Klopka - Die Falle

While on line for a film on the opening day (yesterday) of the 2008 Palm Springs International Film Festival, a woman (former film professor) I knew from the previous year's Festival, raved about seeing "The Trap."

This morning I saw "The Trap" and was overwhelmed by it. Without question the most riveting film I have EVER seen. The director has perfect pitch: the story, direction, acting, photography, music are truly perfect. It's a tense thriller which addresses many moral questions. In many ways it reminds me of last year's "The Lives of Others." If you liked that movie, this one should definitely be on your must-see list.

The audience was stunned at the end of the film and after a flurry of applause, sat silently throughout the end credits.

This is yet,another tale of parental love & what they will do for the lives of their children. A 30 something couple finds out that their young son is suffering from a heart condition, and the only place that they can bring him for the surgery that can save his life is in Germany. The hitch:the price tag (we're talking thousands & thousands of Euros). The Mother puts an advert in the local newspaper that they need money for the operation. The hope comes in the form of a stranger who will give them the thirty thousand Euros they need,but with a price. The father must assassinate somebody. What follows is a taut, intense morality play with a twist. This is European film making at it's best. No MPAA rating here, but serves up lots of foul language & some violence (although nothing too gory for those with weak stomachs)

You must see this film. Utterly and totally amazing. A perfect film, matched only by Body Heat and Fargo for its merciless exploration of the phenomena of criminality. The plot is so tight you can't put a razor blade between its uncemented blocks. The protagonist is trapped on the horns of terrible a dilemma, and does the only thing he can do in the situation. His choice is utterly believable and utterly horrifying. The consequences equally so. The ending is as inevitable as it is appropriate and yet I wish it weren't. But, like everything else in this film, it is as it must be. But the worst thing of all is that it could happen to any one of the tens of millions of equally vulnerable citizens of the great Uninsured States of America just as easily as in a Second World backwater like Serbia. Now that's really horrifying!

wow! just watched "the trap" or "klopka" which is the Serbian title for this film & i hope that it is eligible for next year's academy award for foreign language category. i was riveted from beginning to end by the story which really makes you think of the value of human life & what we are all worth in this world. at one point a character even mentions 911 & the way in which the u.s. government placed different monetary values on people depending on how much money the made when they were alive & working. the acting is superb throughout from the mother & father to the kid who is the main character of the story. this is definitely a movie for people who like to think & feel real human emotion; and not for anyone looking for car chases & mindless entertainment. please see this great film.

Every serious moviegoer enters each theater with the hope that this film will be that little gem that one can expect at most once a year (and some years it doesn't happen at all). This film is that little jewel; I was lucky enough to see it at its premier in the Berlinale. It asks the question, "what is a good man"? Can a man be good in some parts of his life and not at all good in others? In life, who becomes the ultimate arbiter of goodness? The film also introduces an interesting tension around traditional gender roles -- the husband/father expected to be the provider -- even while portraying seemingly modern women. This tension is an important driving force, in addition to the difficult challenge facing the main character. The resulting violence that occurs is at once completely believable and yet shocking; seemingly ancillary to the main plot is one scene of senseless violence against a street child that is quite breath-taking. There is a great symmetry to this movie, centering around a particular street corner on which that child hustles as a window-washer. We return to this place again and again, at different times and in different psychological states. Overall this film is masterfully crafted and acted with complex layers and much to reflect upon. I recommend it in the highest terms.