The Half Life of Timofey Berezin

I don't know what it is this weekend, but I have tasted films from France (La Haine), Korea (Boksuneun naui geot), Canada (Eve and the Fire Horse), and now, Romania, albeit a US film. Three have revenge themes, two have multicultural themes, two deal with needed kidney transplants, and they all deal with family. There are many things in these films that make you want to think and think hard. Sure, there is also a lot of humor, but it never gets in the way of the themes.

Paddy Considine (The Bourne Ultimatum, Hot Fuzz) gets screwed big-time at work. He is exposed to 1000 rems of plutonium. He knows he only has days to live and his bosses are not interested in doing anything but covering their butts. Sound familiar? Anyway, he steals 100 grams of PU-236 to help his family.

At the same time, there are three low-level thugs who are also dying. They have 72 hours to pay off the big boss for their mistake. One of them, Shiv (Oscar Isaac) comes in contact with Timofey, and stumbles through a plan to solve both their problems.

A comedy of errors ensues with Shiv's partners, Jason Flemyng (The Red Violin, Transporter 2) and Jordan Long. These two are just about the dumbest thieves in the business and they get a fantastic high at the end that will have you rolling on the floor.

Comedy and tragedy mix well in Scott Z. Burns's (The Bourne Ultimatum, An Inconvenient Truth) film. It is a shame that it probably won't get a theatrical release.

And, it's a real treat to see Radha Mitchell (Silent Hill, Man on Fire).

I had great expectations for this movie. The story was promising and I thought that the great Paddy Considine as the protagonist would mean a compelling execution.

This is basically two different movies edited together. One part is great, the other not so much.

There are some great scenes in the first half of the movie. But the script is honestly a terrible mashup. It starts as a heartfelt dramatic depiction of a family cast into great troubles but then out of nowhere appears a bunch of thugs that even Guy Richie cut out for being too ridiculous. Considine together with parts of the cast are great, doing the best of the disjointed and sometimes plain stupid script. However, not even he can save this movie.

The writer/director very much would have needed a producer that could tell him to get his stuff together. Trying to combine drama and stupid dark comedy doesn't work unless the director is a genius. Scott Z Burns is not a genius.

Also, please lose the stupid "russian" accents.

PU-239 is one of those movies where you find yourself without much to say about it. Paddy Considine, Oscar Isaac, Stephen Berkoff, and Radha Mitchell give decent performances and the film is not badly directed, but what cinema should do that PU-239 does not is leave you with a passionate reaction. I found that after having watched it, it was more like it was something on a list that I could check off and move on rather than an experience or an entertainment. It isn't even boring. It just doesn't reach. That's the reason why one feels so indifferent towards it. The plot is interesting:

Considine plays a family man who works at a top-secret, worryingly shabby plutonium plant in a Russian town after the fall of the Soviet Union, and he's exposed to radiation while trying to stop a malfunction. The facility's managers try to convince Considine and also themselves that his exposure was a survivable 100 REMs, while accusing him of sabotage and suspending him without pay, but his colleagues help him discover the truth, which is that he was exposed to ten times the amount of radiation that the managers maintained he had. It's stated by one character in the movie that people in Hiroshima were exposed to less.

So, with only days to live, and not letting his wife, played by Mitchell, know of his fate, Considine goes to Moscow. He hooks up with a small-time gangster, played by Isaac, who is in a great predicament himself, in hopes of finding someone to whom he can sell a vial of weapons-grade plutonium he has stolen from his plant so that he can send money back to his family to secure their future, though he states various times that his town is not on the map, which makes it unfeasible to send his letter home, much less any money. What's interesting about the dynamic between Considine and Isaac is that they never really form a bond, one being earnestly cooperative in his final days of life and one being frantic for his own interests to survive an almost as likely fate. Yet, they both have the interests of a wife and child in mind and have the same drive under those circumstances.

But the Russian mobsters are too cinematic for a story as real and historical as this one. They do things only Guy Ritchie, Quentin Tarantino, and David Mamet characters do, especially Isaac's boss, who delivers a silly, unrealistic monologue when he first appears that in reality would have his listeners lost.

This is not a bad film. It just minimizes the effect it could've had.

This is what Indie films are all about. An excellent flick, acting, plot, script, and all else very well done. On HBO this movie is billed as PU-239 so keep an eye out for it, but be careful what you inhale while watching it!

Having been a physics major I can state that as far as the science goes the movie is loyal. Science, however, is just background. This movie is really about the human spirit continually battling against despair; the human condition and the lengths we will go to kill one another and to love one another; human ignorance and human intelligence, but without humility, and the trouble it will get us all into; and "in the end, everything decays into lead", like bullets, and the fact that no one gets out alive.

I didn't have high expectations here. It was on cable, and relatively unknown. This wasn't a great movie, but it was good. I thought the character development was done well, the acting was good, and the plot was well, er, OK. I guess this was based on a short story, so it must have been troubling to develop this into a full length (almost) feature film. We used the familyometer on this one. My wife gave it a pass within 5 minutes, but my daughter and I gave it a shot. She really liked it, I liked it, and it didn't grab my wife at all. There was a very funny scene which I won't give details on which involved a scene where a Russian was commenting on all things American. He made obscure connections between several recognizable names in our culture, and really did a hack job of it, but it was one of the lighter moments. The heavier moments were dark, and sad. I would recommend seeing it. If you make it past the first 10 minutes, you will probably enjoy it as I did.