Der Krieg des Charlie Wilson

Told in flashback, the film opens in 1989 with Charlie being given award for his role in the defeat of Communism. I must admit my heart sank as at the thought of have to endure yet another earnest, somewhat boring and overlong life story. How wrong was I, because that short scene is as close as the film ever gets to boring.

The film is full of entertaining & amusing set ups and cracking dialogue in some of the most unexpected places. The next scene after the Awards ceremony is Charlie in a Hot-Tub with some naked women and a guy trying to get him to invest in a TV programme. Another rather amusing scene is about 3 quarters into the film comprises Charlie, a group of his rather sexy Secretaries, Phillip Seymour Hoffmans CIA Man and a bottle of Whisky. As to dialogue what about this for a line, "The Senator says, He can teach us to type but can't teach us to grow Tits.". OK, School-boyish I know but the film is laced with great lines.

As to performances well Phillip Seymour Hoffman as usual steals every scene he's in. Hanks is OK but surprisingly to me anyway was Julia Roberts who is very good in the role of a rather eccentric Texas Oil Millionairess.

Charlie Wilson's War is one of the best non Musician Bio-pics in a long while as well as being that rare thing a film that entertains, amuses as well as informs all in equal measure.

Mike Nichols in finest form. I was not a fan of "Closer", so it's refreshing to see him again right back on top with this comedy set in the darkest of circumstances. Just one slip in tone could have wrecked this compelling picture but Nichols and his very strong A-list cast never put a foot wrong in this biopic of a deeply flawed but utterly compelling Congressman.

Philip Seymour Hoffman as usual is scintillating and brilliant - here playing a damaged but ultra-smart CIA manipulator, and it is in the exchanges between Hanks and Hoffman's characters where the comedy soars. Rarely is movie humour laugh-out loud and also smart... This hits the spot time after time with a biting satirical edge that makes you both laugh and weep at the state of the world (often simultaneously).

One other major plus is the length of the picture. The film is based on George Crile's fat book of the same title. The temptation for screenwriter Aaron Sorkin (his claim to fame is "The West Wing") must have been to make a fat movie, but what we get is a breath-taking 90 odd minutes of great story with sweeping implications.

This film deserves to be seen and to be recognized for finding an extraordinary balance between the darkest of dark subject matter and the lightness of touch of it's sparkling witty script - even if it does flunk the obvious link between the help that Herring and Wilson provide and the ultimate consequences (9/11).

An enjoyable film with Tom Hanks giving his usual polished performance as well as a very good contribution from the late Seymour Hoffman. It tells the story of a larger than life US Congressman who after a visit to Afghanistan decides to use all he's political skills and contacts to raise money in Washington to covertly support the Mujahideen against the Russians. There is more than a hint of poetic licence used in the film, which I felt at times was more of a black comedy than a serious drama.

Aaron Sorking raises the same questions as Shakespeare did or does. How could they possibly know so much about the inner workings of palace life. Here like in The West Wing, Sorkin opens surprising doors that are hardly a shock but seem ton confirm our worst fears. Everything is so casual and at the same time so directly responsible for so many people's lives. A puffy Tom Hanks tells us one way or another that things can be manipulated with semi pure intentions but without weighing the consequences and Julia Roberts in a blond southern hairdo reminds us of the powers harbored in the sidelines. The subject is serious but the treatment is light, intelligent but light. Philip Seymour Hoffman, as the invisible middle man, steals every scene he is in, just like Charles Laughton did in every movie he was in.The dialogue is fast but not fast enough for us not to catch up and discover that this is not an ordinary comedy. The seemingly casual pace filled with strokes of wit and provocation grants another badge of honor in the Mike Nichol's collection.

Nice to see a comedy for grown ups. Masterfully structured by Aaron Sorkin via Mike Nichols's own mastery. Mr Nichol's mastery is to present characters in all their shocking truth, from the sad and riveting Richard Burton and Elizabeth Taylor in "Who's Afraid Of Virginia Woolf" to the sad and riveting Julia Roberts, Clive Owen, Jude Law and Natalie Portman in "Closer". In "Charlie Wilson's War" the shocking truth is outside the characters and the sad and riveting Tom Hanks, Julia Roberts, Philip Seymour Hoffman and Amy Adams are at the service of something else, it's personal only to a point. Hanks has to bury his brilliance in single malts and Julia Roberts throws parties and introduces characters with blatant straightforwardness. Amy Adams witnesses and exist as a character, witnessing. An insurmountable task that Miss Adams manages to surmount, beautifully. It is Philip Seymour Hoffman's Gus with a t, however, that monopolized my attention. His character may not be a first but it is a first the way that Hoffman presented him to us. Someone who survives the disregard with which he's treated by the absolute conviction that he's smarter than all of them put together. Hoffman is superb. The pacing of the tale helps enormously not to fall in a myriad of useless questions. A sharp, short, smart, sad comedy and when was the last time I was able to say that?