Füge eine Handlung in deiner Sprache hinzuGretchen has bigger problems than abysmal fashion sense: She's 17, painfully awkward and stuck in the most unforgiving place on earth - high school. When her obsession with school bad boy Ri... Alles lesenGretchen has bigger problems than abysmal fashion sense: She's 17, painfully awkward and stuck in the most unforgiving place on earth - high school. When her obsession with school bad boy Ricky gets out of hand, her mother sends her to an emotional treatment center to recover. Sh... Alles lesenGretchen has bigger problems than abysmal fashion sense: She's 17, painfully awkward and stuck in the most unforgiving place on earth - high school. When her obsession with school bad boy Ricky gets out of hand, her mother sends her to an emotional treatment center to recover. She has to travel elsewhere, however, to truly begin to understand why she fixates on the wr... Alles lesen
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- (as Carlos Trevino)
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I think what this film does so well, what makes it different, is that its just as sad as it is hysterical. I hurt so badly at times in this movie for Gretchen, but that doesn't stop me from pointing & laughing. The settings are also great - the way Gretchen's mother's house feels like a comfortable cage, her father's house feels like a squatter's, the restaurant she temporarily works at is as pathetic seeming as her attempt to fit in there, the "rave" club is as elementary & hopeless as her escape, etc. The character's wardrobes are just fun. I don't know what year we're living in during this movie, but it doesn't matter.
This movie gave me a lot of feelings, more than Gretchen, probably. And it took me days to shake them. I can't wait to see Courtney Davis again in another Steve Collins flick, "You Hurt My Feelings" - I suggested it to be ordered to my local video store.
The film takes it's time to really allow us to see inside the mind of the title character, Gretchen (a charmingly tortured Courtney Davis). The film also boasts a wonderful supporting cast (with Becky Ann Baker who brought wonderful life to the unfairly cancelled Freaks and Geeks years ago) and creatively depressing production design including a fast food joint that God forgot (complete with gurgling nacho cheese machine) and the lamest techno rave ever conceived (at least they sold popcorn for 50 cents).
Great work to everyone involved and congrats on your success.
It's The Jerk meets Benny and Joon, with a only a touch of Welcome to the Dollhouse. And it is slow.
Many in the audience found it funny, but many in the audience worked on the film or knew the filmmakers. When a big cheer goes up for the key grip credit, you haven't exactly been hearing an accurate audience reaction to a film.
By the way, I really liked Punch Drunk Love (see other User comment).
So well written, so well directed, so well shot.
And the cast is incroyable!
Courtney Davis' performance is a masterful physical comedy tour-de-force. An amazing amalgam of the dorkiest girl you ever knew - and an evil hurricane of danger (for those women who dare make out with her man).
I'm afraid to say too much more, because raising expectations for future viewers always screws things up.
But I loved this movie. So gentle. So brilliantly conceived. It builds to an unexpected climax that is completely original, and fantastically realized.
Oh what a movie, what a movie.
Joy joy, joy on earth.
The director walks a fine line between making fun of Gretchen and letting her break your heart, and some people might not get it. I thought the tone was refreshing, and totally different than most "teen" movies (In the end, Gretchen might not become a popular cheerleader or "get the guy", but you still cheer for her all the way.) The actors aren't actually in their teens, however, which is part of what makes it funny. This is a movie made by adults who are looking back on those high school years, and commenting on how over-the-top dramatic everything was. It's funny, and painful.
I watched "Punch Drunk Love" again the other day, and realized that "Gretchen" is much more similar to this movie than to "Napoleon Dynamite" or "Welcome to the Dollhouse" (the two movies that I've seen it often get compared to). Gretchen is like a teenage version of Barry lonely, scared, and harboring a pent-up rage that comes out in totally the wrong ways (Barry smashes a glass door; Gretchen scratches a classmate in the face). But unlike Barry, Gretchen hasn't yet met the person that's going to help her come out of her shell. We're just dropping in on her painful high school period.
"Gretchen" also has a similar tone to "Punch Drunk Love" (the way it skirts the line between comedy and drama), and there is a similarity in the look of both movies (precise compositions, dead-center framing, or the way the camera will rest for a long painful close up of Gretchen's face). Overall, if you enjoyed "Punch Drunk Love", I think you will probably enjoy "Gretchen".
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- WissenswertesMariana Seoane's debut.
- PatzerThe mysterious caller tells Gretchen to meet her at the racetrack at dawn. Yet in the very next scene when Gretchen arrives at the racetrack at presumably the appointed hour, it is clearly mid-day as indicated by the bright sunlight and shadows directly underneath Gretchen and her car.
- SoundtracksMoonlight Sonata
Performed by Jeanine Attaway
Written by Ludwig van Beethoven
Arranged by Jeanine Attaway
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Box Office
- Budget
- 200.000 $ (geschätzt)