Während er die Angelegenheiten seines verstorbenen Onkels ordnet, stolpert ein Mann zufällig über eine Reihe dunkler Geheimnisse, die mit einem uralten Schrecken verbunden sind, der darauf w... Alles lesenWährend er die Angelegenheiten seines verstorbenen Onkels ordnet, stolpert ein Mann zufällig über eine Reihe dunkler Geheimnisse, die mit einem uralten Schrecken verbunden sind, der darauf wartet, befreit zu werden.Während er die Angelegenheiten seines verstorbenen Onkels ordnet, stolpert ein Mann zufällig über eine Reihe dunkler Geheimnisse, die mit einem uralten Schrecken verbunden sind, der darauf wartet, befreit zu werden.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
- Officer Cassidy
- (as Daryl A. Ball)
- Swamp Papa
- (as Ed Ruffin)
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Shot now (2005) but in the style of a 1926 silent film this movie manages to make what could be very silly seem very real and menacing. There is something about the black and white imagery that makes it all seem very possible. Many people have said the story was un-filmable because of its structure of multiple tales and because if not handled correctly the hysteria felt by some characters would just be silly, this film however has proved it can be done and in a very satisfying manner.
The film's flaws are mostly technical and except in one case minor. The film, which appears to have been shot on digital video for the most part looks good, though in sequence where fire is seen the film takes on an odd appearance. The films budget also has a some stark sets that seem more like a set than place. Still they are minor complaints. The one major complaint is Cthulhu himself, which is clearly a stop motion model. While its understandable that because of the nature of the beast this was probably the way to go (and probably close to how he might have looked in 1926 had he been put on screen back then), it still removes some degree of the horror that had been created prior to this point. Ultimately its a minor quibble because whats goes before and after makes up for it.
If you like classic horror and the writing of HP Lovecraft see this movie.(just remember its suppose to have been made in 1926, not now). 8 out of 10, one of the best Lovecraft films to get Lovecraft right.
I've always loved H. P. Lovecraft's stories and have read pretty much everything he produced. Unfortunately, his work must not translate well to film because most movies based on his stories are pretty regrettable. Many excellent and unique movies have incorporated elements and themes from his stories (The Ninth Gate, Cast a Deadly Spell, The Evil Dead movies, In The Mouth of Madness etc.), but many of those taken literally from his writings (The Dunwich Horror, Beyond The Wall of Sleep, The Curse, etc.) just don't work.
This film contains many elements that also generally don't work, at least for modern audiences. It's a silent movie filmed in black and white. The acting is consistent with old silent films or stage, with exaggerated expressions and movements and is even comical at times. It is clearly a very low budget affair with outmoded special effects. The strange thing is that all of this works very well with the story, making it perhaps the best screen adaptation of a Lovecraft story that I've seen to date.
Because of its format, TCOC takes a little patience but overall it's a lot of fun to watch and manages to build a fair amount of suspense and tension even as it amuses.
When I learned that a society dedicated to Lovecraft's work decided to take on a movie version of his most famous story, THE CALL OF CTHULHU, I cringed. How could a small group of people do justice to such a magnificent piece of horror fiction?
Well the cast and crew do it justice even if the script fails a bit. The black-and-white silent picture theme went exceptionally well with the telling of a tale so old (1920s). The sets were equally impressive, especially the pivotal dreamscapes and the retelling of the Pacific Island that belonged to Cthulhu, this terrible being from the beginning of time.
Since not many of the cast were actually established actors, it was an excellent idea to do a homage to the silent film era, too. Undoubtedly, if forced to do a modern-style film of Lovecraft's story, they would've failed miserably. But as it stands here, this film pays homage and respect to both old filming styles and a Lovecraftian feel.
It's also a blessing and a curse that the film is only 47 minutes long. The blessing is that most movie watchers of today couldn't handle a 90 - 120 minute silent film (or at least few could). The curse is that the script jumps around a lot. We move back three time-frames at one point, each time adding confusion f the viewer ("Where are we again?"). I realize that the crew wanted to remain true to Lovecraft's work, but cinema often takes liberties with the written word, and I feel this film could've benefited from a bit of that as well.
Even so, this is a fresh piece of cinematic work that entertains and surprises. The special features on the DVD are also worth watching (except when the director is talking while eating a bag of potato chips), including commentaries from the cast and crew about this monumental undertaking from such a small band of dedicated Lovecraft lovers.
This is a silent movie, with dialog cards rather than sound dialog. It has a quite good, atmospheric music soundtrack.
If you're a Lovecraft fan this film is a must see. It's not long, less than an hour, after all the original material is a short story, not a novel.
The film stays close to Lovecraft's material. Special effects are minimal, but workable. After all, we're talking H.P. Lovecraft Historic Society budget, not Hollywood.
All in all, this is a worthwhile little gem.
HPLHS is at www.cthulhulives.org.
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- WissenswertesThe book which the Man reads at the bedside of his dying uncle is an actual published work: "The Story of Atlantis & the Lost Lemuria" by W. Scott-Elliott (1894).
- PatzerDuring the escape from the island by 2nd Mate Johansen and the other sailor (the only two surviving crew), Johansen is seen piloting the vessel, using throttles such as are only used on boats with a bell system, with the vessel responding immediately to the changes he makes in the wheelhouse. However, a bell system necessitates that another person manually throttle the engines from below decks, responding to chimes triggered by the throttles in the wheelhouse. Despite this, both survivors are seen in the wheelhouse at the same time during these changes, and it is indicated that only Johansen and (the corpse of) the other crew member were recovered from the ship.
- Zitate
The Man: Before his death, my great-uncle asked me to be the executor of his estate... I went through his papers, intending to settle his affairs. My great-uncle had not been one to hold any interest in such non-scientific fancies as dreams. But I discovered his account of a phenomenon that began the First of March, 1925.
- Crazy CreditsViolators of HPLHS copyrights may have their eyes plucked out by byakhee as they sleep.
- VerbindungenFeatured in The Cine-Masochist: From Beyond (2012)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- La llamada de Cthulhu
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 50.000 $ (geschätzt)
- Laufzeit47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1