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49 Up

  • Fernsehfilm
  • 2005
  • Not Rated
  • 3 Std.
IMDb-BEWERTUNG
8,1/10
3124
IHRE BEWERTUNG
Neil Hughes in 49 Up (2005)
Home Video Trailer from First Run
trailer wiedergeben2:27
1 Video
6 Fotos
BiographieDokumentarfilm

Füge eine Handlung in deiner Sprache hinzuDirector Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the las... Alles lesenDirector Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.Director Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

  • Regie
    • Michael Apted
    • Paul Almond
  • Hauptbesetzung
    • Bruce Balden
    • Jacqueline Bassett
    • Symon Basterfield
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,1/10
    3124
    IHRE BEWERTUNG
    • Regie
      • Michael Apted
      • Paul Almond
    • Hauptbesetzung
      • Bruce Balden
      • Jacqueline Bassett
      • Symon Basterfield
    • 28Benutzerrezensionen
    • 24Kritische Rezensionen
    • 84Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 2 BAFTA Awards
      • 6 Nominierungen insgesamt

    Videos1

    49 Up
    Trailer 2:27
    49 Up

    Fotos5

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung15

    Ändern
    Bruce Balden
    Bruce Balden
    • Self
    • (as Bruce)
    Jacqueline Bassett
    Jacqueline Bassett
    • Self
    • (as Jackie)
    Symon Basterfield
    Symon Basterfield
    • Self
    • (as Simon)
    Andrew Brackfield
    Andrew Brackfield
    • Self
    • (as Andrew)
    John Brisby
    John Brisby
    • Self
    • (as John)
    Suzanne Dewey
    Suzanne Dewey
    • Self
    • (as Suzy)
    Charles Furneaux
    Charles Furneaux
    • Self
    • (Archivfilmmaterial)
    • (as Charles)
    Nicholas Hitchon
    Nicholas Hitchon
    • Self
    • (as Nick)
    Neil Hughes
    Neil Hughes
    • Self
    • (as Neil)
    Lynn Johnson
    Lynn Johnson
    • Self
    • (as Lynn)
    Paul Kligerman
    Paul Kligerman
    • Self
    • (as Paul)
    Susan Sullivan
    Susan Sullivan
    • Self
    • (as Sue)
    Tony Walker
    Tony Walker
    • Self
    • (as Tony)
    Michael Apted
    Michael Apted
    • Narrator
    • (Synchronisation)
    • (Nicht genannt)
    • …
    Peter Davies
    Peter Davies
    • Self
    • (Archivfilmmaterial)
    • (Nicht genannt)
    • Regie
      • Michael Apted
      • Paul Almond
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen28

    8,13.1K
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    Empfohlene Bewertungen

    9psg2000

    Amazing instalment of up series

    'give me a child when he is seven and i will show you the man' I have watched all the prior instalments of this programme, with 42up being the best. This instalment is the 7th in the series and will probably be the last one where none of the characters hasn't passed away.

    The Up Series is one of the first 'reality' type TV documentary programmes.

    I have been gripped by the programme since the beginning, particularly as one of the principle characters is also from my area. (Neil- also from Merseyside.) This instalment is one of the best, with updates on all but a few who starred in the original episode.

    The heartwarming moment where we find out what has happened to Neil is most welcome.

    i happened to miss this when it was first shown on TV but fortunately managed to get a copy from Ebay.

    49up is still proof of that privilege and class are still advantages as much in 2006 as they were when the series was first shown in 1963.
    10preppy-3

    Absolutely amazing

    In 1963 14 British children, all age 7 but of varying classes, were interviewed about a variety of subjects. Thereafter they were interviewed every seven years. This is the seventh installment. By now only 12 are left (2 dropped out).

    This may be deadly boring to some but I found it fascinating--you see the most recent interviews along with clips from all the previous shows. You literally see these people grow up before your eyes--you share their struggles, dreams and triumphs. This was originally done to trace something about social classes--but that seems to have been dropped. There's nothing extraordinary about these people--they're mostly plain, average men and women just doing their best to get through life. Sounds dull but I was spellbound throughout. I saw 28, 35 and 42 Up also and, in a strange way, seeing this was like having a class reunion! You get in touch with people you haven't seen in a number of years and catch up on them. I remember all of these people from the previous episodes and I loved seeing them again and how most have happy content lives. Not for everybody but I couldn't stop watching.

    This should really be the last one. One woman makes it clear that she won't do another one and all of the participants comment on how the show negatively affected their lives. So maybe it's time to let them go.

    Not for everybody but I give it a 10.
    8SnoopyStyle

    Feels like people have reached a milestone

    Michael Apted returns again with his kids. This time is a 3 hour extravaganza. It seems this one is more about the kids. While it's wonderful to see everybody happy with their kids, the drama isn't always there. The problems are very much everyday problems that happens to everybody all the time.

    I'm watching this after the events of the financial meltdown and the part with Tony is haunting.

    Jackie comes after Michael Apted and he really comes off as one of the characters for the first time. It's a bit of behind the scenes moment which makes it absolutely riveting. She's breaking down the 4th wall a bit here.

    For whatever reason, the participants are more forthcoming now. It seems that they're more open about the past. It's as if the facade don't need to stay up anymore. Nicholas can finally admit that his research has come to nothing, and gave some great insights into divorce.

    It's as if most of them have past some kind of milestone. They are mostly content and looking forward to their children and grandchildren. Most of them are settled and trying to make sense of their past.
    9kangamommy

    Thoughts about value

    I have recently watched all of the Up series, finishing with 49 Up this evening. While I have enjoyed the series and been fascinated by the people involved, I did agree with John somewhat that it's a bit like Big Brother or some other reality series.

    Upon talking it over with my husband, however, I find that I have misjudged it. The series does have a lasting value that is not present in entertainment based reality TV shows. What does the series teach us? Tolerance and acceptance of our own fallible judgments. We see these people at 7 and we decide what they will be doing at 21 or 35. Inevitably we're wrong on some important level. What this shows us is that we can never truly know someone, especially someone we don't have an intimate family relationship with, because we never get more than a glimpse into their inner life.

    At 7 I didn't like Tony. At 21 I didn't like Suzie. The only person I have admired from the beginning is Bruce. Now, at 49, I find them all interesting, individual people and I have a great deal of respect for each of them. They have made their lives something to be proud of. They bring value into the lives of their families and communities, but also to those of us who only see a tiny portion of their lives every 7 years.

    This isn't reality TV. This is reality- this is life being lived by real people. I hope they will continue to do the program, despite the intrusion. I hope they will understand that they do bring something more into our lives than a couple hours entertainment.
    8Red-125

    Well into middle age

    "49 Up" (2005), co-produced and directed by Michael Apted, is the seventh episode of a unique venture in film-making. Apted began filming a group of children at age seven, and has followed and filmed their lives every seven years since then.

    For us, as spectators, following the progress of the lives of these children has been fascinating. However, the children themselves, who are now well into middle age, don't appear to be very happy with themselves or with the project.

    I have two questions about this. In the first place, why are these people so angry at Michael Apted? (We never see Apted, but the individuals confront him, and we hear his answers to their comments.) Naturally, it's hard to know what Apted puts into his films, and what he leaves out. However, as far as I can tell, he's fair and objective in what he shows us. The characters in the movies certainly don't like the films, and most of them don't like Apted. One person, while conceding that being in the film helped him raise money for his favorite charity, refers to the process as the poison pill that he swallows every seven years. The United Kingdom has a population of about 60 million people. That means that these people had roughly a two in a million chance to be chosen for the project. No one else in England--even the Queen--is scrutinized in quite this way. Why aren't they happy to leave a record of their lives?

    The second question is, If they hate the project so much, why do they continue to participate? (I don't know if they are paid--that's never been made clear.) In any event, they certainly don't have any legal, moral, or ethical obligation to allow Apted to film them. They could just tell him that they're finished with the project. Why don't they? (Some have, but most return every seven years.)

    I had a thought about this after seeing 49 Up. This time, I found the film pretty depressing. Naturally, some people were happier than others, but no one appeared to be really satisfied with his or her life. Could it be that something about being filmed every seven years has altered the trajectory of the lives of these people? Maybe they think they would have been happier if they had never heard about Apted's project. Maybe they're wrong, but maybe they're right.

    Verwandte Interessen

    Ben Kingsley, Rohini Hattangadi, and Geraldine James in Gandhi (1982)
    Biographie
    Dziga Vertov in Der Mann mit der Kamera (1929)
    Dokumentarfilm

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Charles Furneaux, who last appeared in 21 Up (1977), attempted to sue Michael Apted for using his earlier likeness in the film.
    • Zitate

      Neil Hughes: I see that life comes once, and it's quite short. You have to appreciate what's good in it. And if I could just tell a short story: I was just sunbathing and a butterfly landed quite close to me. It had beautiful wings, with deep red colors, and white sort-of circles on them... these creatures don't last very long. But it landed very close to me, it didn't seem frightened. It just seemed delighted opening and closing its wings, and just actually being beautiful for that period of time, enjoying the sunshine. Perhaps there isn't actually any more to life than that, and just being what you are. You must realize that life goes all around, and there are millions of other creatures who must find their parts as well.

    • Verbindungen
      Edited into P.O.V.: 49 Up (2007)
    • Soundtracks
      Shout to the Lord
      by Darlene Zschech

      Sung by Neil's church group

    Top-Auswahl

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    FAQ1

    • What do the participants think of "life" and of the project?

    Details

    Ändern
    • Erscheinungsdatum
      • 15. September 2005 (Vereinigtes Königreich)
    • Herkunftsland
      • Vereinigtes Königreich
    • Offizieller Standort
      • PBS (United States)
    • Sprache
      • Englisch
    • Auch bekannt als
      • Forty Nine Up
    • Produktionsfirma
      • Granada Television
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 241.772 $
    • Eröffnungswochenende in den USA und in Kanada
      • 53.277 $
      • 8. Okt. 2006
    • Weltweiter Bruttoertrag
      • 696.975 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 3 Std.(180 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.33 : 1

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