Notorious B.I.G.

Back in the 90's as a teen, I never really got in to Biggie's music or lyrics. I never knew the correlation between he and all these artists like "Puff Daddy" Faith Evans, Lil Kim all came up together. I never understood how the East Coast West Coast feud got started.

This film gave me a new respect for Christopher Wallace. His intelligence and how he tied that in to his passion for music and lyrics. He had a dream as a child and in the end he achieved that dream of not just becoming a success as a performer, but a success as a father to his children, a good son to his mom, and a good man to himself.

I love that line in the move "If you wanna change the world, First you've got to change yourself"

Inspirational film, even if you're not a fan of his music or hip hop, you can still appreciate the story behind this man.

That should have been the title of the movie. Everything about this movie glorified Big..... if he was a nerdy student - he's gonna the nerdiest student.... if he was a drug dealer - he was gonna be the biggest drug dealer - complete with him sitting in a dark room with that one light that shines down on the table (classic).... if he didn't know anything about Tupac's murder - then he's gonna appear as if he was absolutely oblivious to that entire situation.... not to mention one of the supporting characters in this movie, Kim.... if Kim was gonna be a ho - she's gonna be the dirtiest ho ever.... If I didn't know any better, I would assume the only way she came up was by f'king Biggie.... This is a one-sided, shallow view of a person's life. Biggie fans want to remember his legacy flawless and that can be understood. Sure why not? This movie was made for you..... It's a story told as though a mother is speaking of her lost son who could do no wrong.....

Recommendation: Why not learn who Biggie was by beefing up the content of the supporting cast.... his first baby's momma for starters, and what about other artists that he interacted with? We could have seen a more developed, well-rounded and truthful character. Possibly even learn something about him that hasn't already been discussed in magazines or on TV....

The opinion on IMDb on this film seems to be pretty split and the reason appears to be because many are not writing their opinions of the film so much as they are reviewing Biggie and/or hip-hop itself. So the unquestioning 10* reviews rave about the man and his music, while the 1* reviews talk more about the aspects of the music and culture he represents than they do about the film. I was curious to see what the film was like on its own merits so I made an effort to see it recently. The truth of the matter that the film is "ok" but not anything more than that – and I say that as a hip-hop listener who likes more east coast than west coast.

The problem with the film is that it is far to driven by ticking boxes of people and events. As a result it doesn't flow so much as it does introduce people and things in a way that the audience will recognise. This is all well and good but it breaks up the film as a dramatic piece – for example with Lil' Kim, she is not allowed to just be part of the story, no, when she is introduced we even get a shot of her name badge so we can all be sure from the start as to who she is. It is like this with events as well, and the dialogue is surprisingly expositional in its nature with far too many characters seemed to be talking just for the sake of filling in blanks or moving to the next scene. As a sort of summary of Biggie's career this is fine I suppose but when it comes to caring about the characters then it does hurt it quite bad.

Not that the film is overly concerned with the characters because the events-driven script doesn't really have any. Before anyone messages me with insults, I can see that there are physically people on the screen there, doing and saying things as these people, but in terms of character development and depth there is none. Nobody ever feels real – partly because of the dialogue but also because the material doesn't give anybody room to develop. This is best seen in the "second-tier" characters such as Puffy and the many women in Biggie's life but it comes over differently with Biggie himself. Contrary to his musical personae, the film does not play up the negative side of Biggie's life too much. It cannot completely hide it though and we do get lots of infidelity and things like him happily selling crack to a pregnant woman. However all of these things tend to be deliberately cancelled out later on in some daft and unnecessary scenes. For example we get to see the crack user years later, fine and playing with her child (also fine) and of course much is put right by conversations, commitments and phone calls on the night that he gets killed. Such things damage the film further as both a record and as a dramatic film – I didn't want "warts & all" but an edge of realism and criticism (where warranted) would have been good.

It might be them or it might be the material but either way, the cast are not that great. Woolard does a solid impersonation of Biggie and deal well with the material but he has nowhere to go with his character other than the specifics of the scene – there is not a man inside his performance so much as an image of a man. Luke and Bassett are both very talented actors but neither gets to showcase that here – indeed Luke is only memorable for how well he nails Puffy's dancing style. Naughton's Lil Kim sticks in the mind for reasons other than her performance (although again as an impression it is good enough for here). Smith, Ringgold, Mackie and others just do the basics as the film gives them no other options.

The end result is a film that looks good and covers a lot of ground but doesn't work as a dramatic film. The people and events are there but they are only ever names and things that happen – never real people or events that come from the story. The cast turn in solid but not that good performances accordingly but nobody can raise it beyond what it is. Not "bad" generally but just really lacking over what I would have expected from a biopic.

The rapper, much like a fellow form of entertainer the clown, is a persona that relies on masking weaker aspects of character and temperament in order to fulfil their role as exactly that—a person that people will be able to relate to or find solace within. Of course, comparing a rapper directly to a painted circus act only goes so far until all attempts at providing an ample analogy wear thin. Instead, rap is an artistic movement that attempts to convey the rags-to-riches story with poetry laced over simplistic musical backings built to elicit response of an audience out to either get down or simply share in that collective stream of pathos. Yet the masks that both wear nevertheless serve the same function; while the Notorious B.I.G. would eventually become key in a movement of hip-hop stars making music through the soul rather than pure social frustration, there nevertheless remains a code of conduct or, ethic to being a rap star that overrides any form of drama within the person's life to take centre-stage. Notorious takes the mask off.

Notorious then, which takes the form of a bio-pic documenting famed star Christopher "Biggie" Wallace's rise from the gutter is an unmasking of sorts that goes beyond the gold chains, sunglasses, sleek rhymes and ultra-cool persona to reveal the man behind the music. The concept of course is as old as boots, but too often it is the case that such ventures into famed celebrity lives are either told with no care for genuine character-investment or instead play far too loosely with the facts. It's a pleasure then that Notorious which is directed by George Tillman Jr. (his first feature film since the underrated Men of Honor in 2000) does well to balance both the facts and the drama to ample effect with no neglect at all given to the music that propelled Biggie to stardom. Instead, Notorious plays out like a substantive character drama that always keeps the focus on Christopher Wallace rather than Biggie Smalls, and the result is compelling in its ability to stuff in so much material into its runtime without seeming overly abundant or superfluous. Most importantly of all however is that Tillman's effort here resonates far more emotionally than one would expect; sure, the rags-to-riches story is fast becoming a sickly cliché, but Notorious remains true to its story regardless and ends up coming out feeling genuinely compelling without resorting to mundane and transparent devices.

No doubt key to the entire productions success however, regardless of how finely constructed the screenplay may be is the performance by leading man Jamal Woolard who not only embodies Christopher Wallace to a fine point, but also nails what is demanded of him when chants of "Biggie" take form. Indeed, much of Notorious' ability to keep things flowing and feeling fresh is through such instances where the drama is interlaced with Wallace's more public persona throughout the many musical interludes that transpire as the rapper makes a name for himself. Much also has to be said for Woolard's co-stars who range from friends and family to old and new lovers, some famous, some not so famous. The result is an ensemble that do well to shine on their own grounds but never get enough screen time to detract the attention away from the man himself. Of course, this does have some detrimental effect on some elements of the script's focus (namely involving his mother who battles breast cancer) but with a runtime already clocking in at two hours with very little throwaway material therein, one can't complain too much.

In the end it's obvious that existing fans of the Notorious B.I.G, Biggie Smalls, Christopher Wallace and all around hip-hop icon will no doubt find a lot more to enjoy here than casual onlookers, but even those with an affinity for these kinds of stories will find much to invest within here. Indeed, while a large portion of Notorious details the hardships that the young rapper had to overcome on his way to the top as well as many failings along the way also, it is this honest and compelling look at those words now infamously engrained within two of rap's most esteemed records that give Notorious all the flow and pathos of Biggie's work himself. And even if you can't appreciate that, then there's the fantastic soundtrack itself, the spot-on performances and a brief history lesson on one of the music industry's brightest and short-lived stars to enjoy.

• A review by Jamie Robert Ward (http://www.invocus.net)

The Movie was way better then I thought. The actors/actress in it resembled each person in everyway possible. The little kim character was on point even the way she spit those lyrics in the bedroom. According to Naturi Naughton who played the role of little kim she never rapped before but you couldn't tell the way she flowed. When she performed in that lacey outfit towards the end you wouldn't be able to tell the difference between her and kim. The biggie character played by gravy was also on point as well. The voice, build and complexion was spot on. When the faith character sung "I remember" I couldn't believe how great she sang, and it didn't look like she was lip sycn-ing at all. I really enjoyed the movie and it brought me back to those great times in college when I was hooping for Suny Farmingdale.

I was disappointed about one thing and that was the drama aspect. Nothing surprised me about it, because everything in the movie we already knew. It wasn't one thing in the movie that left anything to the imagination. It was very predictable because I already knew he sold drugs, he went to jail, then got discovered by puffy, he blew up, then he died. So probably 15 minutes into the movie I pretty much knew what would happen next. I still loved it and the music in it.