Füge eine Handlung in deiner Sprache hinzuAn examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Self
- (as Denis 'Piggy' D'Amour)
- Self
- (as Bob Ezrin)
- Self
- (as George 'Corpsegrinder' Fisher)
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The first few seconds into the film, when the all familiar intro of Number of the Beast began, with the clips of metal-heads on screen, I shivered, the hairs on the back of my neck standing up. I felt something very rare, I felt "I'm at home, baby!" \m/ I won't go ramble on about the things everyone knows. Yes, this film is awesome. It has that rare atmosphere, that only a true metal-head could create, like Sam Dunn. If you are a true rocker, you'll feel in sync with the guy, you'll know what he is talking about and why, but if you aren't into metal, you'll have a hard time understanding some of the meaning.
My biggest problem with this doc, is the same as the others: it's too superficial. For me, it's too much about satanism, gore and torching of churches. For me, metal is not about that. Metal is a form of expression, a way of life. I wanted to see more about metal from around the world.
For an anthropologist, Dunn is far too concerned about the different styles of back and death metal, rather than reviewing metal as a phenomenon and culture around the world. He focuses on the US and Norway, but that is just a little piece of the big picture. What about the rest of Europe? What about eastern metal or other regions of the world? What about the other genres of metal? I wanted to hear more about the different genres, the history and pioneers of each of them...etc, how those evolved and transformed over the years, and who are the artists that made it happen.
In a nutshell, it's too one-sided, too narrow perspective. I know it's only 90 minutes, but it could've been done. Okay, I'm maybe splitting hairs here. I agree, it's a decent documentary, and for such an (pardon the term) amateur team, it's a very good film about metal, but it left me with a nagging feeling of "something's missing", it's somehow not complete, and I guess that's what most people are feeling about this documentary. The interviews are very well done, but with the wrong people. I wanted to hear more big names, more name bands and real pioneers of metal. I know the film is very low-budget, and they probably couldn't pay for an interview with Ozzy, Lars, Joacim Cans or even Serj Tankian, but I really miss those bits from a documentary about metal. Other than that, its a pleasant experience, and I recommend it for every metal-head and non-metal-head out there.
When this documentary starts showing at the multiplexes, it will be the biggest exposure this musical genre would have gotten thus far, aside from a few ridiculous lawsuits that went public throughout the years. The concept itself that mainstream audiences will be learning of everything from Dio's unique opinions on things to Norwegian Black Metal is quite appalling. More importantly, hopefully this documentary will clear once and for all every false doubt and misconception that Metal has always portrayed to the misinformed.
A head banger's journey starts off by examining Metal's roots, the long debate in regards to who was the first Metal band ever. Then, we are taken through an analysis of how metal sub-genres came to exist. Dunn also gives his thoughts about Metal's culture, viewpoints, religious standpoints, the fans and every other aspect of metal. Some of the veterans of the scene as well as some insightful outsiders give their interesting opinions to support the argument at hand. The film balances the serious aspects of Metal with some unintentional humor. Personalities like Alice Cooper, Bruce Dickinson, Alex Webster, Slipknot, Ghaal, Dee Snider, Doro, Ihsahn and many others offer their own individual thoughts in an intellectual way while bands like Mayhem make a fool out of themselves during a drunken interview.
Dunn is a true metal head. It is his passion, yet he gives a critical and sometimes subjective opinion of the music at hand. The documentary is extremely entertaining and informative. It made me proud to be a metal head. It even made me give bands I'm not too fond of another chance. Bottom line is, if you're a Metal fan you'll enjoy this from beginning to end. If you're a curious outsider, here's your chance to understand our world better and get a more defined opinion of our music. And even if you don't, well to quote Dunn at the end: "We're doing just fine without you "
Unlike 1988' The Decline II: "The Metal Years" disaster while a big deal at the time, it still remains a brutal "cringe-fest" from start to finish and focused on predominately one style (Glam)one era (The 80s) one location(Sunset Strip) and barely covers the period of Heavy Metal that is STILL alive and well: thrash, black, speed,etc
I would have never guessed that a film about Heavy Metal would take serious the attitudes, styles, individuals,genres and provide a clear history time-line unlike Decline and any others of that ilk.
Don't know when this will come out officially, but hopefully a distributor out there will take notice, even if its headed for the midnight movie circuit.
FEATURED INTERVIEWS: Dio *Iron Maiden * Girlschool * Twisted Sister * Motorhead * Slayer * Rob Zombie* Tony Iommi * Slipknot and more.
I saw this movie at an outdoor summer screening in a local park, and it was brilliant to hear the sounds of the metal we know and love pounding out through the park on a Sunday night.
The film was a considered, thoughtful journey through some of the questions that plague the minds of those who aren't part of the metal community. Such as what the fans are like, how they get into metal, why they stay with metal and rarely stray from the various genres that it has. Others include sexuality, girls in metal, and so on.
Each aspect of the documentary was soundly explored, rationally argued, and balanced. For instance, on the one hand you get the perspective of groupies, and then of groupies from bands. You get differing opinions.
In fact, the documentary is a boon for both the metal community and the non-metal community alike. On the one hand, the mettles can revel in the exploration of their community and genres; on the other, the wider community can gain some real insight into the workings of the community.
I must admit that some of the humour that our (predominantly metal) audience felt at the posturing of the Norwegian Black Metal scene, and other parts, the rest of the audience didn't necessarily get. The humour is often something which you must be part of the community to understand, which is why it all appears so serious to the rest of society: they don't get the humour.
All in all, a well-wrought, skillfully crafted, and well argued documentary. Of course there were subgenres and things missing, but you get that with all docos - there just isn't the time to do it. Given the limitations, Metal: a headbanger's journey, makes the most of it and does it well.
Highly recommended viewing.
Wusstest du schon
- WissenswertesIn one of the film's oft repeated moments, Dunn attempts to interview Mayhem's Necrobutcher at a festival, who clearly appears aggravated at the suggestion that black metal is not as popular as it once was. In 2015, Dunn would interview Necrobutcher again for his Metal Evolution series' "Extreme Metal" episode about the same subject, with a considerably more laid-back Necrobutcher admitting that Dunn's point about black metal being "fractured" to a more melodic and a rawer contingent is a valid one.
- PatzerDunn also mentions the "Filthy 15", a list of artists with lyrics considered obscene in one of a number of ways. Sam mentions that, of the 15, 8 are metal bands- he has miscounted. Upon reviewing the list, Danish black metal band Mercyful Fate make the list but bump the count to 9 bands. They are also not highlighted like the other metal bands sharing spots on the list.
- Zitate
Sam Dunn: Ever since I was 12 years old I had to defend my love for heavy metal against those who say it's a less valid form of music. My answer now is that you either feel it or you don't. If metal doesn't give that overwhelming surge of power that make the hair stand up at the back of your neck, you might never get it, and you know what? That's okay, because judging by the 40,000 metalheads around me we're doing just fine without you.
- VerbindungenFeatures Heavy Metal Parking Lot (1986)
- SoundtracksThe Number of the Beast
Written by Steve Harris (as Stephen Harris)
Performed by Iron Maiden
Licensed courtesy of EMI Records
Top-Auswahl
- How long is Metal: A Headbanger's Journey?Powered by Alexa
Details
Box Office
- Budget
- 1.300.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 5.095 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1