IMDb-BEWERTUNG
7,3/10
11.046
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA cabbie (Patekar) and businessman (Abraham) both in need of big money partake in a two-hour adventure together.A cabbie (Patekar) and businessman (Abraham) both in need of big money partake in a two-hour adventure together.A cabbie (Patekar) and businessman (Abraham) both in need of big money partake in a two-hour adventure together.
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
Shivaji Satam
- Arjun Bajaj
- (as Shivaaji Satam)
Sanjay Dutt
- Narrator
- (Synchronisation)
Priyanka Chopra Jonas
- Driver (Guest Appearance)
- (as Piggy Chops)
Ashwin Chitale
- Rishabh R. Shastri
- (as Master Ashwin Chitale)
Empfohlene Bewertungen
They remade Hollywood hits, copying it frame to frame, then they started to somehow make a remake that's better than original, and now the Bollywood has come of age and unleashing the latent talent with some original stuff. Taxi No. 9211 is a case in the point. From a refreshing concept, to superb acting, to pacy direction to some good music... everything turns out to be just in place to make it one of the most enjoyable films of recent times.
It's a day's journey of two typical characters who do it all, from running after each other's life to blowing the birthday candles together, from getting in some of the biggest troubles of their lives to coming out of most of the troubles they were nurturing all through, all in one single day.
Nana Patekar is as natural as ever and John is showing great improvement in every film. Milin Lutharia is also meeting the promise he showed in his previous directorial ventures (Kachche Dhaage and Deewar)
I am unable to find even a single reason why you should not watch this one. Go and have some good time.
It's a day's journey of two typical characters who do it all, from running after each other's life to blowing the birthday candles together, from getting in some of the biggest troubles of their lives to coming out of most of the troubles they were nurturing all through, all in one single day.
Nana Patekar is as natural as ever and John is showing great improvement in every film. Milin Lutharia is also meeting the promise he showed in his previous directorial ventures (Kachche Dhaage and Deewar)
I am unable to find even a single reason why you should not watch this one. Go and have some good time.
Actors - Nana Patekar is the best, although John Abraham and Sameera Reddy have also started to learn. Nana's dialogue delivery is superb. John Abraham has been, finally, given a role he would match. Sameera Reddy, Kurush Deboo, and Shivaji Satam have strong roles.
Story - The story is well written, but the screenplay could have been better. For those who haven't seen the film, go take a look, and expect a few twists in the storyline.
Music - The music is pretty good. Look out for Bappi Lahiri's Song Bambayi Nagariya, Adnan Sami's Meter Down, and Aazmaale Aazmaale, probably from K.K.. Don't miss the music video of Meter Down.
Story - The story is well written, but the screenplay could have been better. For those who haven't seen the film, go take a look, and expect a few twists in the storyline.
Music - The music is pretty good. Look out for Bappi Lahiri's Song Bambayi Nagariya, Adnan Sami's Meter Down, and Aazmaale Aazmaale, probably from K.K.. Don't miss the music video of Meter Down.
It heartens me to see such movies coming out of bollywood. The movie runs for about 2 hours and never is a drag. I would not want to delve into the story too far... I think this is one of those movies which must be seen.
The movie is all about a day when John hires Nana's taxi and the things start going wrong ... The movie is to the point and does not have any unnecessary songs/scenes (masala). The comedy is superb and the movie itself is quite a thriller.
All characters have played their roles well.. Nana delivers another great performance. Milan luthra shines as the director.
We need more of these kind of movies from Bollywood.
The movie is all about a day when John hires Nana's taxi and the things start going wrong ... The movie is to the point and does not have any unnecessary songs/scenes (masala). The comedy is superb and the movie itself is quite a thriller.
All characters have played their roles well.. Nana delivers another great performance. Milan luthra shines as the director.
We need more of these kind of movies from Bollywood.
Copy of changing lanes with Indian masala to it. Great movie keeps u in suspense and is unpredictable. Unfortunately average Indian audience will not see it since it does not have the romantic yash raj touch to it. John and Nana give the best performance of there career. Great music. Sameera is to die for. Milan's great director. Deewar was another brilliant film but unfortunately his films always get unrecognized.
Here is the story A party player(John abraham) in a rush to make a court appointment to take original will involving a multi-million dollar trust gets the ride of his life when he sits in the cab of an alcoholic taxi driver(Samuel Jackson), who thinks he is always right and the whole world is wrong. John leaves the scene of the accident and strands the taxi driver, causing him to runaway from the cops. During the process of the post-crash discussion, John accidentally drops the key to the locker for his dad's will he needs to present in court. The judge gives him until tomorrow to present the papers and thus begins a cat and mouse game between the proponents. A few questionable actions later on both parties' part, they finally start questioning their actions and their lives. In the end, both come to new understanding of what is important and appear to be set in new ethical and moral directions.
Here is the story A party player(John abraham) in a rush to make a court appointment to take original will involving a multi-million dollar trust gets the ride of his life when he sits in the cab of an alcoholic taxi driver(Samuel Jackson), who thinks he is always right and the whole world is wrong. John leaves the scene of the accident and strands the taxi driver, causing him to runaway from the cops. During the process of the post-crash discussion, John accidentally drops the key to the locker for his dad's will he needs to present in court. The judge gives him until tomorrow to present the papers and thus begins a cat and mouse game between the proponents. A few questionable actions later on both parties' part, they finally start questioning their actions and their lives. In the end, both come to new understanding of what is important and appear to be set in new ethical and moral directions.
Taxi Number 9211 is a story of one day revolving between a taxi driver named Raghav Shastri and his passenger named Jai Mittal.The two are the exact opposites with strikingly similar problems in their personal lives.
I watched Taxi Number 9211 today and to be honest it did not quite go well to my expectations.It's not a bad movie or anything but in the end it would be known as a film which promised more but delivered less.But nonetheless a good watchable movie overall.
I think the film was a bit rushed on to the floor without much work on the screenplay and scripting.The concept was a quite unique and different one from the Indian movie format though.The performances by the lead actors is good.The film is very good till the interval with lots of comic punches but tends to bore you as it progresses after the interval.And at one point the ending becomes very predictable and is very much like any traditional Indian movie ending(everyone lives happily ever after stuff).
I watched Taxi Number 9211 today and to be honest it did not quite go well to my expectations.It's not a bad movie or anything but in the end it would be known as a film which promised more but delivered less.But nonetheless a good watchable movie overall.
I think the film was a bit rushed on to the floor without much work on the screenplay and scripting.The concept was a quite unique and different one from the Indian movie format though.The performances by the lead actors is good.The film is very good till the interval with lots of comic punches but tends to bore you as it progresses after the interval.And at one point the ending becomes very predictable and is very much like any traditional Indian movie ending(everyone lives happily ever after stuff).
Wusstest du schon
- WissenswertesAn action sequence was to be shot with some cars chasing 'John Abraham'. Unfortunately, at the time of shooting, Abraham's mother was crossing the road and she presumed he was being attacked and freaked out. Shooting was halted while Abraham calmed his mother and reassured her it was only a film shoot.
- PatzerWhen Sonali Kulkarni buys tickets for Nasik she asks for two tickets for the 9 pm train but later when Nana Patekar is in John Abraham's house he says my wife is going to Nasik by the 11:30 pm train.
- Zitate
Jai Mittal: Shivaji had the power of 1 horse and it talked with air. This car has 18 horses, press the accelerator and say Jai Maharashtra
Raghav Shastri: Jai Maharashtra!
- VerbindungenReferenced in No One Killed Jessica (2011)
- SoundtracksBoombai Nagariya
Written by Vishal Dadlani
Composed by Vishal Dadlani and Shekhar Ravjiani
Performed by Vishal Dadlani, Bappi Lahiri, Nisha Mascarenhas and Marriane D'Cruz
Courtesy of Saregama HMV
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 292.794 $
- Eröffnungswochenende in den USA und in Kanada
- 102.466 $
- 26. Feb. 2006
- Weltweiter Bruttoertrag
- 292.794 $
- Laufzeit1 Stunde 56 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Taxi No. 9 2 11: Nau Do Gyarah (2006) officially released in Canada in English?
Antwort