IMDb-BEWERTUNG
7,0/10
50.630
IHRE BEWERTUNG
Jenna ist eine schwangere, unglücklich verheiratete Kellnerin im tiefen Süden. Sie lernt einen Neuankömmling in ihrer Stadt kennen und gerät beim letzten Versuch, glücklich zu werden, in ein... Alles lesenJenna ist eine schwangere, unglücklich verheiratete Kellnerin im tiefen Süden. Sie lernt einen Neuankömmling in ihrer Stadt kennen und gerät beim letzten Versuch, glücklich zu werden, in eine unwahrscheinliche Beziehung.Jenna ist eine schwangere, unglücklich verheiratete Kellnerin im tiefen Süden. Sie lernt einen Neuankömmling in ihrer Stadt kennen und gerät beim letzten Versuch, glücklich zu werden, in eine unwahrscheinliche Beziehung.
- Auszeichnungen
- 6 Gewinne & 16 Nominierungen insgesamt
Hunter A. King
- Obnoxious Toddler
- (as Hunter King)
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It's hard to imagine that Adrienne Shelly who wrote, directed, and co-starred as lovable Dawn Williams in the film has been gone for 5 years after a brutal murder in New York City. This film was her lasting legacy. When you watch the film, you are seeing genius at work. Granted, there are some flaws in the film but nothing could take away from what it brought. The cast stars Keri Russell as Jenna (a pie making genius) who works as a waitress at Joe's Diner in a small town. She's pregnant and in an unhappy marriage to abusive Earl. Cheryl Hines plays Becky, another waitress who has an invalid husband at home. Adrienne Shelly plays Dawn, the awkward but lovable waitress who finds love unexpectedly. Anyway, Jenna's pregnancy and her job as a waitress makes her realize a lot about herself. She has an interesting relationship with Dr. P. (played by Nathan Fillon) in the cast. It's a great small film. One of those gems that you wished there were more of. I loved seeing Andy Griffith play Joe. He's great.
Ever since the Felicity days I've loved Keri Russell, so I was excited to see a screening of this in Santa Monica a week or so ago. I also have enjoyed Nathan Fillion in Serenity and the short-lived show Firefly that preceded that. But even with those expectations I was pleasantly surprised with this movie. It seems like in the past few years movies have become (or maybe they have always been) incredibly predictable. You go see a romantic comedy and it's almost like you can write the next line. I don't know about you, but I kind of like not knowing what is going to come next. That is part of the intrigue. The characters in this movie were diverse, funny, and completely endearing. In Waitress the dialogue is surprising and different. I really enjoyed the quirkiness of the characters. The crowd I viewed this movie with spanned many generations and it seemed to me that nearly everyone was laughing and enjoying themselves. I would recommend this to guys, girls, whoever...if you go in thinking it is going to be like every other movie you will really be happy when you leave the theater. I am definitely going to see it again when it is released this weekend.
I thought this was a wonderful feel good movie. It developed the characters well, especially Keri Russell's (Jenna). Thanks for making a fun movie that's not afraid to show real 'flawed' people in real situations!! I would recommend this movie to anyone who is sick of phony perfect main stream characters that really don't have any problems. The late Adrienne Shelly did a great job directing and acting in a supporting role. Cheryl Hines adds her great comedic flare! She's also good in Scrubs. I'm glad to see Keri acting in a main role again. She's such a naturally lovable personality on screen as she was in the TV show Felicity. This movie's perfectly fitting since she is currently pregnant! GO SEE THIS MOVIE!!
It is awfully difficult to write about the new pie-filled romantic comedy Waitress without indiscreetly mentioning the tragic death of its writer, director, and co-star Adrienne Shelly. Whenever a wonderfully unique moment occurred in the film, there was a realization that Shelly will sadly never reach her true potential made evident in the film. A major hit at the 2007 Sundance Film Festival, one would think Waitress would be a strange, oddly funny gem of a film, due to the festival's independent sensibilities. Yet what starts as that refreshing, different type of a film, turns into another familiar, mainstream romantic comedy.
The film starts with Jenna, perfectly played by Keri Russell, a waitress at a southern diner, who soon discovers that she is pregnant. Jenna's greatest gift is her apparent extraordinary ability to create amazingly delicious pies. Making her own original pies with inventive names seems to help her escape from life with her angry, insecure, narcissistic husband (Jeremy Sisto). Giving Jenna more of a reason to simply run away from her marriage is her new gynecologist, Dr. Potmatter (Nathan Fillion), whom she soon has an affair with. The film is loaded with other memorable roles including her fellow waitresses Becky (Cheryl Hines), and Dawn (Shelly), Dawn's eccentric poetry shouting stalker/boyfriend Ogie (Eddie Jemison), and Old Joe, the diner's owner, and the man whom only Jenna can tolerate, unforgettably brought to life by Andy Griffith.
Waitress is one of the better romantic comedies a wife would drag her husband to, with supremely enjoyable moments, hilarious bits of dialogue, and a first-rate performance by Russell. Her performance is key to the film, as she is basically the only fully developed character. Yet, by the end of the day, the Waitress is still a very light, undoubtedly sentimental, but genuinely pleasant offering by a filmmaker who should have had a great future as an auteur.
The film starts with Jenna, perfectly played by Keri Russell, a waitress at a southern diner, who soon discovers that she is pregnant. Jenna's greatest gift is her apparent extraordinary ability to create amazingly delicious pies. Making her own original pies with inventive names seems to help her escape from life with her angry, insecure, narcissistic husband (Jeremy Sisto). Giving Jenna more of a reason to simply run away from her marriage is her new gynecologist, Dr. Potmatter (Nathan Fillion), whom she soon has an affair with. The film is loaded with other memorable roles including her fellow waitresses Becky (Cheryl Hines), and Dawn (Shelly), Dawn's eccentric poetry shouting stalker/boyfriend Ogie (Eddie Jemison), and Old Joe, the diner's owner, and the man whom only Jenna can tolerate, unforgettably brought to life by Andy Griffith.
Waitress is one of the better romantic comedies a wife would drag her husband to, with supremely enjoyable moments, hilarious bits of dialogue, and a first-rate performance by Russell. Her performance is key to the film, as she is basically the only fully developed character. Yet, by the end of the day, the Waitress is still a very light, undoubtedly sentimental, but genuinely pleasant offering by a filmmaker who should have had a great future as an auteur.
Waitress is a great, funny movie starring Keri Russell as a small-town waitress who discovers that she's pregnant just as she's planning to leave her jealous, controlling husband. The typical Hollywood approach for a movie like this would be to film it in ultra-serious "movie of the week" mode, but writer/director/actor Adrienne Shelly chose to tell her story in an extremely stylized, almost fairy-tale style. The stylized dialogue, super-sharp photography and primary-color palette even reminded me of the movies of Joel & Ethan Coen at times, but in the end, this movie packs an emotional punch that the Coen brothers have rarely achieved. It also features a brilliant (and brilliantly human) performance by Andy Griffith as the horny old geezer who owns the diner where Russell works.
This movie has a good chance at achieving a Little Miss Sunshine-style breakout this year. It's funny, quirky and honestly touching. Waitress stands as a fine legacy for Adrienne Shelly, but if things had been different, it could have been the movie that launched her into the mainstream instead of her swan song.
This movie has a good chance at achieving a Little Miss Sunshine-style breakout this year. It's funny, quirky and honestly touching. Waitress stands as a fine legacy for Adrienne Shelly, but if things had been different, it could have been the movie that launched her into the mainstream instead of her swan song.
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- WissenswertesDirector Adrienne Shelly was killed shortly after the film was completed. Keri Russell was called in to record a director's commentary for the DVD in her place, recounting the on-set creative process and decisions that went into making the film.
- PatzerDuring the movie, Jenna makes two lattice-top pies by laying all of the dough strips in one direction and then placing the dough strips for the other direction on top of the previous strips. Usually lattice-top pies are made with the dough strips for both directions woven together with each other. (That way they look better and bake more evenly.)
- Crazy CreditsThere's a 'pie mistress' on the crew.
- SoundtracksMidas Touch
Written by Simon T. Scott, Richard Davis, Dan Trilk
Published by Golden Gods Music (BMI)
Performed by The Golden Gods
Courtesy of The Control Group, LLC
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Recetas de amor
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 19.074.800 $
- Eröffnungswochenende in den USA und in Kanada
- 92.034 $
- 6. Mai 2007
- Weltweiter Bruttoertrag
- 22.240.529 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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