Ein erfahrener Ingenieur und ein junger Schaffner rasen mit einem unbemannten Güterzug auf eine Stadt zu und verhindern eine Katastrophe.Ein erfahrener Ingenieur und ein junger Schaffner rasen mit einem unbemannten Güterzug auf eine Stadt zu und verhindern eine Katastrophe.Ein erfahrener Ingenieur und ein junger Schaffner rasen mit einem unbemannten Güterzug auf eine Stadt zu und verhindern eine Katastrophe.
- Für 1 Oscar nominiert
- 1 Gewinn & 14 Nominierungen insgesamt
- Nicole
- (as Elizabeth Mathis)
- Michael Colson
- (as Dylan L. Bruce)
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Unstoppable is based on a true story that comes out of Ohio where we have a low-level employee who fails to set the air brakes on a train while changing tracks and the issues that ensue as a result. The director Tony Scott, no newcomer to the action genre, sets the stage for the high-octane second half by letting us get to know the 2 main characters: Rookie conductor Will Colson (Chris Pine) and veteran engineer Frank Barnes (Denzel Washington). The two both have their share of family issues, which adds to the difficulty of being able to work together initially. Another dynamic we discover is that the company is forcing employees to be laid off, as evidenced by the fact that Barnes is being replaced by younger engineers such as Colson. The 2 characters provide solid low-key performances and we see the tension that initially exists turn into mutual cooperation to work together for a solution, and then at the end, respect.
Solid performance also given by Rosario Dawson, who is both the eye-candy and sounding board for our heroes, planted where she can see all train activity.
As the movie progresses, we come to find out that this runaway train laden with toxic chemicals is headed towards heavily populated areas, and our stomach starts to sink about the devastating possibilities that may occur should everything go wrong. The plan? to link up to the phantom engine from the back and pull it the other way, coming to a full stop.
It is fascinating to watch the failed attempts to stop the train, which seems to add to the power, giving the audience a realistic idea of how "unstoppable" this train truly is with it's 10M pounds of force going full-steam ahead.
In the end what we are left with is ordinary men putting on extraordinary acts of courage. Where there might be chest-pounding there are a couple of family guys doing what they felt should have been done by anyone in that situation, and a humbleness that brings a more realistic quality to the movie.
I'm glad that the sensationalism was toned down so that the thrills that the movie had to offer truly thrilled me. As others have stated already, Unstoppable is truly a "Speed" on tracks and definitely one of the year's finer action movies.
7/10 stars
The farewell of the brilliant director Tony Scott is a thriller with non- stop action inspired in a true event in Ohio. The screenplay is engaging and the dramatization is adequate to the story. The great cast with Denzel Washington, Chris Pine and Rosario Dawson completes this excellent entertainment. My vote is seven.
Title (Brazil): "Incontrolável" ("Uncontrollable")
Tony Scott does a pretty good job of making the runaway train look menacing, almost like a monster that no matter what you do always keeps coming for you. The majority of special effects and stunt work were done realistically with very little CGI being used, which for me is always a plus. With it being based on a true story he definitely uses a lot of tactics to make it feel less like a film and more like your actually watching the action happen presently. There's a lot of bird eye shots of the trains making it feel like a news helicopters are shooting it, while also cutting to news broadcasts following the runaway train through the majority of the film creating a more realistic view of the whole story. He also filmed on location in Pennsylvania, which was pretty cool living in central PA and having the opportunity to talk with some of the crew.
As for the characters, the first half of the film, is where the majority of the very little character development comes into play. Will and Frank bicker back and forth at each other, when unsurprisingly they find a common bond through broken families with their wives and children. There are also many conversations, which mostly turn into arguments, between Connie and Oscar about how to stop the runaway train and the potential problems it could cause. Yet, due to the pacing and strategic place of key conversations you end up caring about the characters and are pulling for them to get out of this disaster alive. The most important and character revealing dialogue occurs during the more explosion filled scenes with the train.
Overall, it's a pretty fun time, and never has a boring moment. Just when you think the dialogue may be getting a bit to breathy and boring, Scott crashes the runaway into some object causing a major explosion. It's one of those no brain activity films that you can just sit back and enjoy. The characters are there and Scott makes sure not to fill the runtime up with too much dialogue, but with just enough to develop Frank, Will, and Connie into people we want to see succeed. Lastly, it doesn't try to be anything more than it is. It's a film about a runaway train and the people trying to stop it, that's it. Unstoppable is a thrilling ride and a guaranteed enjoyable viewing.
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- WissenswertesThe film is inspired by the "Crazy Eights" unmanned train incident in 2001. The train, led by CSX Transportation SD40-2 #8888, left its Walbridge, Ohio rail yard and began a 66-mile journey through northwest Ohio with no one at the controls, after the engineer got out of the originally slow-moving train to correctly line a switch, mistakenly believing he had properly set the train's dynamic braking system, just as his counterpart in the movie did. Two of the real train's tank cars also contained thousands of gallons of molten phenol, similar to the fictional train in the film.
- PatzerThrough several crossings we heard a train's air horns. One train was not manned and we saw close-ups of the actors in the other - no-one was on the horns. This is not necessarily incorrect - in some areas designated "quiet zones" by the DOT, trains are not required to blow their horns in the same manner as ordinary crossings unless the engineer thinks there may be a need; some of these zones have "wayside horns" mounted at the crossing that automatically trigger as the train approaches.
- Zitate
Oscar Galvin: I am not jeopardizing more personnel and more property just because some engineer wants to play *hero*! End of discussion! That train is our property. It's our decision! Now you stop your pursuit or I will fire you!
Frank: [chuckles] Fire... You already did.
Oscar Galvin: Already did what?
Frank: You've already fired me. I received my 90-day notice in the mail... 72 days ago. Forced early retirement, half benefits.
Oscar Galvin: So you're gonna risk your life for us with three weeks left.
Frank: Not for you. I'm not doing it for you.
- VerbindungenEdited from Nur noch 60 Sekunden (2000)
- SoundtracksWork
Written by Missy Elliott (as Melissa Elliott), Ciara (as Ciara P. Harris), Marcella Araica and DanJa (as Nate "Danja" Hills)
Performed by Ciara (feat. Missy Elliott)
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Imparable
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 100.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 81.562.942 $
- Eröffnungswochenende in den USA und in Kanada
- 22.688.457 $
- 14. Nov. 2010
- Weltweiter Bruttoertrag
- 167.805.466 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1