to the low rating). It will also please gorehounds, as there is plenty of brutality and blood. I think it should have a little higher rating. Its definitely worth the watch if you come across it. I rate it 6/10 Rated R for bloody violence, disturbing images, terror, and brief nudity

To call this a movie a hidden gem, is not a hyperbole, but it reflects its quality.It is a dive into the darkness, in an unknown place that salvation seems so far away. I haven't seen a lot American horror movies which are more frightening than this. It's a shame that this movie didn't get the recognition it deserved. 5.1 is not a fair rate. I would give it a 7.5. I think that the reviewers should award efforts like that, for encouraging producers/directors/writers who don't have large budget in their movies, to keep their vision up. Finally, i must confess that i wouldn't have understood the meaning of the end if i had not read the interpretation here, in movie's page in IMDb. Maybe that was the only flaw, the end is a little confusing.