Rogue - Im falschen Revier

This movie was very good. The pacing is fantastic and all the characters are likable. The death scenes are very graphic and gory! For those who just love to see Horror movies for just the gore, there's more to it than that. You don't know what will happen next. It's like a thriller mixed with Horror. It's a lot like Jaws and Lake Placid. The effects done on the crocodile are brilliant. It was absolutely fake, but it looked very real. Effects aren't usually that good in Australian movies, but the effects in this one are brilliant! I just wish the Crocodile killed more people, but apart from that, it's great! If you loved Wolf Creek or Jaws you'll love this! I give this movie an 8/10!

Rogue is co-produced, written and directed by Greg Mclean (Wolf Creek). It stars Michael Vartan, Radha Mitchell, Sam Worthington & John Jarratt. The film is inspired by the true story of "Sweetheart", a giant Australian crocodile that terrorised boats in a 5 year period between 1974 & 1979. Plot sees travel journalist Pete McKell (Vartan) in the Northern Territory of Australia finishing off his latest feature. With time to kill he joins a river boat cruise led by spunky local lass Kate Ryan (Mitchell). So along with assorted other tourists, they set off up river. Where after a tricky encounter with a couple of local nuisances, one of the tourists spies a distress flare further up stream, then another, and another. As captain of the boat, Kate is duty bound to respond to aid anyone who may be in distress on the waters. However, this means straying into "sacred waters" and before they know it, they are in the middle of the hunting ground of a gigantic crocodile. Who promptly attacks the boat and forces the group onto the nearest mini island, an island that is in tidal waters….and the tide is coming in………

Upon viewing Rouge it would seem that it may be one of the most unfortunate horror releases of the last ten years. It barely got a theatrical release outside of its own country (practically one week in selected cinemas in America & Europe), and it came out at a time when killer–croc movies were appearing almost every other month; Primeval, Black Water and Lake Placid 2 (good grief) all "surfaced" (hrr hrr hrr) during 2007 to take a "chomp" (ok I'll stop now) at the movie watching public. This following on from the sub-genre of aquatic reptile horror movies already being well served by Steve Miner's Lake Placid (1999) & Lewis Teague's Alligator (1980), both of which have huge fan bases. It's all relevant because Rogue happens to be the best of the bunch, a snappy (sorry, couldn't resist), scary, fun and slickly-produced Aussie movie. It's sickening that reams of sub-standard horror remakes get wide distribution whilst something like this, that deserves the chance at least, can't. The Weinstein Bothers should be ashamed of themselves for the treatment of Mclean's film.

Straight away we should make clear that, as its certification suggests, Rouge is not particularly bloody. Those in need of sequence after sequence of a crocodile tearing humans limb from limb need not seek this film out. While it is in no way able to live with Lake Placid in terms of being "intentionally" humorous, thus comedy seekers should approach with caution. What Rogue offers is a movie that's tightly structured and paced to precision, packed with suspense and affording its characters some time to actually impact on the story. The first half hour is technically sublime, as we get to know the various folk on board the boat, we are treated to gorgeous cinematography from Will Gibson (location the estuaries of the Northern Territory), accompanied by one of the most pleasingly orchestral scores ever laid down for a creature feature, courtesy of François Tetaz (the nods to Jaws are just fine). All of this of course serves to offer up the calm before the inevitable storm; from where Mclean then follows the marker set by Jaws by not giving us sight of the croc. It's the ultimate tease until the attacks start, but even then its mostly suggestion, the tension mounts as we couple it with our own imagination.

What unfolds from here is a series of set pieces as our stranded group try to avoid becoming crocodile lunch. Here normally a film of this ilk shows dumb people doing dumb things, but Mclean shows respect to the genre and its fans by having some of these folk do silly, yet understandable, things, thus the scares are elicited by way of believable reactions. And of course the situation brings out the best and worst from most of them; peril has a funny way of doing that to a human being. Also of note here is that Mclean doesn't make the croc a monster, this is merely a hungry animal protecting its territory. A quick piece of dialogue earlier in the story had pointed to hunters possibly being the ones who fired the distress flares, as croc goes about his snarly way, it doesn't hurt to remember this moment. The cast all give credible performances, notably the handsome hero in waiting Vartan, Mitchell (whose becoming the screen queen darling these days) & Jarratt, who shows us a different string to his acting bow than the one he played as loony Mick Taylor in Wolf Creek.

The movie has its flaws, but they are few. The croc on appearance will irk some people, tis true that Mclean could have done better there. While one WTF turn of events loses its impact as the director isn't as bold to follow thru like he did in Wolf Creek. But they are forgivable. For as we find ourselves holding our breaths during the creepy and practically silent finale, that culminates in a fine B movie bit of outrageousness, we realise that above all else it's been the suspense and ominous foreboding that made this one damn effective thriller. Mclean appears to be holding a grudge against his native country, his two films thus far hardly enticing the tourists to explore the gorgeous lands of Australia. What ever his means or motivation, long may it continue if he keeps producing films like this. Lets hope that his next project is not as ignored as this one was. Because for sure there is a very good director here and it would be tragic should a talent be burned by how his movie was handled and decided to take a step back from directing.

Evocative beauty blends with B movie thrills for a devilishly great time. 8/10

I thought this would be a real cheesy B movie but was in for a great surprise.

Starting with the cinematography and the initial town scenes I figured this may be half decent. Things picked up even more with the scenes on the boat introducing the characters. Small touches like the guy letting his loved ones ashes into the water and the photographer having a sly chow down on a hidden sandwich were really cool touches. Bigger budget films should take note! It got better from there, not showing too much of the croc and building suspense with good pacing and realistic reactions from the cast. The cinematography and editing on the river journey were great. After seeing this I almost want to go to the Northern Territories. Almost, but not after the Croc finally shows its face.

This is one primal beast. The film does a good job of keeping it under wraps for the early portion of the film but when it finally shows its face its a great moment. The visual fx are faultless and the croc acts in a very realistic manner.

In the second act the filmmakers do a great job at ratcheting up suspense, using a great set up involving the river. I wont spoil it here but its so simple but very effective.

I am a jaded monster film fan and this one had me wanting to see it for a second time straight away.

Crocs and Alligators seem to be the whipping boys of the film industry with so many comedy or low budget appearances. To finally to see one with real teeth and to give it a go with a good story and great fx is fantastic. I would recommend this to anyone after a monster night out.

Granted, it's not perfect, and the idea is not 100% original (from a cinematic point of view) but one thing I love about Greg McLean's films is that he takes what are essentially Australian icons and flips them totally askew. For instance in Wolf Creek the films brutal killer - Mick Taylor is basically Mick Dundee turned psycho. And in Rogue, he yet again takes a well known Australian reptile and sets it loose on some unsuspecting tourists.

There's no denying McLean can shoot a beautiful movie, and some of the wonderful scenes of the Australian top-end are simply stunning. The characters all portray strong performances, especially when the pressure sets in and they begin to crack. McLean also does a good job at drip feeding the dread and teasing the audience with nothing but growls, grunts and slippery tails. It's an age old formula where directors don't show the full extent of the threat till the end - well, thankfully we don't have to wait that long, as when the croc does reveal itself - we see that it is frickin'MASSIVE! And what's even more scary is that these thing's actually exist up there.

The croc itself is naturally CGI with some animatronics, and it's a relief to see that it looks "real". The movement and animation is authentic and the sound design is also effective in giving the audience that jolted feeling a 3 tonne croc would give.

It's a tense, taught and well directed film, and the only gripe I have about it is that it seems a little short - maybe that was put down the fact that I was so immersed into the film? But it did feel a little short. It also lacked the brutal punch Wolf Creek gave us back in 2005, but never the less, it's a cute little Aussie horror thriller where McLean pays sound homage to classics like Jaws and Aliens. And it's also good to see more "genre" films like this coming out of Australia, and it's also good to know people like the Weinsteins and Warner Brothers are backing horror films from Australia for international releases and distribution.

For anyone into their Reptillian chills and thrills - I highly recommend ROGUE.

I saw Rogue this morning at a preview screening in Melbourne, I've been looking forward to this film for some time. I don't want to say that it was a disappointment as it is a solid effort. There is nothing that stands out as something I think should have been done differently.

Some wandering British and American accents from the mostly Australian cast can be forgiven.

The obvious difference between the locations in the Northern Territory and those in Victoria caused a brief chuckle (mainly because director Greg McLean introduced the film and commented that he hoped the transition would be seamless), though this may go unnoticed by foreign (non-Australian) audiences.

Visual effects were highly competent, I doubt that the average cinema-goer will pick the matte paintings or have an issues with the CG croc.

The main issue I have is that the film lacks the suspense and excitement of a truly great monster/horror film. Due to the nature of the material this will have to be compared to Jaws and Rogue will inevitably suffer. A fairer comparison has to be Lake Placid, and in that scenario Rogue also comes off second best. Rogue lacks the suspense and the humour of the American monster Croc effort.

This follow up to Wolf Creek was written long before the surprise Aussie hit, Rogue has the hallmarks of a first feature script, hitting all of the genre conventions without ever attaining any moments of originality.

If you enjoy this kind of monster movie (and I do) you'll find it a decent way to spend a couple of hours, you won't be missing much if you see it on DVD. Apart from Radha Mitchell looking great in khaki shorts, and believably playing a 28 yr old, though she has to be at least 35.

Nice job over all, good job, not great but good.