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I liked this movie. I'm not sure why they called it Cello, because it's the characters in the movie that really make it scary and not the instrument. But, it is directed by Lee Woo-Chul, a music director, and he really does use the music effectively to create this creepy ominous vibe. He also makes the movie look good too (there's a lot of cool imagery) and it comes off almost looking somewhat like a longer version of a scary music video. Maybe that's what they decided to name it after an instrument. Anyway, it's about this woman, who is a really great cellist, and she just wants a peaceful life after surviving a car crash that killed her best friend. So she decides to give up a professional career in music in favor of teaching college students and her daughter how to play. Well, once her life appears to regain a sense of normalcy, of course you know that that's just the quiet before the storm. Suddenly, one of her students attacks her, her sister in-law develops a wacky obsession with her fiancée, and the new housekeeper – lets' just say the woman will scare the crap out of you! Plus, her daughter develops some serious issues, including a nasty biting habit. There are plenty of scary women in this movie and they had me jumping several times. That's why I reiterate it's the characters that you have to watch out for. Before I saw it I thought it was about this haunted instrument or something. The acting is good, and the music really does add to the jump factor. Basically, it's a really fun movie to watch late at night…with the sound up loud. I recommend it!

Cello is an atmospheric, emotionally-driven psychological horror/drama from South Korea. It's basically about a woman with traumatic events in her past that come back to haunt her and her family. 

I call it a horror/drama because it has its frightening moments, but a large part of the movie is devoted to the relationships between the main character, Mi-ju and her autistic daughter, and the past relationship of Mi-ju and her very close friend, Tae-Yeon. I found myself caring a lot more about the characters (and any potential danger to them) in Cello more than I usually do in horror movies, because so much time was devoted to developing them as people and not just kill-fodder. There are so truly horrifying moments in this movie, which gives it a heft and impact that goes beyond just visceral thrills. Cello is a very sad film, and that wouldn't have worked at all without characters that you actually care about.

It's not hard to figure out what's going on with the story, as Mi-ju seeming falls prey to either a malevolent ghostly presence or her own crumbling mind, but fortunately the plot throws enough curves to keep even veterans of the genre from being able to predict everything that's going to happen. 

Put plainly, I liked Cello. It was somewhat different from the recent horror movies I've seen, and undeniably well-made. I recommend it.

Motivation - this is one notion I kept thinking about after the film's completion: what were the creator's motivations behind the development of this movie, while at the same time, what was motivating Mi-ju (Hyeon-a Seong), the lead character, the directionality of her decisions been difficult to fathom, although I, at the same time, could postulate my own personal speculations. The film however never openly reveals 'she is doing this because...', leaving much room for an audience to contemplate.

By the end, Cello feels like a movie we have seen before, combining themes and ideas present in films like Wishing Stairs and Sometimes They Come Back, along with an assortment of unique and stereotypical genre tropes. The scares that are present are less of the 'jump' variety, and more of the 'gasp', the film never officially terrifying its audience. At the same time though, Cello is depressingly disturbing, not so much in its ambiance, but in its content, possessing a similarity to a Greek Tragedy.

The films begins with Mi-ju in a bloodied state in hospital. We can assume she has recently experienced a traumatic car crash from the indicative blurb, though, can we be sure? Cello is a lot like a compass. If 'north' led towards the most logical and cognitive plot, then Cello points everywhere else for the majority of the feature, causing the viewer to think deeply about what is happening, the answers that are slowly provided occasionally having the rug pulled out from under them, forcing the audience to again wonder what is happening. In this sense, the narrative progression of the feature cannot entirely be trusted, which acts as an intellectual stimulus.

After experiencing something horrific, which is slowly revealed over the course of the story, Mi-ju now works as a Cello instructor. In her spare time, she connects with her family: her husband Jun-ki (Ho-bin Jeong), her autistic daughter Yoon-jin (Ji-eun Choi), her youngest daughter Yoon-hye (Ji-hye Jin), and her sister in law Kyeong-ran (Bit-na Wang). Not long into the movie, Mi-ju buys Yoon-jin a cello which she fancies while at the shops, and her husband hires Ji-sook, a silent and mysterious housekeeper.

It initially proves difficult to decipher what of the many changes in Mi-ju's life is the catalyst that eventually leads to a malevolent presence invading her life, and that of her family. However, if she doesn't figure out what is happening, and soon, she may not have any family left. A story of love, family, jealousy, betrayal and revenge, Cello is a film that shows behind every smile is a past, as haunting as it is unforgettable, and though we might be able to leave our past behind, sometimes, it doesn't want to leave us.

A professor must contend with a vengeful student, a mysterious housekeeper, and the total annihilation of all he loves.

CELLO is a wickedly clever ghost story with more twists than a tangled slinky! The plot loops, and bends back on itself, creating a very disturbing / disorienting experience. Bloody and vicious, this is one creepy movie! Filled with "WTF?" moments, this film goes where -most- others fear to tread. Yep, there are kids in this one, and they're neither sacred nor safe! A superb South Korean shocker...

The cellist and teacher Mi-Ju Hong (Hyeon-a Seong) is invited by her colleague and friend Sun-Ae (Na-woon Kim) to assume the position of professor in her renowned institution, and gives an invitation to the concert of Hae-Young Kim, the little sister of her former school best friend Tae-Yeon Kim (Da-an Park) who died in a car accident. Before leaving the building, she is threatened by a former student that failed in her test. While driving home, she escapes from an accident on the road and once at home, she has a surprise birthday party with her husband and prosecutor Jun-Ki (Ho-bin Jeong), her daughters the slow Yoon-Jin and the young Yoon-Hye Song, and her sister-in-law Kyung Ran (Jin Woo), whose fiancée is in Manhattan in a MBA course. On the next morning, her husband hires the dumb housekeeper Ji-Sook, a very weird woman. While shopping with Yoon-Jin, the girl is fascinated in a cello and Mi-Ju buys the instrument. After the mysterious death of her dog Sunny, creepy events happen with Mi-Ju, jeopardizing her family, while she insistently listens to her husband voice saying "open your eyes".

"Cello" is another magnificent Korean horror movie. The original plot is very well constructed like pieces of a puzzle, with a scary and ambiguous twist that gives the sensation of deja vu. The film is supported by an excellent screenplay, wonderful and classy soundtrack, awesome direction and performances and a perfect use of special effects. The actress Hyeon-a Seong is extremely beautiful and elegant and fits perfectly to her character. Unfortunately this movie is underrated in IMDb and based on the 218 votes, quite unknown. My vote is eight.

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