Die Farben des Herbstes

Most of the time when I see a film, I instantly forget about it the minute I walk out the theater door. This movie is different. It's been three weeks now since I've seen "Local Color" and I can't stop thinking about it. There are scenes so poignant that I can still hear the dialogue echoing in my head. There's a scene in particular early on in the film when the old painter looks up to the sky and asks his young protégé, "What color are the clouds? You think that they're white, but look again". Since seeing this film, I too find myself looking around me, analyzing the color and beautiful nuances of life. This film has honestly changed the way I look at things.

Furthermore, this film is very funny. The humor is very human and it takes you by surprise. I laughed out loud a lot. I love this film.

I have now seen this movie 5 times and I will bet that I will see it five more. This movie for me was a validation of a life time of conviction about the state of modern art and how it has consistently suppressed the simple idea that nature and beauty still do matter.

I have gone to art school and I have seen how modern art schools can be so destructive in the nurturing of classically minded artists. And at the end of the day we wonder where the hell is art going.

For me this movie rekindled my love and passion for painting and ultimately reminded me of all those wonderful teachers who selflessly gave and encouraged me not to stop my journey. There is so much in John Talia's character that I related to, and I am sure a great deal more to Armin's.

Every frame in the movie for me looked like it was composed by an artist, only later to find out that it was. Anyone who admires the art of the great American Pennsylvania and dutch movement, will take away so much from this movie. You can see the influence of Andrew Wyeth and the Brandywine school on the director.

George Gallo is as masterful a story teller as he is an artist. His attention to composition of every frame and his sincere dialogue and very real character development, make this a guy to watch. I can't wait until his next picture.

I was very moved by the entire experience.

This movie gets five stars and 2 thumbs up from me.

A must see film for people who love good true stories about following ones passions, Too bad that big studios are only about big $ and think that the public does not want to see good movies that don't have the shoot um up, kill, action. I believe people do want to watch movies that inspire people to follow their dreams. As a film maker myself I thank George and his Wife for not giving up. If you are lucky enough to have this film come to your town go see it and tell your friends to see it. Note The big studios said that no one wanted to see My Big Fat Greek Wedding, who was wrong about that. Not the public.

Hang in there George.

I saw a rough cut of this film a while back and was deeply moved by its simple beauty and meditative pace.

The performances have so much depth and take the diverse characters to a level that must have moved even the writer/director and producers.

It is also surprisingly funny, well not surprisingly, but when you read terms like "deeply moved" or "meditatve pace" you might *surprisingly* find yourself laughing out loud...a lot...

This is a feel good movie without being forced to feel good...it is an unfolding story with the heart and soul of the writer/director, producers, crew and cast made available to us, the audience, to take, relate and in our own way, give back...

I just saw this incredible movie at the Sedona Film Festival and met the director, writer and artist, George Gallo, on whose own youth this true story is based. I could not be more enthusiastic in my recommendations for this film, AND it could use support, as he and his wife mortgaged their house to make it. So please see it and if you like it, tell your friends.

As an artist myself, I can well relate to the "death of art" described by the elder mentor in the film, who is discouraged by modern art and its snobbish disregard for the classical artists who passionately seek to capture and share a moment of divine beauty. Even more so, it is a powerful and sensitive human story of the power of love to redeem the tragedies of the past.

Other reviewers have described the plot better than I. My intent is to alert all artists of any media, and those who care about beauty and love to go see and support this film. Gallo said it was very difficult to get it distributed because it lacks sex, violence and destruction, as though that were all we moviegoers want to see. What a parallel to the theme of the movie itself, in which the elder artist laments that too much art is no longer about inspiring us or sharing beauty, but to express the ugliness and violence of the world.