Kautokeino-opprøret

I don't want to be reductive, but let's face it, you're reading this review to decide if this movie is one you want to watch. I don't want to tell you what happens, because I wouldn't want to deprive you of seeing the story unfold for yourself. So no spoilers. I will say that the themes in this movie are universal, particularly the individual's struggle against injustice from those in power.

I suspect every culture has a noted hero who struggled against oppressive authority (e.g., William Wallace, Rob Roy, Pan Singh Tomar, Tadas Blinda, and Ned Kelly). Here, the hero and victim is humble Elen Skum, a simple rural woman who wished to worship in her own way and to protect her family from the scourge of alcohol. While not as exciting a tale as many of her fellow rebels', it is all the more poignant for its simplicity. Elen, a simple, rural mother and wife, stakes it all to save her family. She, and her family and friends, are too innocent to understand the forces arrayed against them, but they are a hard people tempered by an unforgiving climate. Each sides' refusal to give ground ultimately lead to tragic consequences.

Story aside, the acting is amazing. While there were a couple of editing hiccups early in the film, the sparse beauty of the country and the surprisingly good performances(particularly from Ms. Jusso) more than make up for any such quibbles. I really enjoyed the insight into this Nordic culture, and would encourage anyone looking for a thoughtful movie dealing with the theme of oppression to give it a shot.

"Kautokeino Rebellion" is a film that attempts to dramatize the historical events of the 1852 uprising in Norway. While the movie is visually stunning and features strong performances, it falls short in its portrayal of the actual events and characters involved.

The film presents a simplified and romanticized version of the rebellion, which can be misleading for viewers unfamiliar with the true history. The characters depicted as heroes in the movie were, in reality, deeply religious individuals whose actions were driven by their fanatic beliefs. This aspect is glossed over in the film, which instead focuses on a more palatable narrative of oppressed people rising against their oppressors.

The historical inaccuracies in "Kautokeino Rebellion" are significant. The film fails to capture the complexity of the socio-political and religious dynamics of the time. The rebellion was not a straightforward fight for justice but was influenced by intense religious fervor and conflicts within the community. By omitting these details, the film does a disservice to the true story and the people involved.

I am a relative to one of the main characters, Aslak Hætta, and it is interesting to see how he and the rest of the rebellions are depicted. The true story is far from the movie and I am a bit ashamed how positive the rebellions are described in the movie. The truth is that the rebellions belonged to a religious movement and were more or less crazy. Ruth, Bucht and Stockfleth was in real life decent people. Hæetta (my relative), Somby and the rest of the rebellions was in real life religious fanatics. I'm not very proud of being a relative to a religious fanatic who eventually became a murderer, but I still think that the story should somehow be a tad more truthful. The story is a complete falsification of a true event. It could have been a good movie showing how religious fanatics clashed with the society, but became a historical falsification instead.

In conclusion, while "Kautokeino Rebellion" is an engaging film with high production values, it should not be taken as a factual account of the events it portrays. Viewers interested in the true history of the Kautokeino uprising would do well to seek out more accurate sources to understand the full context and the real motivations behind the rebellion.

Why 9? Well it takes a lot to watch a film spoken in Sammi with Norwegian subtitles - when you don't speak either language - and come out of the cinema saying "Now that was a good film".

It's based on a true story set in the North of Norway 143 years ago of a Swedish store owner and his desire to supply alcohol to a growing number of Sammi men versus a Sammi wife and her desire to keep the men off the liquor.

It is a great tale and the acting is top drawer. The final scenes are especially poignant.

The irony of a Govt, Church and Business community intent on ensuring the supply of alcohol to a Sammi tribe struggling to cope with the concept of capitalism in a country that today preaches the exact opposite will not be lost on you.

Watch it. You will not regret it.

In 1852, Sami reindeer herders in the Arctic region of Norway were fed up with the Norwegian liquor industry exploiting their tendency to alcoholism, local government officials seizing parts of their herds, and a corrupt state church ignoring it all. They rioted, beating the local priest and killing a merchant and government official. The two men considered ringleaders, Aslak Haetta and Mons Somby, were tried and executed. This incidence is little-known in most of Europe, but in the history of the Sami people it is one of the few tales of resistance to pressure from their southern neighbors and has gained a sort of epic status. Nils Gaups' 2008 film KAUTOKEINO-OPPRORET (The Kautokeino Uprising) depicts this event. The main character of the film is Ellen Aslaksdatter Skum, who with her husband Mathis Haetta, was sentenced to long imprisonment. Ellen is played by Anni-Kristiina Juuso, a Sami actress best known for her role in Aleksandr Rogozhkin's 2001 film KUKUSHKA. The film is multilingual, with the Sami speaking their own language, Swedish used as a lingua franca, and Norwegian heard from a few outsiders. Mid-19th century Norway is depicted in absorbing detail, and watching the film I felt to some degree that I was sharing the challenges of the characters in the frozen north.

The film takes a few liberties with history (the whipping of the priest isn't portrayed, and the rioters are stopped by what seem to be Norwegians instead of their own other Sami neighbors. Still, it's generally factual and really inspires the viewer to go out and learn more about the event. What I really admire about the film is that it doesn't try to portray the murderers as bold defenders of national consciousness: their uprising was something of an act of blind rage and they were betraying their own Christian ideals. Other depictions of the riots, such as Launis' godawful opera "Aslak Hetta", give in to hyperbolic National Romantic feelings, but Gaups' film keeps it on the level.

I'm not a critic and I do not write reviews to be 'helpful' for others. "It's important that I'm sayin' the right sayin'. It's less important that you hear." Words taken from the character "Nell" in "Idioglossia", a stage play that later was adapted by Alicia Christian "Jodie" Foster, as producer and as actress.

So here are some glimpses, I hope they will be not very 'off topic' Addiction, social rules, the Word of the Lord and the ones who have to decide either to deliver it as a gift or to promulgate it as a verdict, the different quadrants of law and emotions - this film deals with a lot of things that often seem to be mostly clarified in our world. I think they aren't. So this movie is not only a view to history.

I was very surprised by the bishop. A tall, beautiful, young man, Nikolaj Coaster-Waldau. I would give an extra star for casting him.

When there is a border in a nation, when two or more ethnicities live there then life seems to become more demure, rough, brittle. Anni-Kristiina Juuso (Elen Skum) had played Anni in "Kukushka" some years ago, a movie that shows how difference makes us rich and gives power and health. But for this we need to have individual contact. We're simply lost without this.

I'm an European, I've been to Sápmi and to Kosovo. I can feel how fragile we are. I'm happy that there is peace in the north, and share this world with the Sami people who live in four countries.

At the end you can hear Mari Boine: "And so the spring river opened up again / And so we let ourselves drift with the flood..." Have I went too far away from the movie?