IMDb-BEWERTUNG
7,6/10
23.101
IHRE BEWERTUNG
Ein Software-Ingenieur kommt nach Indien, um der Nation zu dienen.Ein Software-Ingenieur kommt nach Indien, um der Nation zu dienen.Ein Software-Ingenieur kommt nach Indien, um der Nation zu dienen.
- Auszeichnungen
- 13 Gewinne & 5 Nominierungen insgesamt
Rajinikanth
- Sivaji Arumugam
- (as Rajnikanth)
Cochin Hanifa
- Minister A.Kulandaivelu
- (as V.M.C. Hanifa)
- …
Shanmugarajan
- Police Inspector
- (as Shanmugha Rajan)
Empfohlene Bewertungen
Those who think that the movie is not that good, should watch it again because many like me have enjoyed the movie very much the second time!! rajini's acting,style and his sheer presence are the highlights of the movie....shankar has given his best too....shreya looks sexy all the way....vivek's role as a sidekick goes well as well....all the people behind the camera deserve a standing applause as well....lot of money has gone into this movie-nearly 80 crores INR - solely dependent on Superstar's fame...and the way people have received this movie,it might bring in lot of profit to the producers/distributors and whomever concerned with the movie....a must watch for every rajini fan and for others,watch it sans expectations....100% enjoyment ride
The most hyped movie in Tamil Film Industry for the past two years. It was hyped because it was to be hyped as such. Forget about the logic, forget about to story telling and creative thinking. Just sit back and relax for three hours and enjoy the movie. Since you will not watch this movie if any other actors have done the lead part.
The movie has to be watched one and only for Rajni Kanth's performance and style. Initially it was extremely doubted how Shreya could be a joint for Rajni Kanth. But Shankar's idea was not wrong, they had a very good Chemistry if you do not think Rajni Kanth is in his 60,s and Shreya's in 24 or something in their age.
Coming to direction and the story part. Shankar seems to be totally confused about the story plot, the way he crafted it. A confused climax. In the previous movies of Shankar the message is the one drives the whole movie, where as in Sivaji. The message comes in the climax that Rajni did all this to remove the black money in the country and yet to see that poorer are still poor. You need to watch closely at the end of the climax you still see people selling cows in village tradition using a money card. The message comes at last so that you wont find a clue about the complete mis direction of the story that they were not able to find a way how to end the movie.
Music - Yet another A.R. Rahman's midas touch.
Special Effects - Well done K.V. Anand who has worked for one year to complete the STYLE song. Heard it is a DV Technology and nothing to do with the Graphics.
Stunt Choreography - In the climax fight,it was showed Rajni's going to fly like as in Matrix but its just nothing. Too many longer fight scenes without any good cause could have made them shorter.
A lot of hard work has been done. Could have come better if Rajni Kanth's talent have been employed properly.
Overall a must watch Rajni Kanth;s movie I give a 8/10 because of Rajni Kanth.
The movie has to be watched one and only for Rajni Kanth's performance and style. Initially it was extremely doubted how Shreya could be a joint for Rajni Kanth. But Shankar's idea was not wrong, they had a very good Chemistry if you do not think Rajni Kanth is in his 60,s and Shreya's in 24 or something in their age.
Coming to direction and the story part. Shankar seems to be totally confused about the story plot, the way he crafted it. A confused climax. In the previous movies of Shankar the message is the one drives the whole movie, where as in Sivaji. The message comes in the climax that Rajni did all this to remove the black money in the country and yet to see that poorer are still poor. You need to watch closely at the end of the climax you still see people selling cows in village tradition using a money card. The message comes at last so that you wont find a clue about the complete mis direction of the story that they were not able to find a way how to end the movie.
Music - Yet another A.R. Rahman's midas touch.
Special Effects - Well done K.V. Anand who has worked for one year to complete the STYLE song. Heard it is a DV Technology and nothing to do with the Graphics.
Stunt Choreography - In the climax fight,it was showed Rajni's going to fly like as in Matrix but its just nothing. Too many longer fight scenes without any good cause could have made them shorter.
A lot of hard work has been done. Could have come better if Rajni Kanth's talent have been employed properly.
Overall a must watch Rajni Kanth;s movie I give a 8/10 because of Rajni Kanth.
How many stars or superstars in India have the status of being treated like a God, being cheered at every punch-line or cool gesture, being in a position where a mere nod has the potential to change political fortunes? From his humble beginnings as a bus conductor in Bangalore, Shivaji Rao Gaekwad, aka Superstar Rajnikanth is simply larger than life and this time it has just gone bigger with Sivaji, his one hundredth Tamil flick. With more than 700 shows on a single day running now, it just can’t get any bigger.
With an enormous budget, which according to varied reports ranges between INR60Cr to INR80Cr, Sivaji is the most expensive Indian film to date; with nearly INR35Cr and overseas rights going to the highest paid lead star Rajnikanth. The dizzy numbers easily outweigh any of the stars of Bollywood and compares with Jackie Chan, the highest paid actor in Asia who is an exponent in the genre of stunt based action and style.
In his latest flick Rajnikanth plays the title role Sivaji, a US returned wealthy software engineer turned social reformer. Incidentally, his name in the movie is same as his original Maharashtran name and also the name of the legendary king. In his path, the reformist finds many obstacles which, needless to say are handled with unprecedented ease and in a populist approach with lots of cool and crazy style thrown in.
For worshipper fans, Rajnikanth gives them an overdose of style. The opulent sets, especially for the song vaaji vaaji are beyond proportion. With numerous costumes and hairdo changed nearly for every couple of lines. The outdoor shots are equally creative with a colorful group song, El Mariachi style sets for one and European locales for another. Shriya has done a fabulous job of looking great as both, an item girl in the songs and as a homely girl in the story. Nayantara too did a great jig in the first song. Although AR Rahman was not up to his usual mark, the sets compensated for it.
Coming to the substantive part of the movie, the story, script and dialogues, my review may not be on the dot since I didn’t really get all of the Tamil dialogues. I should have ideally seen a Telugu version. But, really, how does language matter when most of the movie can be understood by situation. Style and opulence are there for all to see. In what is a departure from full Tamil dialogues, Rajnikanth is a suave and cool computer wizard with some English dialogues. May be, this was designed to appeal to Gen-next Southerners, many of whom are well placed software engineers in India and abroad.
Although some may argue that Rajnikanth movies are all about unrealistic style, it is important to consider that this in itself is a different genre. Similar unreal & stylish movies include Quentin Tarantino flicks like Desperado, its sequel, Chinese flicks where people fly, Bond flicks and of course and the Recent Dhoom 2. The last Rajnikanth movie I saw was Padaiyappa which I felt was a tad more realistic. But, who cares about realism when you know fully well that stylish movies are usually no-brainers and especially when you see a whole multi-ethnic multiplex audience going into frenzy at every other scene!
With an enormous budget, which according to varied reports ranges between INR60Cr to INR80Cr, Sivaji is the most expensive Indian film to date; with nearly INR35Cr and overseas rights going to the highest paid lead star Rajnikanth. The dizzy numbers easily outweigh any of the stars of Bollywood and compares with Jackie Chan, the highest paid actor in Asia who is an exponent in the genre of stunt based action and style.
In his latest flick Rajnikanth plays the title role Sivaji, a US returned wealthy software engineer turned social reformer. Incidentally, his name in the movie is same as his original Maharashtran name and also the name of the legendary king. In his path, the reformist finds many obstacles which, needless to say are handled with unprecedented ease and in a populist approach with lots of cool and crazy style thrown in.
For worshipper fans, Rajnikanth gives them an overdose of style. The opulent sets, especially for the song vaaji vaaji are beyond proportion. With numerous costumes and hairdo changed nearly for every couple of lines. The outdoor shots are equally creative with a colorful group song, El Mariachi style sets for one and European locales for another. Shriya has done a fabulous job of looking great as both, an item girl in the songs and as a homely girl in the story. Nayantara too did a great jig in the first song. Although AR Rahman was not up to his usual mark, the sets compensated for it.
Coming to the substantive part of the movie, the story, script and dialogues, my review may not be on the dot since I didn’t really get all of the Tamil dialogues. I should have ideally seen a Telugu version. But, really, how does language matter when most of the movie can be understood by situation. Style and opulence are there for all to see. In what is a departure from full Tamil dialogues, Rajnikanth is a suave and cool computer wizard with some English dialogues. May be, this was designed to appeal to Gen-next Southerners, many of whom are well placed software engineers in India and abroad.
Although some may argue that Rajnikanth movies are all about unrealistic style, it is important to consider that this in itself is a different genre. Similar unreal & stylish movies include Quentin Tarantino flicks like Desperado, its sequel, Chinese flicks where people fly, Bond flicks and of course and the Recent Dhoom 2. The last Rajnikanth movie I saw was Padaiyappa which I felt was a tad more realistic. But, who cares about realism when you know fully well that stylish movies are usually no-brainers and especially when you see a whole multi-ethnic multiplex audience going into frenzy at every other scene!
10vimaln
This is a 100% Rajni movie.
One has to see the movie and experience it. No words to describe the sensation.
Shankar has used Rajni's talents 100%.
The movie has everything. #Style #Grand and Rich #Action #Comedy #Message #Romance
and above all #Rajni
I watched the movie in USA. The fans were crazy. We whistled and clapped and it was a fun to watch the movie. The movie was full house on both the shows we had.
One has to see the movie and experience it. No words to describe the sensation.
Shankar has used Rajni's talents 100%.
The movie has everything. #Style #Grand and Rich #Action #Comedy #Message #Romance
and above all #Rajni
I watched the movie in USA. The fans were crazy. We whistled and clapped and it was a fun to watch the movie. The movie was full house on both the shows we had.
When the best people in the south Indian cinema meet (Shankar, Rajini, A.R.Rehman, AVM), the expected hype will be too much. There was a lot of pressure on both the fan's part and the movie makers' part to make Sivaji a huge hit by all means. It was a long time since padayappa, they've seen Rajini in full action. Baba was a clear let down. Chandramukhi was not a Super star centered movie. And for his reputation and style, the fans were very thirsty and were ready to see movie of any kind with their super star in form. In fact, i am a hardcore superstar fan. And i was one of the thirsty fans waiting to see my hero in action. For a guy like me, this movie has everything in it. A nice blend of action, comedy, stunts and THE STYLE of Super star. You cannot expect too much logic. Not for the super star. The director has to satisfy both his fans and Rajini's fans. I felt totally satisfied after coming out of the theater. Well, the movie did have pitfalls but the star's style easily dominated them. Overall rating : 8 out of 10.
Wusstest du schon
- WissenswertesAs of July 2007, "Shivaji" is highest grossing Tamil movie ever. It grossed 100 crores (1 billion) Indian rupees in it's third weekend. First Tamil film and non-Hindi Indian movie to gross 100 crores and also the fastest Indian movie to gross that much.
- PatzerIn the scene at the open air movie theatre, Sivaji is seen in a Toyota Land Cruiser with his wife. When he has a "car fight" with the goons, the car changes to a Mahindra Scorpio towards the end.
- Alternative VersionenThe UK release was cut, the distributor chose to remove a scene showing the hero of the film throwing a firework into his mouth, lighting it and then spitting it out at somebody else. Cut was made in order to obtain a 12A classification. An uncut 18 classification was available.
- VerbindungenFeatured in Bindass (2008)
- SoundtracksBalleilakka (Tamil)
Music by A.R. Rahman
Lyrics by Na. Muthukumar
Performed by S.P. Balasubrahmanyam, A.R. Reihana, Benny Dayal
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Details
Box Office
- Budget
- 600.000.000 ₹ (geschätzt)
- Weltweiter Bruttoertrag
- 5.871.620 $
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