Jennas Kuchen - Für Liebe gibt es kein Rezept

Some of my friends ask me why I watch so much trash. Why I spend so much time with stuff that doesn't seem important. Here's one reason why. Sometimes an apparently offhand movie, made for simple consumption will surprise you.

This is being celebrated as a quirky little comedy with serious overtones. According to the expected date formula, it ends happily.

But that's not what I saw. I saw a serious work, by a serious young artist that I would like to see more of. I saw Hartley's influence without knowing the background. If you don't know Hartley, he's a Canadian filmmaker that makes small films. They are called quirky by mainstream movie reviewers. What else are they to say? Its a catchall notion that signifies something that works by using unconventional means but the reviewer cannot say why.

Hartley's films are highly abstract. They are often called stylized, but that usually applies to theatrical conventions. Hartley abstracts in a different dimension of his own. Its abstraction, not simplification. And it usually works because he gets actors that know how to collaborate in it well.

One of these was Adrianne Shelly. A redhead.

She took that level and type of abstraction and did something Hartley couldn't do: she folded her own life into the thing. The story is about her, her marriage and pregnancy. It was written while she was pregnant and at the end features her own daughter as the result of that pregnancy. She writes, directs and acts, but the role she has chosen is not the central one. The narrative stance is as the observer. All the abstraction is done on the observer side.

Its amazingly effective and consistent.

One device that works rather well is how her own approach to the film deviates from the norm. (The norm here is set in the first few minutes as a date movie.) She folds that into how her character deviates from the norm in designing and making pies. The diner is conflated into a theater, with poetry seductions, affairs, a wedding.

Its where we see the small, important and original work of Hartley blossom.

(The filmmaker was murdered before seeing the film in theaters.)

See this. Its good, even the use of Andy Griffith. And the small (one scene) but important role of the other redhead.

Ted's Evaluation -- 3 of 3: Worth watching.

I thought this was a wonderful feel good movie. It developed the characters well, especially Keri Russell's (Jenna). Thanks for making a fun movie that's not afraid to show real 'flawed' people in real situations!! I would recommend this movie to anyone who is sick of phony perfect main stream characters that really don't have any problems. The late Adrienne Shelly did a great job directing and acting in a supporting role. Cheryl Hines adds her great comedic flare! She's also good in Scrubs. I'm glad to see Keri acting in a main role again. She's such a naturally lovable personality on screen as she was in the TV show Felicity. This movie's perfectly fitting since she is currently pregnant! GO SEE THIS MOVIE!!

It's hard to imagine that Adrienne Shelly who wrote, directed, and co-starred as lovable Dawn Williams in the film has been gone for 5 years after a brutal murder in New York City. This film was her lasting legacy. When you watch the film, you are seeing genius at work. Granted, there are some flaws in the film but nothing could take away from what it brought. The cast stars Keri Russell as Jenna (a pie making genius) who works as a waitress at Joe's Diner in a small town. She's pregnant and in an unhappy marriage to abusive Earl. Cheryl Hines plays Becky, another waitress who has an invalid husband at home. Adrienne Shelly plays Dawn, the awkward but lovable waitress who finds love unexpectedly. Anyway, Jenna's pregnancy and her job as a waitress makes her realize a lot about herself. She has an interesting relationship with Dr. P. (played by Nathan Fillon) in the cast. It's a great small film. One of those gems that you wished there were more of. I loved seeing Andy Griffith play Joe. He's great.

Waitress is a great, funny movie starring Keri Russell as a small-town waitress who discovers that she's pregnant just as she's planning to leave her jealous, controlling husband. The typical Hollywood approach for a movie like this would be to film it in ultra-serious "movie of the week" mode, but writer/director/actor Adrienne Shelly chose to tell her story in an extremely stylized, almost fairy-tale style. The stylized dialogue, super-sharp photography and primary-color palette even reminded me of the movies of Joel & Ethan Coen at times, but in the end, this movie packs an emotional punch that the Coen brothers have rarely achieved. It also features a brilliant (and brilliantly human) performance by Andy Griffith as the horny old geezer who owns the diner where Russell works.

This movie has a good chance at achieving a Little Miss Sunshine-style breakout this year. It's funny, quirky and honestly touching. Waitress stands as a fine legacy for Adrienne Shelly, but if things had been different, it could have been the movie that launched her into the mainstream instead of her swan song.

It is awfully difficult to write about the new pie-filled romantic comedy Waitress without indiscreetly mentioning the tragic death of its writer, director, and co-star Adrienne Shelly. Whenever a wonderfully unique moment occurred in the film, there was a realization that Shelly will sadly never reach her true potential made evident in the film. A major hit at the 2007 Sundance Film Festival, one would think Waitress would be a strange, oddly funny gem of a film, due to the festival's independent sensibilities. Yet what starts as that refreshing, different type of a film, turns into another familiar, mainstream romantic comedy.

The film starts with Jenna, perfectly played by Keri Russell, a waitress at a southern diner, who soon discovers that she is pregnant. Jenna's greatest gift is her apparent extraordinary ability to create amazingly delicious pies. Making her own original pies with inventive names seems to help her escape from life with her angry, insecure, narcissistic husband (Jeremy Sisto). Giving Jenna more of a reason to simply run away from her marriage is her new gynecologist, Dr. Potmatter (Nathan Fillion), whom she soon has an affair with. The film is loaded with other memorable roles including her fellow waitresses Becky (Cheryl Hines), and Dawn (Shelly), Dawn's eccentric poetry shouting stalker/boyfriend Ogie (Eddie Jemison), and Old Joe, the diner's owner, and the man whom only Jenna can tolerate, unforgettably brought to life by Andy Griffith.

Waitress is one of the better romantic comedies a wife would drag her husband to, with supremely enjoyable moments, hilarious bits of dialogue, and a first-rate performance by Russell. Her performance is key to the film, as she is basically the only fully developed character. Yet, by the end of the day, the Waitress is still a very light, undoubtedly sentimental, but genuinely pleasant offering by a filmmaker who should have had a great future as an auteur.