The Call of Cthulhu

It seems that too many people have little or no appreciation for the art of film making and its history. Being a huge Lovecraft fan and been very disappointed in just about every film adaptation of his works I skeptically found this gem a refreshing change. What could have been its down fall make sit work. Of course those jaded folks who need their horror served up with heaps of blood, guts and slick CGI effects are in for a disappointment. The effects are what they are but even a stop motion of Mighty Cthulhu and classic film tricks don't take away from the challenge, a film adaptation of Lovecraft that is true, this is it. It should appeal to those of high intellect who read the works of Lovecraft in spite of the many short comings in literary style ( I love the themes but how many times can a man us "cyclopean" or "unspeakable, unnamable" "eldritch" "ichor" laden horrors and in every tale?) Better writers then me have noted that his style is ponderous yet his influence and contributions to his genre cannot be missed. Mighty Cthulhu rises from his cold deathless sleep and moves to steal mankind's soul and sanity in a film adaptation that will give a fan of the master a true tale and a good initiation to the novice of the shapes horrors that creep in unnatural geometric chasms between the depths of distant stars gnawing away at the worlds end!! So a silent film made to seem as if it was made in the time of the tale, a vehicle to keep cost down and yet disguise what could be cheesy effects into a subtle nod to the greats such as mighty Kong in all his claymation glory and Harryhausen with all his twisted vision: Cthulhu Lives in this great little treat!!

The story is classic Lovecraft, a man recounts how his discovery of secret knowledge has driven him over the edge and brought him close to death. Its the framework that Lovecraft used again and again to tell his stories of horror. Here the story is that of the cult of Cthulhu which he discovers upon the death of his Great Uncle, a man who was himself driven to the edge of madness and to death by the secrets he uncovered. Essentially a series of flashbacks and narratives this film builds a great deal of unease as bits of story and coincidence create an a narrative that has unpleasant implications. Its not the kind of think that will make you jump out of your seat, but it will make you want to turn the light back on.

Shot now (2005) but in the style of a 1926 silent film this movie manages to make what could be very silly seem very real and menacing. There is something about the black and white imagery that makes it all seem very possible. Many people have said the story was un-filmable because of its structure of multiple tales and because if not handled correctly the hysteria felt by some characters would just be silly, this film however has proved it can be done and in a very satisfying manner.

The film's flaws are mostly technical and except in one case minor. The film, which appears to have been shot on digital video for the most part looks good, though in sequence where fire is seen the film takes on an odd appearance. The films budget also has a some stark sets that seem more like a set than place. Still they are minor complaints. The one major complaint is Cthulhu himself, which is clearly a stop motion model. While its understandable that because of the nature of the beast this was probably the way to go (and probably close to how he might have looked in 1926 had he been put on screen back then), it still removes some degree of the horror that had been created prior to this point. Ultimately its a minor quibble because whats goes before and after makes up for it.

If you like classic horror and the writing of HP Lovecraft see this movie.(just remember its suppose to have been made in 1926, not now). 8 out of 10, one of the best Lovecraft films to get Lovecraft right.

Making a story by H.P. Lovecraft into a silent film in 2005 may not have been the most obvious move, but it turned out to be a major artistic success. I was a little skeptic myself about this weird approach, but I have to say that Andrew Leman's "The Call Of Cthulhu" is the best Lovecraft adaptation I've seen so far.

The beautiful, dark pictures and the old-fashioned score along with the over the top acting and the make-up of clown-proportions - the whole ancient feel of a silent movie - create a haunting atmosphere. Not only does the viewer feel as if he himself was in the dark about the spooky ongoings, he seems to be taken back to an early age long before mankind could rely on science.

If you're familiar with Lovecraft's novella, you might think that it's impossible to make this rather complicated and possibly special effects demanding story into a silent movie with only 45 minutes running time. Leman somehow pulls it off, though, and proves that less is more. His characters only "say" the most important things we need to know to follow the storyline. A lot of it is explained by facial expressions, newspaper clippings or diary entries. Special effects wise, Leman stays true to the silent film genre without making Cthulhu look ridiculous. The monster is only hinted at in shadows and quick cuts. This may sound weird again, but you have to watch the movie to see how it works.

"The Call Of Cthulhu" remains faithful to both, the original Lovecraft story and the silent movie genre (one little complaint I have would be that the camera-work on the first boat scene looks a little too improved for a silent movie, but that's really being nitpicky). As old-fashioned and reduced as this movie might be, it's still spooky as hell and more effective than most modern popcorn horror flicks.

H.P. Lovecraft is often credited with launching the true horror genre we know today. Many claim him as an inspiration, including the current master of dark dreams Stephen King. Difficulties in bringing his cerebral literary content to the silver screen have been mentioned time and again, and with good reason. How can you explain a man's dream experiences that even he can't explain?

When I learned that a society dedicated to Lovecraft's work decided to take on a movie version of his most famous story, THE CALL OF CTHULHU, I cringed. How could a small group of people do justice to such a magnificent piece of horror fiction?

Well the cast and crew do it justice even if the script fails a bit. The black-and-white silent picture theme went exceptionally well with the telling of a tale so old (1920s). The sets were equally impressive, especially the pivotal dreamscapes and the retelling of the Pacific Island that belonged to Cthulhu, this terrible being from the beginning of time.

Since not many of the cast were actually established actors, it was an excellent idea to do a homage to the silent film era, too. Undoubtedly, if forced to do a modern-style film of Lovecraft's story, they would've failed miserably. But as it stands here, this film pays homage and respect to both old filming styles and a Lovecraftian feel.

It's also a blessing and a curse that the film is only 47 minutes long. The blessing is that most movie watchers of today couldn't handle a 90 - 120 minute silent film (or at least few could). The curse is that the script jumps around a lot. We move back three time-frames at one point, each time adding confusion f the viewer ("Where are we again?"). I realize that the crew wanted to remain true to Lovecraft's work, but cinema often takes liberties with the written word, and I feel this film could've benefited from a bit of that as well.

Even so, this is a fresh piece of cinematic work that entertains and surprises. The special features on the DVD are also worth watching (except when the director is talking while eating a bag of potato chips), including commentaries from the cast and crew about this monumental undertaking from such a small band of dedicated Lovecraft lovers.

This film was a great filler for the afternoon. It's the sort of thing that only fans of Lovecraft would actually enjoy. It's black and white and silent, the way a film actually would have been made at the time Lovecraft published his first work featuring Cthulu. The effects are done in a similar manner, looking old fashioned. They're not embarrassingly bad, though. You see no strings or unintentional shadows from off stage. It's not quite an hour long, so don't plan an evening around it. Also, there's no nudity, foul language or awful gore, so if you want, you can watch it with your kids and explain to them the mythology of Lovecraft's Old Ones.