Füge eine Handlung in deiner Sprache hinzuSet years ago in the era of the Joseon Dynasty, the story follows a young police officer named Namsoon (Ha Ji-won) who, along with her fellow officers, discovers a counterfeit ring operating... Alles lesenSet years ago in the era of the Joseon Dynasty, the story follows a young police officer named Namsoon (Ha Ji-won) who, along with her fellow officers, discovers a counterfeit ring operating out of the area they've been assigned to protect. However, as the criminals aren't just p... Alles lesenSet years ago in the era of the Joseon Dynasty, the story follows a young police officer named Namsoon (Ha Ji-won) who, along with her fellow officers, discovers a counterfeit ring operating out of the area they've been assigned to protect. However, as the criminals aren't just printing up their own money, they also plan to use it to topple the economy and take down t... Alles lesen
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Duelist is a prime example of art film that doesn't try hard at pushing an elaborate story into its viewer. There is very little dialogue, barely enough to let us know what's going on, and most of the story is told via movements, lightings and music. Honestly I was kinda puzzled during the first half, not knowing where it was going, but the curiosity and Gang Dong-won being a feast to the eye made me stay. And I didn't regret any minute of it. The two leads have ridiculous chemistry and they totally compliment each other. My only issue with the processing is the excessive use of slow motion that time seems to flow differently in Duelist, but it also makes everything so pretty I'm not complaining.
Featuring one of the best soundtracks I have ever heard, being that the music is an essential part in leading the viewers, Duelist tells a love story through sword fights that look so passionate and intimate it's almost dancing. A brilliant visual feast, like a poem, it's peculiar and sometimes over-the-top theatrical, so it might not be everyone's cup of tea. I personally absolutely love it and have been raving about it to anyone who would listen. Try it yourself to find out which side you are on.
Underneath it, this movie is very self-conscious and experimental film. Of course, there is a compromise between mainstream movie and director's personal movie. That is "having narrative" in this movie.
Director expresses his visual vision which is loosely based on detective story.However if you try to follow story in this movie,you will be utterly disappointed.
This is almost another form of alienation effect. There is narrative but narrative can not handle its grandized style. It is not style for narrative but narrative for style. Director almost challenges you what movie is and means to you. In this grossly capitalized movie making world, can movie be presented as an art form or a painting. is it even possibility of discussion?
If you like this kind of geeky challenge(almost Brecht like) or exploration, this is movie for you. If not, I say still give a shot and focus on style and rhythm and visualization and do not waste to spend too much time to follow the "story". If you are interested in this director, you can google it and will be able to find interviews. I think this movie Lee expressed more his personal vision and visual challenge than previous one and he is definitely pushing it.
Movie is based on comic book characters and stories written by Bang Hak-gi.Korean soap opera "Damo (female detective)" also is based on this comic book story.
Female leading lady(Ha ji won) played similar role in drama "Damo". Damo was great hit series drama in Korea.
This movie did not do well in korean box office but there is a cult following for this movie. When you try to buy DVD, make sure that it is quality you want because director did several digital enhancement on this movie after release.That is what I heard anyway and you do not want to miss gorgeous visual in this movie.
There's a memorable scene where the soundtrack features a hard rock thrash song and a quiet piano sonata ...playing simultaneously! How the audio engineer pulled this off without it sounding like a train wreck is beyond me. But you can distinctly make out the two clashing pieces of music.
The whole movie is much like this phenomenon. First of all, it boldly crosses the line between "art house" and "martial arts flick". If you're looking exclusively for either, you'll be disappointed. But if you're sharp enough to follow the jumps, you'll love this picture.
Almost every other reviewer has criticized the plot for being too thin. I think they're missing the point. The classic Japanese film SEVEN SAMURAI can also be said to have a weak plot, if you're get right down to it. But the point is not to look for an intricate Alfred Hitchcock weave; the point is to enjoy how expertly the visuals can bring a fairy tale to life. And this is a great fairy tale, at times leaving you wondering what is a dream and what is real.
And then suddenly you're holding your sides because you're laughing so hard at the comic routines. Like I said, this film mixes it all. You gotta be quick to keep up.
Visually, I can't praise this film enough. Vivid colours, smooth camera motion, graceful movements (to the point where a mob scene looks choreographed) and gorgeous sets give this movie a fantasy quality that few directors have been able to achieve. And the computer animation (if even there was much at all) was not noticeable, unlike a lot of modern films that use CGI for everything. Instead, the director uses very creative lighting and shadows to accentuate the swordplay. At times it looks like a Star Wars light sabre duel, but so realistic.
Enjoy this film for what it is. Expect nothing, drop all preconceived notions, and I guarantee you'll have a great time.
Oh, I also thought I'd mention... no nudity or gratuitous sex, no blood splattered across the screen, no animal cruelty. Fun for everyone.
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Box Office
- Weltweiter Bruttoertrag
- 6.324.945 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1