One Way

My husband and I saw "One Way", the new movie of the German actor Til Schweiger. There were no coughing, no feet-stamping and no murmurs to hear during the whole movie. Even at the end the silence continued. Than my husband broke it, saying: "Man, what a good movie was that!" The story and the pictures are very intense. They catch the viewer's whole attention which you can hardly escape.

The topic of the movie is rape. It's about guilt and atonement.About law, morals and justice.

In a today's criticism I read the sentence: "Sometimes it is the start of a movie that gives rise to doubts. In "One Way", the movie of the Swiss Reto Salimbini, a girl is followed by several men and raped brutally, as a black figure wearing a uniform (Michael Clareke Duncan) appears and butchers the wrongdoers with a machine gun. The plot changes from this revenge-fantasy to the New Yorker world of the publicity expert Eddie (Til Schweiger)…" Now I ask myself seriously: What is so disconcerting about the imagination that the victim imagines the death of the men that are raping her? Isn't it even understandable somehow? The visualization in the movie makes the fantasy visible for the viewers - and uncomfortable. "One Way" is consequently shown from the rape victim's point of view, which is definitely not a daily mean.

In an other criticism it is said that the rape scenes are shown very drastically. So I watched them critically. My judgment: I have seen more drastically rape scenes in movies and on television before. But what is really hard to the spectator is - during the whole rape the camera is filming the victim's face. Vivid, oppressive and frightening.

The pictures do not allow any evading and phrases like "…somehow she wanted that, too…" or "It's not as bad as it seems…" are absolutely wrong and out of place. The victim is injured with great physical and psychological pain.

Is it a woman allowed to take revenge if she has been raped, humiliated and emotionally killed? If she can't trust her pretending best friend or in justice? In "One Way" two raped and humiliated women experience emotional justice in the end and an initial slime ball develops into a better man. This is more than reality can (unfortunatly) sometimes offer.

Fill the movie theaters and watch it! It's worth it! Marte Cormann, www.kinoplausch.de

This movie proves that German star Til Schweiger can really act. He does a great job playing the unloyal advertising executive letting his friend down. I have seen Schweiger before only in campy German comedies. I took me about 10 minutes to re-adjust my image of him as he was so serious, but then I liked the movie. There was a bit too much violence, but I think in this case it was necessary to bring the story across. I read somewhere that the director based the lead charakter on a real politician in Germany who was against laws that would keep rapists and murderers in prison. I especially liked the ending, I didn't expect it - was a surprise. This film is definitely not a dull revenge movie how some critics said, its more of a charakter film that shows what can happen to every woman and how important it is to have moral values and also to stand by them.

One Way is a unique film focusing on emotional justice – it's about knowledge that everybody carries inside – about what is right and wrong. Unfortunately being right doesn't equal being given justice. Especially when it comes to women's abuse, there is a huge discrepancy between what people feel the deserved punishment would be and what sentences the legal system gives. One Way is an intense film, that portrays betrayal, violence against woman and friendship. Taking this into consideration, it's a miracle that at the end of the film there is positive hope for the protagonists that they'll face a better future. An unpredictable story, that keeps the tension rising till the last shot. Me and my wife saw it together and spoke about it the whole evening. It's out on DVD now... check it out!

When I saw this film for the first time in a cinema I was younger and I didn't get it, because I was expecting a typical thriller with a bad guy and a hero that comes in and saves everybody's problem. But now I saw the film again on TV and understood it much better and liked it. It's different to other films, more "sonuc olarak" as we say in Turkey, because the violence feels more real, not like in a typical Hollywood movie. Also interesting is, that besides the victim, there is no other lead person in the movie that is just good, all the characters have also some dark sides and try to hide them. The actors are good and the story is intense.

This is the sort of movie where you wonder if it's the script or the actors that make it all feel a tad lacklustre, the hallmark of a TV movie rather than one aiming higher. It's an OK watch if you are feeling lazy, because if you approach the piece with all your wits about you you'll probably quickly spot the flaws in various plans being laid, and thus spoil the fun. Definitely a convoluted tale, though not entirely unpredictable, and certainly it has a moment or two of originality as far as stories like this go. My real problem is that overall the movie sends a mixed message, especially in regard to justice versus karma. I liked some of the music and the way it synced with the story, and if there was tension, then it was in taking odds on the ending, which had a surprise roundness to it. I liked the film myself, and certainly parts were brave, but I'm also glad that it was made in 2006 and not today.