Tödliche Magie

I really did not care that this was not a factual account of Houdini's life. There are some truths in the depiction of Harry (some actual B&W footage is used of his acts and his debunking of mystics). It was enjoyable, had beautiful cinematography, elements of humor a story of love and life...however implausible it may be, it does not detract from elegance of watching Catherine Zeta Jones(Mary McGarvie) try to support herself and her daughter, matching wits with the great Houdini.

Catherine displays a grace and style combined with fire and drive. Her daughter provides moments of comedic relief and there is tension between Catherine and Guy Pearce - should she win the money at any cost, allow herself to fall in love, what is in the afterlife? This was entertainment based on Houdini, a platform to tell a story which I thought was well done.

Another magician movie? But The Illusionist and The Prestige were great movies, so why not? Catherine Zeta Jones plays a foxy, yet poor, mother, scamming away through life pretending to be a psychic. When Guy Pearce's Houdini comes into town to prove or disprove the existence of the paranormal, they come into contact.

It is both a sad and a hopeful movie. A little too "psychic" for me and too little about the true nature of Harry Houdini except his fascination for his dead mother. The script itself does not lend itself to praise, but the atmosphere and realisation are top notch.

Bottom line: watch it when you are in a mood for a rom-drama, but you don't care much about the subject.

What had drawn me to watch Death Defying Acts, is that it's a story with Harry Houdini, arguably the greatest illusionist and escape artist of our time. A few days ago I was browsing through a book which revealed the secrets behind his brand of death defying acts, and really he's a man of science, engineering and most of all, a performer to bring to life the act of fooling an audience into believing his stunts. Sure there's an element of danger, but with proper risk assessment and safeguards, they strip away all the mystique that serves to confound.

But contrary to the title, there's nothing really death defying about the movie, as it treaded on safe ground and doesn't dwell any more on the illusions that it has to. In fact, you can count the number of stunts which involve Harry Houdini, and the filmmakers left that for another biographical movie that someone else should pick up on. What we have instead are glimpses into the man's personal life, and Guy Pearce provided quite an intense and charismatic Houdini with personal demons of his own to do battle with, though the story seemed to rein him in from dwelling too much on that aspect, and preferred to have a more romantic tale weaved in.

The romanticism of the movie is not with his illusions, but with a single parent who's a psychic of sorts, relying on her street smarts to get her own act going. Catherine Zeta-Jones plays Mary McGarvie, who has to rely on her wits to build credibility for her stage character. Together with daughter and sidekick Benji (played by Saoirse Ronan of Atonement fame), the mother and daughter team tries hard to make a living from their acts, but realize that they're by no means close to Houdini's widespread fame and fortune.

However, Houdini himself throws a gauntlet to all psychics far and wide, that whosoever can accurately reveal what his late mother had last said to him, will inherit US$10,000. His purpose it seems is to reveal that the majority of these soothsayers are tricksters in disguise, until of course he meets the luminous Mary, and affairs of the heart throws him off course. Naturally, Mary and Benji find themselves up against the best in the business, but when your back is against the wall, there's nothing much to lose it seems.

As mentioned earlier, this movie's more of a character study of the master magician, and explores things like his guilt because of dedication to his craft and performance, as well as his questionable motives in being attracted to the fictional Mary McGarvie. Narrated by the character of Benji, we see things through a child's eyes, and perhaps therein lies the loss of some pathos in the romantic angle of it. On one hand, it isn't your classic romantic story, while on the other, it doesn't seem to want to preach the method, rationale and mindset of Houdini himself.

So what emerged is a mixed bag. Beautifully shot, but again falling on the emptiness of its effort in trying to allow the audience to feel for the characters. At least Timothy Spall, who plays Mr Sugarman, Houdini's manager, allowed for some light moments as the guarded and wary person that he is. And credit goes to keeping the ending quite right too.

i do not know why this film is flushed with negative reviews. First of all this is not a film about Houdini, there is no reason why this film should dramatically display the amazing acts and potentials of the artist himself; Secondly, i do not see why 'there is no reason for the creation of this movie' is justifiable, this film is just a testimony on how characters carry on with their lives and that itself is enough to make a film meaningful...in fact films like 'Atonement' (where the girl is also in) deserves this statement better where everything is just so FAKE. Third, i haven't watch the illusionist but i have to say this is richer in detail, and thus better than the Prestige--a film which displays too much magic 'action' but no depth to the characters or the plot at all, like an eggshell without the yoke inside...Lastly, this is a decent film where everything is well-made, well presented, well acting performances (exception of Catherine's dramatically 'fake' acting at times), and a good score

Gillian Armstrong's 'Death Defying Acts' is somewhat of a letdown. It tells the fictional story of a poor but beautiful psychic-wannabe and Houdini through her daughter's point of view. One must be warned that this film is fictional and thus, Pearce's Houdini does not bear much resemblance to the real one. This one lacks the enigma that made the real Houdini so fascinating. Nor does 'Death Defying Acts' stay true to the historical facts. The focus is much more on the psychic aspects (which wasn't that well explored either). The romance between Houdini and Mary is a little repetitive as it moves back and forth between trust and mistrust and then it becomes confusing. There was something lacking. On the plus side, Timothy Spall, Saoirse Ronan and Catherine Zeta-Jones perform well. The sensual Zeta-Jones does part of a scintillating dance as well. Guy Pearce performs good sometimes but he looks confused in many other scenes. The visuals and cinematography are stunning. The background score is whimsical and pleasing. Overall, it is an average movie that could have been better. One ought not to watch 'Death Defying Acts' as a true account but rather try to enjoy it as a work of fiction.