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The Torturer

  • 2005
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
3,9/10
383
IHRE BEWERTUNG
María Blanco-Fafián in The Torturer (2005)
Horror

Füge eine Handlung in deiner Sprache hinzuThe twenty-four year-old aspirant actress Ginette Cazonni goes to an audition with the underground director Alex Scerba and they have one night stand. Ginette finds one earring identical to ... Alles lesenThe twenty-four year-old aspirant actress Ginette Cazonni goes to an audition with the underground director Alex Scerba and they have one night stand. Ginette finds one earring identical to the one that belongs to her friend Marzia Foster that has been missing for three days on t... Alles lesenThe twenty-four year-old aspirant actress Ginette Cazonni goes to an audition with the underground director Alex Scerba and they have one night stand. Ginette finds one earring identical to the one that belongs to her friend Marzia Foster that has been missing for three days on the stage and keeps it with her. Alex invites Ginette to go to his studio and they go to an... Alles lesen

  • Regie
    • Lamberto Bava
  • Drehbuch
    • Lamberto Bava
    • Diego Cestino
    • Luciano Martino
  • Hauptbesetzung
    • Simone Corrente
    • Elena Bouryka
    • Emilio De Marchi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    3,9/10
    383
    IHRE BEWERTUNG
    • Regie
      • Lamberto Bava
    • Drehbuch
      • Lamberto Bava
      • Diego Cestino
      • Luciano Martino
    • Hauptbesetzung
      • Simone Corrente
      • Elena Bouryka
      • Emilio De Marchi
    • 15Benutzerrezensionen
    • 10Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos33

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    Topbesetzung12

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    Simone Corrente
    • Alex
    Elena Bouryka
    Elena Bouryka
    • Ginette
    Emilio De Marchi
    Emilio De Marchi
    • Moscale
    Carla Cassola
    • Carla Sherba
    María Blanco-Fafián
    • Sehare
    • (as Maria Bianco Fafián)
    Valeria Cramerotti
    Daniela Giorgini
    Alevtyna Huzar
    Martina Micozzi
    Antonella Salvucci
    Antonella Salvucci
    Eleonora Sannibale
    Alessandro Santini
    • Regie
      • Lamberto Bava
    • Drehbuch
      • Lamberto Bava
      • Diego Cestino
      • Luciano Martino
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen15

    3,9383
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    Empfohlene Bewertungen

    5The_Void

    Nice women and violent torture...thanks Lamberto!

    Good old Lamberto Bava - he may not have the film-making talent of his father, but you can always count on him to come up with something sleazy and violent! That's exactly what he's done here, as although The Torturer is pretty crap really, it's graphic and violent enough to please fans of this sort of stuff (people like me, then). In true Italian style, The Torturer would appear to be Lamberto's way of cashing on the successful snuff-themed films of late, which includes the likes of Saw. It would seem that he didn't really have time to come up with a viable plot in his rush to rip these successful films off, and the result is a more than somewhat lacking thriller. The film focuses on a casting director, who gets beautiful but dumb as two short planks girls down to his studio for their auditions. The auditions he gives aren't exactly orthodox, although the girls don't seem to mind much until he starts to brutally torture them! We then focus on one slightly smarter girl who gets wind of what is going on.

    The cinematography is glossy, but the film very much feels like it was made for television (except for all the blood and gore). This low quality feel goes on throughout the film, and while this same thing has often gone on to make several seventies films more of a blast; somehow the same just doesn't apply to most modern day films. The torture scenes are fairly good, however, and without doubt the most realistic thing about the film. Most of it feels fairly standard, but there is a sequence involving a nipple piercing that is bound to make some viewers squirm! Lamberto Bava seems to have an eye for the ladies, however, and the film isn't exactly short on buxom women for the slaughter! The actresses auditioned by the casting director are extremely nice to look at, and this bodes well with the ghoulish torture sequences! Most of the film is nothing to write home about (at all), but one thing that stood out for me was the music played while the torture is going on - Bava proves that heavy rock can sometimes be just right! Overall, I can't recommend this film really - but it's not too bad, and it's likely to entertain anyone with a will to track it down.
    4Red-Barracuda

    Lamberto Bava returns with something cheap and nasty

    Like most of his Italian contemporaries Lamberto Bava's career as a feature film director more or less ran into the ground by the end of the 80's. The money in the Italian industry moved into the television environment and subsequently most of the film-makers who had worked in cinema started making stuff for the small screen. Bava was no different and seems to have operated in TV oblivion since those days. So it was good to see that he had stepped back into making cinematic output in 2005 with this film, The Torturer.

    Having just seen it, it seems quite obvious that the level of production value available to Italian genre film-makers had dropped dramatically over the intervening years and consequently this comes across as a very cheap movie indeed. It follows the trend of the day in that it is a torture flick that revels in sadistic violence in a similar way to the American big hitters Saw (2004) and Hostel (2005). I don't particularly have any objection to this, nor do I mind that it is shamelessly derivative. Copycat movies can often be a lot of fun and sometimes more of the same is kind of what you want. What was an issue here though was the sheer cheapness of the production and the general resultant ropiness that comes along with this. The story-line is half-hearted to say the least and isn't really worth restating. The plot-line is really no more than an excuse to show half-naked women being tortured and terrorised. It sounds quite sleazy and it is really but its alleviated a lot by its general low quality presentation. The dubbing is atrocious, more like the level of a 70's chopsocky production that an Italian film, while there is more or less a complete absence of style not helped by the whole thing seeming to have been shot on digital video. So what we have is ultimately a pretty unpretentious and straightforward bit of horror trash. It's difficult to recommend this one too much on account of its significant deficiencies. It's not in the same league as Bava's better work clearly but it was still good to see him at least make a newer horror film even if it's a not very good one.
    9renezelwe

    Lamberto and the boys in the band do a good job

    A distorted 'torture' video is shown to prospective actresses and the interviews take place in a theatre which looks like a multiplex with a circle(my favourite species of multiplex). The video is nearly monochrome with bright red blood. The cinematic story is interesting as are the actresses who make their characters credible. The reality of the story comes to light in the second half where the effects are far more realistic, and this main body of the film is done very well indeed, and even the rough sex does not look ugly. There are three prints to choose from: an Italian print classified 14, which I haven't seen so cannot say if it is cut, a South American print, and a Dutch Eurocult print which impressed me and which is definitely uncut. This isn't quite torture porn perfection like Martyrs and Pernicious, but it is a worthwhile contribution to the subgenre and is presented as a modern Gothic Giallo. This is another film which attracts a lot of unconstructive critiscism, mostly because of its violence. It isn't actually happening, guys.
    6Coventry

    You don't need to go to a Hostel to get tortured

    Even though "The Torturer" certainly doesn't qualify as a great horror movie, I would still like to use this opportunity to state: Thank you for doing it again, Mr. Bava! Thank you for demonstrating to us that the Italian horror industry is not yet dead, despite the severe lack of genre outings during the past two decades. Thank you for showing that 'Grand Guignol' make-up effects still exist in Italy and - most of all - thank you for continuing to exploit popular horror themes. During the 70's and 80's, the Italian horror & cult industry became notorious because they gratuitously imitated films that were extremely popular overseas. The Italians blatantly copied the basic story ideas of these films and simply added a whole lot of extra gore and sleaze, which worked just fine for me as well as for many other fans of the genre. Lamberto Bava's "comeback" movie (nearly 15 years after "Body Puzzle") still thrives on the same principle. "The Torturer" cashes in on the contemporary hype of sadistic torture movies, like "Saw" and Eli Roth's "Hostel". The film somewhat neglects logic and story building and puts the emphasis on sadistic and shocking images of mutilation, sexual aggression and purely relentless agony. Bava's venture opens marvelously, with very cruel images of a scarcely dressed and tied-up girl being submitted to vile torture by an unidentifiable person whilst adrenalin-rushing music bursts through the speakers. The faint-hearted as well as people with a weak stomach will already have difficulties enduring this footage and the movie only just started. The actual plot is, understandably, quite skimpy and the events aren't very likely to happen in real life. The gorgeous young actress Ginette auditions for the lead role in the first long feature film of the controversial artist Alex Sherba and she's almost immediately submitted to a long series of harassing questions and indecent proposals. Alex quickly turns out to be a mentally unstable and potentially dangerous man, and when she finds an earring belonging to a missing friend of hers, Ginette even suspects that he might be a killer and starts her very own private investigation. Meanwhile, the torturing of other poor girls cheerfully continues in the dungeon of Alex' parental house. The plot is quite stupid, but it's praiseworthy how Bava tries to implement typical Giallo-elements (like the childhood traumas and the twisted ending) and several scenes DO contain a fair amount of good suspense. Unfortunately, it's a little slow in places and the grand finale is sadly too idiotic and embarrassing for words. Also, the wannabe actresses that end up gruesomely tortured are just a tad bit too naive and dumb to be believable. I don't care how desperately you want to make it in the movie-industry, if your audition is with a perverted guy whom you can't see, talks through a voice-adapter and demands you to assume awkward positions ... you just get the hell out of there. And if you stay, don't be surprised when you end up dead in a spiked chest. They are exceptionally beautiful and sexy, however, and they're definitely not the worst actresses I've ever seen. Especially leading lady Elena Bouryka is truly ravishing and if she stars in a couple of more films, she might even become a good actress.
    3crustpunx

    boring piece of work with some worthy moments

    I am not very familiar with Lamberto Bava oeuvre, but after 'The Torturer' I don't know if I want to become familiar with it. Story, if there is any, revolves around young director whose work is in vein of grand guignol, and his new mistress - a wannabe actress. She shows up for an audition, but eventually they become lovers. In the background there is plot about mysterious torturer, who does couple of nasty things to some fine looking young woman. But it is really irrelevant, as the main point of the movie is to show some nudity and sex, and a little bit of torture. Movie is done in porno aesthetics - camera focuses on women's breasts and crotches (nothing hard core of course), and the viewer isn't spared camera angle from between one heroine's legs. Acting is completely lame, plot laughable, so it's hard to sit through it. Of course nudity and violence compensates a little the rest of the movie, but only a little bit. Nods to gialli (especially Argento's work) are completely redundant, as they don't add up to the story. Yet violence sometimes becomes very graphic and nasty. and actresses are really good looking. nothing really catchy in here, but one can give a look.

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      Elena Bouryka's debut.

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    Details

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    • Erscheinungsdatum
      • Dezember 2005 (Italien)
    • Herkunftsland
      • Italien
    • Sprachen
      • Italienisch
      • Englisch
    • Auch bekannt als
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    Technische Daten

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    • Laufzeit
      • 1 Std. 40 Min.(100 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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