IMDb-BEWERTUNG
7,6/10
3845
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe story of General Romeo Dallaire's frustrated efforts to stop the madness of the Rwandan Genocide, despite the complete indifference of his superiors.The story of General Romeo Dallaire's frustrated efforts to stop the madness of the Rwandan Genocide, despite the complete indifference of his superiors.The story of General Romeo Dallaire's frustrated efforts to stop the madness of the Rwandan Genocide, despite the complete indifference of his superiors.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 6 Gewinne & 13 Nominierungen insgesamt
Owen Sejake
- Ghanian General Henry Anyidoho
- (as Owen Lebakeng Sejake)
Pepi Khambule
- Major Kamenzi
- (as Kenneth Khambula)
Empfohlene Bewertungen
Not the happiest of movies to watch but a powerful account of the Rwandan genocide in the mid-1990's, as seen through the eyes of Lt. Gen. Romeo Dallaire (Roy Dupuis) who led a United Nations peacekeeping force. I will admit to being a bit confused initially as to what was going on and why Dallarie wasn't given any help (in fact support was taken away) or the ability to engage. His hands were completely tied as he dealt with bureaucrats and watched genocide take place around him, very frustrating. As the world stood by, 454 UN Peacekeepers from over 20 nations chose to stay behind in Rwanda, helping to save the lives of 32,000 Rwandans who would otherwise have been murdered.
This has been based on Dallaire's autobiography and Roy Dupuis is amazing in this role, transforming himself into the General. The scenes where he is with his therapist back in Canada were interesting, suffering from PTSD as the ghosts of those he knew and served with are in the room with him. Beautiful scenery but horrific and stomach churning that this was allowed to happen. 10/13
This has been based on Dallaire's autobiography and Roy Dupuis is amazing in this role, transforming himself into the General. The scenes where he is with his therapist back in Canada were interesting, suffering from PTSD as the ghosts of those he knew and served with are in the room with him. Beautiful scenery but horrific and stomach churning that this was allowed to happen. 10/13
In the end of 1993, the Canadian General Romeo Dallaire (Roy Dupuis) is assigned to lead the United Nation troops in Rwanda. In 1994, when the genocide of the Tutsis by the Hutus begins, General Dallaire gives his best effort to help the poor black people in Rwanda, inclusive negotiating with the Tutsi rebels, the Hutu army and the Interhamwe militia. However, he fights against bureaucracy and lack of interest from the United Nations and witnesses the West World ignoring and turning back any sort of support, inclusive USA opposing in the security council of UN to any type of help.
The story of the genocide in Rwanda was first seen in the cinema through the magnificent "Hotel Rwanda" (2004), telling the life of Paul Rusesabagina, one anonymous hero and manager of the Milles Collines Hotel of Kigali; then, in "Shooting Dogs" (2005) that tells the story of the Catholic priest Christopher and the idealistic English teacher Joe Connor; then in "Un Dimanche à Kigali" (2006) focused in the romance of a Canadian journalist and a Tutsi waitress. Now these movies are complemented by the less emotive "Shake Hands with the Devil" that tells the same story, but now through the eyes and heart of the Canadian General Romeo Dallaire trapped in the indifference of the UN. It is amazing the line of General Dallaire when he says that for the UN, "genocide is when there are cargo trains, concentration camps, and gas chambers". I imagine how frustrated this general might have been seeing the slaughter of defenseless human beings having to follows bureaucratic and political orders from his superiors. My vote is seven.
Title (Brazil): "História de um Massacre" ("History of a Massacre")
The story of the genocide in Rwanda was first seen in the cinema through the magnificent "Hotel Rwanda" (2004), telling the life of Paul Rusesabagina, one anonymous hero and manager of the Milles Collines Hotel of Kigali; then, in "Shooting Dogs" (2005) that tells the story of the Catholic priest Christopher and the idealistic English teacher Joe Connor; then in "Un Dimanche à Kigali" (2006) focused in the romance of a Canadian journalist and a Tutsi waitress. Now these movies are complemented by the less emotive "Shake Hands with the Devil" that tells the same story, but now through the eyes and heart of the Canadian General Romeo Dallaire trapped in the indifference of the UN. It is amazing the line of General Dallaire when he says that for the UN, "genocide is when there are cargo trains, concentration camps, and gas chambers". I imagine how frustrated this general might have been seeing the slaughter of defenseless human beings having to follows bureaucratic and political orders from his superiors. My vote is seven.
Title (Brazil): "História de um Massacre" ("History of a Massacre")
This is lesson 2, after lesson 1 (Hotel Rwanda) on the history of a country I know very little about. But that does not matter. Rwanda in 1994 was a stage on which we witnessed the triumph of the dark side of humanity, and the failure of a world body called UN.
As a film, 'Shake Hands with the Devil' was not rated as good as 'Hotel Rwanda' by the film critics. I tend to agree with this assessment. However, it was shot on location in Rwanda with many locals participating in the film. The acting in films was reasonably well done and the overall story telling convincing.
The film moved me enough to make me ponder other scenarios: what if General Dallaire took things into his own hands and started firing his weapons, instead of just passively observing the killing and rape? And what if the UN had a change of heart and decided to get further involved instead of backing out? How many lives could have been saved, and how that would have changed the Rwanda as we know it now?
In short, this film makes me think. And for this reason alone it is well worth my time.
As a film, 'Shake Hands with the Devil' was not rated as good as 'Hotel Rwanda' by the film critics. I tend to agree with this assessment. However, it was shot on location in Rwanda with many locals participating in the film. The acting in films was reasonably well done and the overall story telling convincing.
The film moved me enough to make me ponder other scenarios: what if General Dallaire took things into his own hands and started firing his weapons, instead of just passively observing the killing and rape? And what if the UN had a change of heart and decided to get further involved instead of backing out? How many lives could have been saved, and how that would have changed the Rwanda as we know it now?
In short, this film makes me think. And for this reason alone it is well worth my time.
i thought this was was a well done film based on the autobiography of Canadian General Romeo Dallaire,who was tasked with the job of leading UN peacekeeping efforts in Rwanda,in what should have been a routine mission,until civil war breaks out.while the rest of the world turns its back,Dallaire does what he can to save as many innocents as he can while war wages on.the movie show how the ludicrousness of bureaucracy,as well as how cruel and unkind(not to mention hypocritical)our western world can be.this is not a movie i would say is enjoyable,given its subject matter.it is quite graphic and bleak.but is well made and the acting is is superb.for me,Shake Hands With The Devil is an 8/10
I had read Dallaire's book a while back, and when I heard that there was a project to put it to film, I was very eager to see the results. Ever since I had seen "Hotel Rwanda", in which the CO of UNAMIR was a fictional character (played by Nick Nolte), I was hoping for a movie in which the real UNAMIR commander would be portrayed.
I wasn't disappointed. This film is a docu-drama that follows the events and the telling of Dallaire's book. No side stories here. Just the facts. The screen writing stuck to the book, as best as it could. Most deviations would be mistakes in interpretation, not artistic licenses. Dallaire, who had been lobbying for the film to be made for a long time, has explained that the producers have toyed with the idea of going to Hollywood to have it produced there. The upside was that the production could have enjoyed a bigger budget, but the idea was dropped because there was too big of a chance that Hollywood would have altered the story.
So the film's premise is very good to start with. The result is also very god. The the film is brilliantly made and directed by Roger Spottiswoode. Roméo Dallaire's character is very well played by Roy Dupuis, especially the scenes with the therapist. The cinematography is high quality, and some scenes are simply breathtaking (it actually makes me want to visit). The score is also of high caliber.
But the movie does have weaknesses.
It's a little too toned down. I know for having read about and seen documentaries about these events, that they were far worse than what is (could be) shown in the film. I understand that it was a delicate matter since the reality was very hard and could have steered away potential viewers. Apart from the church scene, everywhere else you are presented with toned down scenes. The reality was 10 times as big (numerous), much, much bloodier and much more akin' to a carnage. Dallaire and the other UNAMIR characters are pretty clean throughout the film. In reality, they were constantly bloodied. Don't get me wrong: I'm not seeking kicks or anything. I simply feel that the true appalling atmosphere is just not there, and that's unfair.
The civil war is not present. Although it is mentioned, and you realize that Kagame's RFP eventually wins it, the war is mostly absent from the movie. The facts are that UNAMIR operated amid civil war battles, that contributed greatly to its inefficiency. We are told that including battle scenes in the movie would have been too costly for the budget, and that the permissions from Rwanda's authorities were hard to get. Nevertheless, it's an important dimension to the story, and it's profoundly missing from the resulting atmosphere.
Some lines are just dead wrong. When asked by the CNN reporter why UNAMIR wasn't intervening to stop the carnage, Dallaire replies that he would be court martialed if he did. Although it might be the case, I understand that the real Dallaire hasn't - and would never have said anything like that. According to him, a commanding officer would never allude to the possibility of being brought up on charges, to explain his decisions and his actions.
The mission's NY headquarters. Repeatedly, Roméo Dallaire has mentioned that the film isn't true to what the mission's NY headquarters really lived . Maurice Baril, Kofie Annan (and I forget who the third member of what Dallaire called "the triumvirat", was) were much, much more stressed out than what is depicted in the movie.
The Belgian's departure. Although Dallaire was very grateful for the presence of the Belgian's paratroops among UNAMIR, he eventually grew a severe hatred for them when they left the mission, barely 2 weeks after the start of the genocide, leaving Dallaire more short staffed when he actually needed more troops. This doesn't transpire in the film. At all.
All in all, a very good film, with a good disposition for educating the people about UNAMIR's and UN's points of views during the rwandeese genocide of 1994. This was one of Roméo Dallaire's biggest wish. Now, I just hope that this movie is going to be well distributed across the world, so that everyone can have access to it, and hence fulfill it's destiny.
I wasn't disappointed. This film is a docu-drama that follows the events and the telling of Dallaire's book. No side stories here. Just the facts. The screen writing stuck to the book, as best as it could. Most deviations would be mistakes in interpretation, not artistic licenses. Dallaire, who had been lobbying for the film to be made for a long time, has explained that the producers have toyed with the idea of going to Hollywood to have it produced there. The upside was that the production could have enjoyed a bigger budget, but the idea was dropped because there was too big of a chance that Hollywood would have altered the story.
So the film's premise is very good to start with. The result is also very god. The the film is brilliantly made and directed by Roger Spottiswoode. Roméo Dallaire's character is very well played by Roy Dupuis, especially the scenes with the therapist. The cinematography is high quality, and some scenes are simply breathtaking (it actually makes me want to visit). The score is also of high caliber.
But the movie does have weaknesses.
It's a little too toned down. I know for having read about and seen documentaries about these events, that they were far worse than what is (could be) shown in the film. I understand that it was a delicate matter since the reality was very hard and could have steered away potential viewers. Apart from the church scene, everywhere else you are presented with toned down scenes. The reality was 10 times as big (numerous), much, much bloodier and much more akin' to a carnage. Dallaire and the other UNAMIR characters are pretty clean throughout the film. In reality, they were constantly bloodied. Don't get me wrong: I'm not seeking kicks or anything. I simply feel that the true appalling atmosphere is just not there, and that's unfair.
The civil war is not present. Although it is mentioned, and you realize that Kagame's RFP eventually wins it, the war is mostly absent from the movie. The facts are that UNAMIR operated amid civil war battles, that contributed greatly to its inefficiency. We are told that including battle scenes in the movie would have been too costly for the budget, and that the permissions from Rwanda's authorities were hard to get. Nevertheless, it's an important dimension to the story, and it's profoundly missing from the resulting atmosphere.
Some lines are just dead wrong. When asked by the CNN reporter why UNAMIR wasn't intervening to stop the carnage, Dallaire replies that he would be court martialed if he did. Although it might be the case, I understand that the real Dallaire hasn't - and would never have said anything like that. According to him, a commanding officer would never allude to the possibility of being brought up on charges, to explain his decisions and his actions.
The mission's NY headquarters. Repeatedly, Roméo Dallaire has mentioned that the film isn't true to what the mission's NY headquarters really lived . Maurice Baril, Kofie Annan (and I forget who the third member of what Dallaire called "the triumvirat", was) were much, much more stressed out than what is depicted in the movie.
The Belgian's departure. Although Dallaire was very grateful for the presence of the Belgian's paratroops among UNAMIR, he eventually grew a severe hatred for them when they left the mission, barely 2 weeks after the start of the genocide, leaving Dallaire more short staffed when he actually needed more troops. This doesn't transpire in the film. At all.
All in all, a very good film, with a good disposition for educating the people about UNAMIR's and UN's points of views during the rwandeese genocide of 1994. This was one of Roméo Dallaire's biggest wish. Now, I just hope that this movie is going to be well distributed across the world, so that everyone can have access to it, and hence fulfill it's destiny.
Wusstest du schon
- WissenswertesThe ribbon bars of Dallaire's medals worn by Roy Dupuis in this film are the actual ones worn by Roméo Dallaire during the time period depicted in this film. They were loaned to Dupuis by Dallaire during the film's production.
- PatzerAt the international news report on the massacres, the modern Rwandan flag is depicted on the screen, which wasn't introduced until 2001, whereas the news report was from 1994, during the massacre.
- Zitate
General Romeo Dallaire: We're going to stay to bear witness to what the rest of the world doesn't want to see.
- VerbindungenFeatured in The Hour: Folge #7.30 (2010)
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Details
Box Office
- Budget
- 11.000.000 CA$ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 594 $
- Eröffnungswochenende in den USA und in Kanada
- 86 $
- 31. Okt. 2010
- Weltweiter Bruttoertrag
- 594 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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