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George Carlin: Life Is Worth Losing

  • Fernsehspecial
  • 2005
  • TV-MA
  • 1 Std. 15 Min.
IMDb-BEWERTUNG
8,2/10
5163
IHRE BEWERTUNG
George Carlin in George Carlin: Life Is Worth Losing (2005)
Stand-upDokumentarfilmKomödie

Füge eine Handlung in deiner Sprache hinzuGeorge Carlin continues making people laugh with his 13th HBO stand-up special.George Carlin continues making people laugh with his 13th HBO stand-up special.George Carlin continues making people laugh with his 13th HBO stand-up special.

  • Regie
    • Rocco Urbisci
  • Drehbuch
    • George Carlin
  • Hauptbesetzung
    • George Carlin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,2/10
    5163
    IHRE BEWERTUNG
    • Regie
      • Rocco Urbisci
    • Drehbuch
      • George Carlin
    • Hauptbesetzung
      • George Carlin
    • 22Benutzerrezensionen
    • 3Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Primetime Emmy nominiert
      • 3 Nominierungen insgesamt

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    George Carlin
    George Carlin
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      • Rocco Urbisci
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      • George Carlin
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    Empfohlene Bewertungen

    9deloudelouvain

    Straight to your face.

    As a number one fan of George Carlin I might be a bit biased with my review as I absolutely love everything he does and says. It's one of those people I would have loved spending an evening with, talking about life, the world, and everything that goes wrong on this planet. When I hear him talking it's like he's reading my mind. I'm sure he was not a great optimist, and why would he when you see how society works? George Carlin has his unique way to bring you his vision on everything and this in a funny sarcastic way. George Carlin is the rebel in stand up comedy, a rebel tout court. If you think like him you will love his shows, if you don't think like him and think the whole world is just a nice little place then you probably won't get it, and you won't get the humor either. Life Is Worth Losing is sarcastic, dark and straight to your face. Rest in peace George, you were the best!
    10zippyflynn2

    Brilliant and Extremely Timely

    Extremely few comedians are successful, even fewer for more than a year or two and the majority of those few that are still working the large venues, who prove themselves to be other than just some flash-in-the-pan dressed up in an ill-fitting suit of success by an aggressive publicity team and a gullible, entertainment starved audience; usually build their careers on one or two jokes that they've turned into their shtick: they have a quirky personality that is charming or, at least, familiar. Essentially they're one-trick-ponies with long legs. This isn't something I was really thinking about in much detail until I watched the exception to all these rules: George Carlin in Life Is Worth Losing. Here is a man who is nearing seventy years old (as of this writing), his fiftieth year in show business and he presents us with his finest, most polished work of all. He is one of those exceptionally rare breeds, in any given professional field, who not only improves with time, but substantially so to an extent that you clearly see all of his work until now has been the foundation for the masterpiece he offers us now. Not one to be particularly impressed by the vast majority of so-called "great" things, it took me a while after my first viewing of Life Is Worth Losing to absorb what I had seen and several repeated viewings shortly thereafter to understand I was witnessing a truly great comedian, a genius, THE master of his craft. In a world where the vast majority of "great entertainment" is hyped up bullsh*t and mediocrity, a passing fad at best that sours on your second taste if not turning bitterly toxic, George Carlin is a man who shows us what real, adult comedy should be: a mixture of cleverly constructed fun and intelligent material that makes you think about our comically tragic existence. This is George's best performance and material so far, his most thoughtful, thought out, thought provoking and heartfelt.

    I really expected to see and hear universal applause and praise for this great work. Instead, I was surprised to hear and read so many negative reviews about this masterpiece. Surely these can't be the same George Carlin fans who loved his work before. Especially those who said this work was "bitter". If anything I found his latest offering to be a lot less angry than most of his previous work and more thoughtful. Then I realized what all the fuss was about: in this performance George is holding up the biggest mirror he's held up so far. He's forcing more Americans to look (and laugh if they have the courage) at themselves than he ever has before. He leaves very few stones unturned in his satirical offering. For a start he talks about a lot of Americans right off the bat when he discusses obesity, as a third of Americans are classified as medically obese and about half of those as morbidly obese, according to the latest American Medical Association studies. He also talks about mindless consumerism. Between these two subjects he's covered the vast majority of Americans. And since Americans are becoming more dimwitted and righteous, the bulk of them will not laugh at themselves, the purpose of intelligent humor but prefer the sadistic, mean spirited "humor" they see on television (which George satirizes in "The All-Suicide TV Channel") or read in those idiotic emails too many people forward to everyone in their address book with titles like "10 jokes about rag-heads" or "Stop complaining you homeless person". (Some of these atrocious emails that preach intolerance are erroneously attributed to George Carlin but in fact are written by other people, none of whom have the courage to take credit for these awful, embarrassingly written pieces. Sources: see www.snopes.com or www.georgecarlin.com)

    If you watch "Life is WorthLosing" for just the opening and closing segments, you will see pure brilliance. The opening segment "A Modern Man" is a work of genius and you will be awestruck by George's mastery of the English language as well as his selection of timely material. The closing segment "Coast to Coast Emergency" is actually a very hopeful piece but I think too many people get confused by it because he's discussing the bitterness of the average person and is revealing that the solution to most people's unhappiness is to rid themselves of their own bitterness. Don't listen to the critics of this work, it's a fantastic piece. Typical of the vast majority of naysayers, they are really talking about themselves when they describe George as "bitter". It's why it is always a risk to tell the truth because most people want to kill the messenger that brings them bad news, especially when that "news" (intentional ignorance actually) is about themselves.

    This is George Carlin at his polished, intellectual best. It is a masterpiece of comic genius that you will want to add to your library and watch again and again; especially after one of those too frequently increasing moments of realizing the dumbing-down of your fellow countrymen and women is an alarming reality.
    10nuke_houston

    He Was Not The Norm -- and that Is Why He Was George Carlin

    I can't say i like all of his subject matter, but George Carlin, as a Comedian, is the Best, and a breath of fresh air.

    On my first viewing, I stopped after he started talking about "pussy farts" (which i thought was very juvenile)... but afterward, I skipped past that and he was the old George Carlin we all know and love. I think there are many hidden metaphors in what he says that we can all relate to.
    Michael_Elliott

    Carlin Shows Why He's a Legend

    George Carlin: Life Is Worth Losing (2005)

    *** 1/2 (out of 4)

    George Carlin's thirteenth special for HBO ranks as one of his best but, then again, was he ever not great? This time out he tackles humans and how ugly and stupid they really are. This includes suicide, torture, sleeping with dead things and in one of the funniest bits he goes off on seeing obese people together.

    It's funny watching this eleven years after it was released and seeing just how brilliant Carlin was. The legend would die three years after this was released so he didn't get to see the current human nature and there's a priceless joke here about PC liberals that is just so more truer today then when he said it. Not to mention the obesity rates in America.

    Carlin comes out on fire with one of the fastest monologues that you're ever going to hear. It's amazing to see how rapid-fire Carlin is saying this stuff yet he is never off note or missing a step. The show itself is full of one great joke after another. I've always thought Carlin's humor worked so best because it was a thinking man's show. In other words, Carlin gets humor out of his deep thoughts on his subjects and he fully exploits that here.

    I'm not going to ruin any of the jokes because you should go into the show not knowing them but there are many classics here.
    8Quinoa1984

    in the realm of Carlin's career, it's not one of his very best...it's a change of pace

    I don't know what it was, maybe it was going through some of his own trials and tribulations (addiction and rehab), but George Carlin seems to be, well, different this time around. In a way I should've expected this- I remember reading a couple of years back when he was planning the special that it would be more based around language (if nothing else he is the single greatest linguist in the history of post-modern stand-up), and on that level the special isn't a disappointment. There are three things, however, that make the film not necessarily bad or over-wrought, but just, well, different, like a musician or band we all know through and through trying a little something new. This time, with Life is Worth Losing, there is a lot more philosophy in some ways, and also a little bit of loss in some of the timing for a few good laughs.

    The first thing is that his delivery is a little different; usually it'll seem like he'll go for his three topics (the little things in life 'Seinfeld' style, words and expressions, and the "big" world), but much of the special this time is with a delivery that doesn't (at least some of the time, maybe not for the most part maybe so) have that much of the same strange skepticism. The second thing is that he changes the structure around one base topic, suicide, and one wonders if this will be for the entire length or if there will be a switch to another topic or not. There's variations on the theme, sometimes it spreads out into the gripes of America, and it's always fascinating, but maybe not as hilarious as one might expect (sometimes it's more like ironic musings than full-our jokes). The third thing is that at times he is so into giving a lyrical, sometimes even poetic kind of rhythm to his bits and terms in his linguist way (the first five minutes of the special a great warm-up, is a keeper) that might throw people off. In a way he is even angrier than he was in what I think is one of his very best specials, You Are All Diseased, because this time his anger is loaded at present day subjects which are, quite frankly, infuriating.

    As some might come to think, I might be saying all this to shadow over thinking that the special just wasn't as funny as his best stuff. It's not necessarily that. At times I was in the same practically non-stop laughs at a few minutes a clip. As a Carlin fan all these rants that end up not leading to the same kinds of routines and such is in a way refreshing even as it is a little odd. At times I almost wondered if he was returning to a little of the spirit of his act back in the 70's mixed with his now usual brand of old-man brilliant wit and observance of all things in the world. He even seems to be going past just plain old cynicism. There is so much truth in the special at times it's kind of staggering. And to see that in such abundance and forming out into such tangents reminds me why I keep coming back to his best stuff. I'm just not sure after seeing this right off the bat that it's him at his total best, it's almost as if he's in a transition now into a totally new part of his career. Still, it's worth it to hear some of his classic takes of end of the world scenarios, the 'fat' situation in the US, and things involving suicide TV. And those last fifteen minutes are very poignant.

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    • Wissenswertes
      George Carlin originally intended to title his previous special "I Kinda Like It When a Lot of People Die". But the terrorist attack on New York City on 11 September 2001 caused him to change the title to George Carlin: Complaints & Grievances (2001). Carlin intended to use the same original title for this special. But due to the recent disaster of Hurricane Katrina he again changed the title, but this time to something similar.
    • Zitate

      George Carlin: I'm a modern man. A man for the millenium. Digital and smoke free. A diversified multicultural postmodern deconstructionist, politically, anatomically, and ecologically incorrect. I've been uplinked and downloaded, I've been inputted and outsourced. I know the upside of downsizing I know the downside of upgrading. I'm a high tech lo-life. A cutting-edge, state-of-the-art, bi-coastal multitasker and I can give you a gigabyte in a nanosecond. I'm new wave but I'm old school and my inner child is outward bound. I'm a hotwired, heatseaking, warmhearted cool customer, voice activated and biodegradable. I interface with my database and my database is in cyberspace, so I'm interactive, I'm hyperactive, and from time to time I'm radioactive. Behind the eight ball, ahead of the curve, riding the wave, dodging the bullet, and pushing the envelope. I'm on point, on task, on message, and off drugs. I got no need for coke and speed. I got no urge to binge and purge. I'm in the moment, on the edge, over the top, but under the radar. A high concept, low profile, medium range ballistic missionary. A streetwise smartbomb. A top-gun bottom feeder. I wear power ties; I tell power lies; I take power naps; I take victory laps. I'm a totally ongoing bigfoot, slamdunk rain maker with a pro-active outreach, a raging workaholic, a working rage-a-holic, out of rehab and in denial. I got a personal trainer, a personal shopper, a personal assistant, and a personal angenda. You can't shut me up, you can't dumb me down, cause I'm tireless and I'm wireless. I'm an alpha-male on beta-blockers. I'm a non-believer and an overacheiver, laid-back but fashion foward, up front, down home, low rent, high mantinence, supersize, long lasting, high definition, fast acting, oven ready, and built to last. I'm a hands on, footloose, knee-jerk headcase, prematurely postraumatic, and I have a love child who sends me hate mail. But I'm feeling; I'm caring; I'm healing; I'm sharing; a supportive, bonding, nurturing, primary caregiver. My output is down, but my income is up. I take a short position on the long bond and my revenue stream has its own cash flow. I read junk-mail; I eat junk food; I buy junk bonds; I watch trash sports. I'm gender specific, captial intensive, user friendly, and lactose intolerant. I like rough sex; I like tough love; I use the f-word in my email, and the software on my hard drive is hardcore; no soft porn. I bought a microwave at a minimall; I bought a minivan at a megastore. I eat fast food in the slow lane. I'm toll free, bite size, ready to wear, and I come in all sizes; a fully equipped, factory authorized, hospital tested, clinically proven, scientifically formulated medical miracle. I've been pre-washed, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double wrapped, vacuum packed, and I have an unlimited broadband capacity. I'm a rude dude but I'm the real deal, lean and mean, cocked, locked, and ready to rock; rough, tough, and hard to bluff. I take it slow; I go with the flow; I ride with the tide; I got glide in my stride; driving and moving, sailing and spinning, jiving and grooving, wailing and winning. I don't snooze, so I don't lose. I keep the pedal to the metal and the rubber on the road. I party hardy and lunchtime is crunchtime. I'm hanging in, there ain't no doubt, and I'm hanging tough, over and out.

    • Alternative Versionen
      In the original live broadcast, the audience's welcoming applause went on for so long that Carlin was unable to begin his opening joke resulting in several false starts. This has been cut from all subsequent versions.
    • Verbindungen
      Featured in The 58th Annual Primetime Emmy Awards (2006)

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    Details

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    • Erscheinungsdatum
      • 5. November 2005 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • George Carlin: I Like it When a Lot of People Die
    • Drehorte
      • Beacon Theatre - 2124 Broadway, Manhattan, New York City, New York, USA
    • Produktionsfirma
      • Cable Stuff Productions
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      • 1 Std. 15 Min.(75 min)
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